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out of time.




--


i feel like my eyes were impaled with hail around midnight, because that's when my dreams fell into their accurate compartments. my eyes flushed with fury and i have never screamed so quietly into the center of my mascara stained pillowcase. the multi-colored staples aren't holding me together anymore with their abstract beauty, and my heart is bargaining to strain outward from my arteries. this is too much.



---


it's confidential, you know;


she collected our friendship within dusty notebook pages, rolled it up into a ball about the size of the earth's equator, and elaborately tossed it into the garbage bin on her way out of my life. i significantly held my head high, even though paper planes were landing in the opening of my airway; leaving me choking on forgiveness all over again. i never forget to draw on that smile with a mechanical pencil, because it always completed a fine line between sorrow and happiness.


but this is bullshit.


i don't have enough fingers to count how many images i've concreted into my memory because of her. we've conveyed laughter into our conversations, and listened as one another ran smack dab into a brick wall. last december was our paradise, and we fell in love with opposite boys who we thought completed every empty space that raped of our conscience. when our minds direct to galaxies and our fists are clenched after degrading heartbreak, our souls became molded together. but now, i feel like a tornado trampled through my secrets and burrowed beneath my esophagus.



i am battered.


--


it's a mystery, you know;


how ironic it really is.
after over a year of wrapping him in golden stripped lace and moistening his flaws with compassion, i've come to the realization that my hazel eyes have been patiently struggling to catch a glimpse of our future. i hadn't noticed that his charm has stolen my right to fall in love with someone else until i had the opportunity to clutch someone else's innocence, but strictly turned the other cheek. he invaded the black and white photographs posted to my bedroom door, and wrote me off as easily as he swept me off my feet.


so i've written blank checks and sent them via instant messages to allow him to offer a price to win him over, but each time he voids the check, as he carries me like a t-shirt over his shoulder. he told me he wanted me, but what exactly does that imply?


'i want you when i'm lonely. i want you when i'm incapable of lifting myself from this kitchen tiled floor. i want you when no one else will take me as i am.'


i must've misread the fine print when he showed up ragged and used at my front door. or maybe, i wanted to believe there were no extra fees that dangled in his shadow. i wanted to love him. but this. i don't want any of this.



i am bruised.


--


it's hidden behind the maroon tinted curtains, you know;


so there's this boy;
fuck, that's cliche. but it's a relevant story that pieces my secrets into place. he's committed to something; this country. he's grown up, and shown me the true meaning of living life to the fullest. i almost slipped when he cradled his fingers around my knuckles, brushing them with his lips, leaving me breathless in the most unexplainable way. it's the complete opposite of what you'd endure from certain moments; it's not the 'oh-he's-everything-i've-ever-dreamed-of' emotion that consoles my upset stomach, it's the fact that he has never let me down when i'm collapsed at my knees.


'i talk about you a lot, you know. and i'm going to miss you the most,' he told me as he tightened his arms around my collarbone.


we've never spoken or even mouthed goodbye to each other, because there's some glimpse of hope in something as simple as 'seeyoulater.'

he makes me believe that there is a reason beyond pride to struggle for whatever it is i truly wake up for every morning. he makes me look forward to another moment where he arrives in vintage olive drab colors, embracing me with the recollection that things will be okay. he is the soundtrack that completes the storyline of this dramatic hollywood feature that will eventually reach its 'happy ending.'

 

 

 

 

 

 

but i am not broken.

i am just terribly confused.

but for once,

 

 

 

 

 

 

 

 

 

 

i can promise that it's for all the right reasons.

 

 

 

 

 

 

 

 

 

 

Author notes

i can't do this much longer.





i n n o c e n c e j a d e d . x x

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Comments

1 - 7 of 7

  • kirsten.
    August 8
    Edit | Reply
    Another great write love.

  • Ooh wow. I lovelovelove how this went from being incredibly angry, to angsty, to grateful and appreciative. The nice thing is that I know exactly who you are talking about here, haha I can't really pick out favorite lines because this was so incredibly personal and beautiful and I loved everything in here. However, I will say that:

     

    one: I'm glad your friend finally apologized and admitted that she was in the wrong.

     

    two: youcandosomuchbetter. i'm glad he is making you strong though.

     

    three: I am sososoSO glad you have someone like Jamie in your life(: he is an amazing person and friend, and I know you'll always be able to count on him, through anything and everything. I can't wait to meet him!!!

     

    This entire verse pretty much sums up my thoughts:

    "i hadn't noticed that his charm has stolen my right to fall in love with someone else until i had the opportunity to clutch someone else's innocence, but strictly turned the other cheek. he invaded the black and white photographs posted to my bedroom door, and wrote me off as easily as he swept me off my feet.


    so i've written blank checks and sent them via instant messages to allow him to offer a price to win him over, but each time he voids the check, as he carries me like a t-shirt over his shoulder. he told me he wanted me, but what exactly does that imply?"

     

    Perfection. I can't even begin to tell you how truly amazing that part is.

  • the first paragraph didn't do much for me, because it was just an image, and i didn't really see where you were going with it. and i actually think this would be better if you cut it out. perhaps use that first paragraph for a different prose?

    and i say this because i think having
    "it's confidential, you know;" is a perfect hook. think about it. if you were reading a prose and someone said that, wouldn't that really grab your attention? that's another reason to get rid of the first paragraph and perhaps use it for a different write.

    i also feel like after that particular line, that is when you started to get to the point and the focus was more pointed...and that is when it started to pull me in and want to know what you had to say about the situation, that's when the story started coming out.

    "but this is bullshit" - good way to grab the reader's attention by the horns; as if you were demanding for them to read and hear you out. i like it.

    it may just be personal preference but i don't care for the "iambattered" part. there is one particular poet on this website that i let get away with that: chloris (she may have changed her username but her real name is esha) but she is the first person i ever met on here that made up words and whenever she does it, it always works. so when i see others doing it, it just doesn't work the same, because i had grown so used to how eshe would do it. however i know that you have no idea about my standpoint on the issue, but now you do. lol i'm picky with that kind of stuff. but the good news is that i've seen you do stuff like that before so i've accepted it is just part of your style. that is why i am choosing not to hold it against you whatsoever. but for future reference...now you know that i don't care for it much. besides, it works just as well with it being "i am battered." it is simply my opinion. no sweat.

    i can say the same thing about all of the other times you pushed the words together as one.

    however, i absolutely love the extended metaphor between "iambattered" and "iambruised" - the imagery wasn't overdone and it seemed like you had complete control over what you were talking about...and that is why i am sitting here giving such an in depth comment, because you're pretty good; but i do think you have potential to improve...and when that happens, you'll be spectacular and, as time goes on, will get even better.

    After that part, the "it's" at the beginning is a bit vague, and you leave it hanging as you start talking about the "so there's this boy" - maybe rework the phrasing there because you left the "it" hanging without clarity.

    i think the "fuck, that's cliche" bit was a bit random and could be taken out -- anything that had to do with admitting that what you said was cliche should go, just to free up some space in the write; that way you are getting straight to the point.

    And the rest of that paragraph was lovely.

    And the next two lines afterwards, same thing.

    "seeyoulater" would work better as "see you later". again, personal preference. and even so, generally speaking it does work.

    again, you mushed up the words "thingswillbeokay" - didn't care for it much.

    i didn't care for the end of that paragraph...it started to become cheesy.

    And it kind of left the ending a bit... - it was just an alright ending for me. i do think the last sentence of the hollywood paragraph is to blame. i would suggest a stronger metaphor. or perhaps just cutting that line out.

    and then perhaps take out "but i am not broken" and leave it at:

    "i am terribly confused...all the right reasons."

    --------------------

    okay, so this is probably one of the most in-depth comments i have ever given.

    what you wrote here is very good, but with some polish and taking out some extraneous parts, you'll have yourself a solid, focused, cohesive prose.

    i really do like this regardless of the critiques. :


  • your last line is soo frikkin' brilliant!!! I LOVE this entry so much!!!

  • im going through a similar situation, and this prose hits my heart. everything your saying is so brutally honest and raw, and makes me step back and question myself. i know how hard it is to walk away and how easy it is to keep letting him back in, but i think that you are doing ok.

    i love the use of the "i am battered, i am bruied but i am not broken" throughout the poem. its defining and it works well.

    and honest, my favourite line in this was "so there's this boy;
    fuck, that's cliche. but it's a relevant story that pieces my secrets into place."

    kinda sums it up for most girls.
    great write
    xoxo

  • i have nothing to say about all of this. and that's a good thing.
    maybe.. but eh.. i lied; this is completely and brutaly honest, and it's just a kick in the face almost. every line drips with imagery and that's what makes me like it even more.

    apparently i did have something to say.

    good luck

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