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Because...

Because, at four, I stood tip-toe on a hill
And smelled the smoke and felt the flare of the burning;

Because at fifteen, in the Festival
I picked paths through the waste and willow-herb
- A short-cut to the Tower for dollar-tourists;

Because I brought meat-scraps and milk for the cats,
Faithfully mousing ghosts of offices
Unto the tenth and twentieth generation;

Because I watched the long booms of the cranes
Playing cratch-cradle in the winter sky,
And the walls rise slab by slab and course by course -

Whether you praise this building or dispraise it
I cannot agree - to a mother her children are always lovely.

A contest entry

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Comments

1 - 11 of 11

  • LdyBrknWing gold member
    November 21
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    The best poetry, to me, is the kind that the reader is left to ponder on; to decided for themselves what the catalyst for the piece is. This wonderful poem does that, and even left me with a surprise at the end, as I felt that I knew, right until the very end, where it was going. (I love that when it happens!) I've gone back several times, now, and read it again, trying to decide what that "building" is. (Your own life, perhaps; the walls rising slab by slab, course by course.) I like a good mystery! Wonderful work! Most enjoyable read.

  • You had some cool metaphorical images in here. I like it.


  • Peripatetic gold member
    October 28

    Edit | Reply
    There is wonderful, beautiful use of language in this poem. The subject of the poem is known to the author, and it is rendered for readers in imagery by turns concrete and abstract. Readers, on the other hand, are enjoined by what the author does not say to imagine the constructions of their own minds or histories as they watch this poem rising in their consciences.

  • Virgoan
    October 26

    Edit | Reply
    I like the narrative approach with the subtleness encased within the piece. As if I was there watching or probably doing it.

    This is my favorite part:

    Because I watched the long booms of the cranes
    Playing cratch-cradle in the winter sky,
    And the walls rise slab by slab and course by course -

    The effectiove slight-repetition plus alliteration makes this piece something to ponder.

    Thanks for sharing.

    HENSLEY

  • Rowan gold member
    October 26
    Edit | Reply
    because I like this, I have to leave some yellow clappies...


  • Over Zenith
    October 22

    Edit | Reply
    I really liked this, the poem sort of built up slowly just like the construction of a building or the growing of a person. It all wrapped up nicely. Good job!

  • abu nuwas
    October 20

    Edit | Reply

    Vera

    I say: the Blitz, the Festival of Britain, that all, pink, Rose Bay Willow-Herb, old bomb-sites overgrown, new buildinggs going up all over the place.

    Fathers also. I was utterly convinced that our first baby would be chosen as Cow and Gate Baby of the Year, and that other parents secretly would have exchanged their rat-faced babies any day! Now, as grand-father, of course I have no such silly thoughts.....

    I liked your slightly irreverent version of 'The sins of fathers shall be referred upon sons to the third and fourth generations'. Nostalgic-- but not just nostalgic.

    Very good, I enjoyed.


  • frownsnfreckles
    October 16
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    I enjoyed the tone of nostalgia, the sparse imagery and the unexpected ending to this piece.


  • Mairi bheag gold member
    October 16
    Edit | Reply
    Och, this is fine!


  • cricketjeff gold member
    October 16
    Edit | Reply
    Dads too

    Great stuff, it's always good to see a new Vera

    Very thoughtful and thought provoking

    Jeff

1 - 11 of 11