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what cannot be said with naked tongues

simmered ascension paces breath with lingered steps
knowing the cost of lover’s lips too stilled to touch -
like Castilian bounty painted slow succulence 
laid low, insistent inside pulse,             
                the creature let go life, dreaming
silk dragon kites let loose to curl
            caressed drift montages inside occidental smoke

motifs rise in apparitions hung sultry     
                          studied nonchalance -
          oh, mirage of neon spilled Nile shadow
poised half-note tethered bridges 
      fingered spectres that call down Orion to Nefertiti,
    swim beauty, swim
            the moon lake of nocturne sighs -       
languid tongue craving brass
    wet artery of reed
    heart of mystery lush at sacred mouth

ancient pharaohs glide liquid midnight on jazz-water barge
    navigating gold-wash melody for pale southern stars
in throes of passion torn from riverbed and pyre fire
a soliloquy emerges
linear arcs in flat fifths without word
creation aching echoes that loop near supple recall -
that pleasure hope in each, a sob,
                                    epiphanies gifted to the void.

golden filaments weave metaphor
    not merely notes
but a calling-out of nymphea in transient musk heat    chimes repeat
        and I taste the remnant of blood like nectar in salt sweat,
            some untamed tragedy left on trembling lips

seduction wrapped around dawn
low cool viridian conjuring blue undertones
                                              a séance,
                                              calligraphy

        iconography of pure gold
                          orbs in freed orbit trance -
  seduction of panther whose path claims feral air -
wild card vines that speak requiems in lazy Morse code hymn,
as equatorial journeys echo the edge of round found sound -
reverberant poems of men who speak what cannot be said
with naked tongues pressed
        to the confessional air of love‘s wordless set.











Author notes

A contest entry for:
Jazzcat's Miles Davis Tribute
Use Miles Davis' song for inspiration.
by jazzcat

song prompt: Flamenco Sketches
From Kind of Blue, written by Miles Davis and Bill Evans

Miles Davis and John Coltrane featured on this cut.

Pianists, Bill Evans and Wynton Kelly, drummer Jimmy Cobb, bassist Paul Chambers, and saxophonists John Coltrane and Julian "Cannonball" Adderley comprised the studio set who recorded this masterpiece album.

Flamenco Sketches is but one of my favorites...and it gets under my skin every time I listen to it. I chose to use metaphors that insinuate like far-eastern veils, occluding yet illuminating the gorgeous almost mystical sensibility I hear in this gorgeous recording.

oh, please listen...
http://www.youtube.com/watch?v=Tpvpyb-PXM0

More background here:
http://en.wikipedia.org/wiki/Kind_of_Blue


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Comments

1 - 12 of 12

  • Blue Rew silver member
    October 12

    Edit | Reply
    I agree with Cat, that stanza he highlights is sacred
    intoxication. The whole of the piece moves in nocturnal
    colours, surrounds in pulse of soul~beat. Lovely, and mythical.
    Blue


  • Night Hope gold member
    October 12

    Edit | Reply

    Hmmm...We have emoticons for dancing, violin and guitar. Why not a trumpet, too??? Congrats on your shiny chalice, Sweetie.


  • michael thomas gold member
    October 12

    Edit | Reply
    congratulations on a wonderful poem and prize.


  • jazzcat gold member
    October 12

    Edit | Reply
    'motifs rise in apparitions hung sultry
    studied nonchalance -
    oh, mirage of neon spilled Nile shadow
    poised half-note tethered bridges
    fingered spectres that call down Orion to Nefertiti,
    swim beauty, swim
    the moon lake of nocturne sighs - languid tongue craving brass
    wet artery of reed
    heart of mystery lush at sacred mouth'

    That's an insane stanza -- and I mean that in the best way possible -- it covers everything and begs to be read aloud. I love all the musical references inside of it, that, honestly, I passed over on my first read through.

    The whole piece is exceptionally strong and gives us more than jazz, it combines nature and history, a simmering feeling of sexual undertones, beautiful imagery and so much more.

    When I started this contest, I wasn't thinking in terms of poetry like this, but now I have to rethink this as you have repainted the landscape


    • simone waters
      October 12
      Edit | Reply
      smiling.... I am happy you've enjoyed the poem as you have, jc.

      For me, when a musician plays - and the sound that issues forth is as whole and eloquent as this especially - they paint mood and inference on surrounding air. Where we open our ears and see the color and imagery of what they've expressed inside the sound...then the very special part about that is that we as listeners, become co-creators with them inside our individual attendance...lending our set of visual metaphors to the experience.

      These men were giants at lending that experience...
      whew...

      Thank you for seeing what I see in Flamenco Sketches.


  • Sweet Water
    October 9

    Edit | Reply

    Damnn!

    This poem was absolutely insane, I LOVED it!
    I really liked the Egyptian theme you inscribed in it and you used the most amazing metaphors/similes I've ever read. "Blood like nectar in salt-sweat."
    The language you used flowed beautifully, you should really consider recording this over drum-beats like beat poetry. Wow dude, damn!

    Oh by the way, I smell acid on your breath. hehe (:


    • simone waters
      October 12

      Edit | Reply
      laughs... happy you like the poem, Sweet Water. It would be an interesting pursuit to record as you've described, wouldn't it?



      btw... what you smell is vivid imagination... it tastes alot like acid.
      huggsss

      thanks again, poet...


      • Sweet Water
        October 12
        Edit | Reply
        vivid imagination + acid = otherworldly intuition ...haha

        But really now, that style of Egyptian writing actually turns me on lmao, same with Indian/Gypsy styles. I think it's unbelievably sexy. You should write me a poem about ancient Egypt and Egyptian Gods and stuff. It would be amazing and I would love that!

        -AW


  • Night Hope gold member
    September 29
    Edit | Reply

    That last stanza in particular. Sigh. I think Miles himself would swoon and be inspired to write another song, just for you, Scribe. Good luck in the contest, my Friend.




    • simone waters
      September 29
      Edit | Reply
      I absolutely love this whole album, but Davis and Coltrane together here.... whew
      What a beautiful comment, Wanda... for some reason I blush profusely, but smile from ear to ear with it.... hugggggssss to you

      Thank you, Scribe

1 - 12 of 12