March.
Bit by bit, petals stretched toward an
unreachable horizon, spilling
sweetness into the air
Assaulting, Infecting nostrils
still dry from an unrelenting winter they had
g r o w n
to embrace.
Weightless relief in the child-blue sky cried:
“Spring!”
and I
b
l
o
o m e d
with you.
Marked by woes but yet untouched by the
Fleeting Hand of Persephone, with
dreams
of dancing barefoot
in the yet-to-come(-but-maybe-never) meadows,
You
beckoned
to
Me.
Me?
I,
who had so often tread with
caution through the Serpent-
concealing, tall, tall grass—
I,
who had come to prefer
Hades’ contentment to the
oppressive bright of blossoms,
with a sigh leapt into the cradle of your petals,
abandoning my skin to burn in the sun.
October.
skinless i quake in the hollow of a wilting flower.
don’t look at me when I’m like this.
don’t look at me.
unstable, uncertain skeleton surveys the falling and the fallen.
have i the strength?
Recognizing self in the wire-brush
trees (reverent for the final crunch of
underfoot leaves),
a heap of bones--
clitter-clatter
--drags itself down from the remains of
Springtime
to
whisper
“farewell”
to a tearful Persephone.
She doesn’t hear.
Author notes
I usually write things by hand in cursive, but since I have a new laptop I decided to open up MS Word and play around with some things.
What did you think
Comments
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I like the rhythm of the yet-to-come (-but-maybe-never) meadows. And how your blooms blow in a breeze.
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That's probably because the yet-to-come (-but-maybe-never) meadows are iambic pentameter, with a feminine ending.
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