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The Forsaken: Inspired by Sylvia Plath

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Replete with vacuous vanities,

we create this fearsome flood - we tread with delicious dread,

unbecoming. We destroy this dance

with stilted steps unshuttered by sunlight, unseen by laughter’s lilt.


Ragged, wretched and ravenous, in casual pursuit 

of vivacious vapors, we trip over petrified wood and primordial stone;

we do not belong to this world - it does not belong to us.


Breathing seems laborious as we steal each golden hour from finality,

shuddering inside night’s delicate, ferocious depths.

The gravity curled inside a single moment’s hesitation

will be the deciding factor that delivers doom.


Still, there are fragile fragrances drifting 

from these forests of reckoning - stuttered flutterings of color caress 

our searching eyes, chaotic splendor ascending dusk as we determine 

the fall of darkness.


We seek truths we once thought we knew before our beliefs

trembled murmurs from our mouths

as we lingered meekly within this wilderness of woe.


A sudden soothing, swirling whirlwind defines the essence

of every substance, the very sustenance 

we’ve sought so fiercely under a molten moon’s wane -

this flesh rises toward eternal sunrise

as it reaches for the languid warmth of love - 

sanctuary as yet undiscovered, beauty as yet unknown.


Tomorrow will not survive our bitter, grasping hands,

coming softly on silken wings as we had hoped;

all we may ever ascertain are these shivering instances of silence

hovering between each pause of uncertainty, lost from gradual grace...

 
 
 
 
 
 
 
 
 
 
 
 

Author notes

 
 
 
 
Anonymous contest
 
 
 
Top: graphic artist unknown 
 
Bottom: Sylvia Plath at Smith College
 
 
Prompt #2 - Love
 
 
 

A Life 

 

by Sylvia Plath


Touch it: it won't shrink like an eyeball,

This egg-shaped bailiwick, clear as a tear.

Here's yesterday, last year ---

Palm-spear and lily distinct as flora in the vast

Windless threadwork of a tapestry.


Flick the glass with your fingernail:

It will ping like a Chinese chime in the slightest air stir

Though nobody in there looks up or bothers to answer.

The inhabitants are light as cork,

Every one of them permanently busy.


At their feet, the sea waves bow in single file.

Never trespassing in bad temper:

Stalling in midair, 

Short-reined, pawing like paradeground horses.

Overhead, the clouds sit tasseled and fancy


As Victorian cushions. This family

Of valentine faces might please a collector:

They ring true, like good china.


Elsewhere the landscape is more frank.

The light falls without letup, blindingly.


A woman is dragging her shadow in a circle

About a bald hospital saucer.

It resembles the moon, or a sheet of blank paper

And appears to have suffered a sort of private blitzkrieg.

She lives quietly


With no attachments, like a foetus in a bottle,

The obsolete house, the sea, flattened to a picture

She has one too many dimensions to enter.

Grief and anger, exorcised,

Leave her alone now.


The future is a grey seagull

Tattling in its cat-voice of departure.

Age and terror, like nurses, attend her,

And a drowned man, complaining of the great cold,

Crawls up out of the sea.


http://famouspoetsandpoems.com/poets/sylvia_plath/poems/18897


Edge 

 

by Sylvia Plath


The woman is perfected

Her dead


Body wears the smile of accomplishment,

The illusion of a Greek necessity


Flows in the scrolls of her toga,

Her bare


Feet seem to be saying:

We have come so far, it is over.


Each dead child coiled, a white serpent,

One at each little


Pitcher of milk, now empty

She has folded


Them back into her body as petals

Of a rose close when the garden


Stiffens and odors bleed

From the sweet, deep throats of the night flower.


The moon has nothing to be sad about,

Staring from her hood of bone.


She is used to this sort of thing.

Her blacks crackle and drag.


http://famouspoetsandpoems.com/poets/sylvia_plath/poems/18916



Years 

 

by Sylvia Plath


They enter as animals from the outer

Space of holly where spikes

Are not thoughts I turn on, like a Yogi,

But greenness, darkness so pure

They freeze and are.


O God, I am not like you

In your vacuous black,

Stars stuck all over, bright stupid confetti.

Eternity bores me,

I never wanted it.


What I love is

The piston in motion ----

My soul dies before it.

And the hooves of the horses,

There merciless churn.


And you, great Stasis ----

What is so great in that!

Is it a tiger this year, this roar at the door?

It is a Christus,

The awful


God-bit in him

Dying to fly and be done with it?

The blood berries are themselves, they are very still.


The hooves will not have it,

In blue distance the pistons hiss.


http://famouspoetsandpoems.com/poets/sylvia_plath/poems/18955


 

 

 


“Oh, god, if this is life, half heard, glimpsed...

with the god-eyed tall-minded ones,

let me never go blind, or get cut off from

the agony of learning...”


From Sylvia Plath's journal, Smith College, April 27, 1953

 

 


“Sylvia Plath 1932-63, American poet, b. Boston. Educated at Smith College and Cambridge, Plath published poems even as a child and won many academic and literary awards. Her first volume of poetry, The Colossus (1960), is at once highly disciplined, well crafted, and intensely personal; these qualities are present in all her work. Ariel (1968), considered her finest book of poetry, was written in the last months of her life and published posthumously, as were Crossing the Water (1971) and Winter Trees (1972). Her late poems reveal an objective detachment from life and a growing fascination with death. They are rendered with impeccable and ruthless art, describing the most extreme reaches of Plath's consciousness and passions. Her one novel, The Bell Jar (1971), originally published in England under the pseudonym Victoria Lucas in 1962, is autobiographical, a fictionalized account of a nervous breakdown she suffered when in college. Plath was married to the poet Ted Hughes and was the mother of two children. She committed suicide in London in Feb., 1963. Ever since, her brief life, troubled marriage, and fiercely luminous poetry have provided the raw materials for interpretation by a small army of biographers, feminists, memoirists, novelists, playwrights, scholars, and others. 


Bibliography: See her collected poems (1981); occasional prose, Johnny Panic and the Bible of Dreams (1979); journals, ed. by T. Hughes and F. McCullough (1983); The Unabridged Journals of Sylvia Plath, 1950-1962 (2000), ed. by K. V. Kulil; biographies by E. Butscher (1979), A. Stevenson (1989), P. Alexander (1991), R. Hayman (1991), J. Rose (1991), and L. Wagner-Martin (rev. ed. 2003); J. Malcolm, The Silent Woman: Sylvia Plath and Ted Hughes (1994); T. Hughes, Birthday Letters (1998); D. Middlebrook, Her Husband: Hughes and Plath-A Marriage (2003); J. Becker, Giving Up: The Last Days of Sylvia Plath: A Memoir (2004); studies by M. Broe (1980), J. Rosenblatt (1982), and L. Wagner-Martin, ed. (1988, repr. 1997).”


Source:

 

http://www.encyclopedia.com/topic/Sylvia_Plath.aspx 

 

 


poems by Sylvia Plath:


http://oldpoetry.com/oauthor/show/Sylvia+Plath


http://www.americanpoems.com/poets/sylviaplath


http://www.poetryarchive.org/poetryarchive/singlePoet.do?poetId=7083


http://famouspoetsandpoems.com/poets/sylvia_plath


http://www.poemhunter.com/sylvia-plath/




YouTube readings by Sylvia Plath:


Sylvia Plath interview and "Lady Lazarus" 

 

http://www.youtube.com/watch?v=OvBtZ3zMs6I&feature=related 


“Lady Lazarus”


http://www.youtube.com/watch?v=esBLxyTFDxE


“Ariel”


http://www.youtube.com/watch?v=BJbX5o2gqhM


“Daddy”


http://www.youtube.com/watch?v=6hHjctqSBwM


“Fever 103”


http://www.youtube.com/watch?v=nfgtiDvvAR8


“The Applicant”


http://www.youtube.com/watch?v=DQySAjflgnA


“November Graveyard”


http://www.youtube.com/watch?v=Y7ujeHnrT8A


“Parliament Hill Fields”


http://www.youtube.com/watch?v=snEkUrme-28


“The Stones”


http://www.youtube.com/watch?v=gUpZQMeHumw


“On the Difficulty of Conjuring Up A Dryad”


http://www.youtube.com/watch?v=bL_yMbOTd8o


“Cut”


http://www.youtube.com/watch?v=7NWYF2vyIz4


“Medusa”


http://www.youtube.com/watch?v=S63laZCOGQA


“A Birthday Present”


http://www.youtube.com/watch?v=WjHo1_W5sdg


“Nick and the Candlestick”


http://www.youtube.com/watch?v=RBIltw39gug


“Berck-Plage”


http://www.youtube.com/watch?v=EKEGiXJSHN4


“Amnesiac”


http://www.youtube.com/watch?v=yfiSF8abeCM


“A Secret”


http://www.youtube.com/watch?v=1Dd3oKMmKXE


“The Rabbit Catcher”


http://www.youtube.com/watch?v=LMG9sAtZdpg


“Purdah”


http://www.youtube.com/watch?v=vogTlyORCzk


“Poppies in October”


http://www.youtube.com/watch?v=mlNP81tKdkQ


“Sylvia Plath reads from The Colussus”


http://www.youtube.com/watch?v=njjDv3Wk1sQ


“Stopped Dead”


http://www.youtube.com/watch?v=Z562xf0HpUE


“Black Rook in Rainy Weather”


http://www.youtube.com/watch?v=_7IUhyZSj3M

 

 

 

“Sylvia’s Last Poem, Edge, Read by Ellen Tobie”


http://www.youtube.com/watch?v=9YHXm9oSzC8


“Smith College Sylvia Plath 75th Year Symposium”


 
 
 
 
 
 
 
 
 
 
 
 
 
 
 

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1 - 7 of 7
  • BHDouglas gold member
    1 day ago
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    A warm thank you.

    Your words paint a clear picture of how little we understand and how much power that has over us. It says that we are alright not knowing, and that by reaching for understanding we recover ourselves; move away from the murmurs and lilts we were stuck to reason with. The poems message is very positive and went the hard way around in order to prove it. What struck me the most was the clarity of your words and how well you put them together.

  • aychellus gold member
    1 day ago
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    you grace her memory with aching homage, i feel raw , the same shivver i get when reading her own work. ebony's raw grace


  • Heavenly Angel gold member
    November 18
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    Edit | Reply
    Wowzers!
    I am blown away!
    This is most excellent and yes, so very impressive!
    Truly a fine sharing in this contest!
    Bravo and kudos to you!
    Thank you for sharing!!!


  • evershine-90
    November 9

    Edit | Reply
    Wow! Impressive imagery!
    "all we may ever ascertain are these shivering instances of silence
    hovering between each pause of uncertainty, lost from gradual grace..." Loved these line the best, a very haunting and uncanny feel to it! well done and thank you for entering my contest! Best wishes!


  • JinSays gold member
    August 28

    Edit | Reply
    Tomorrow will not survive our bitter, grasping hands,
    coming softly on silken wings as we had hoped;
    all we may ever ascertain are these shivering instances of silence
    hovering between each pause of uncertainty, lost from gradual grace...


    I love the idea of gradual grace.

    S2 also, held some vivid loveliness for me.
    A lovely read.
    love,
    jin


  • Danny Beatty gold member
    July 17

    Edit | Reply
    last two lines of third stanza ... an insight that towers, I don't believe anyone has put this complex merge of time,space and spirit into such a simple revelation ... by simple I mean not simple ... complexity being the crutch wooly minds lean on as an excuse for dying while walking this garden of potential ...

    final stanza, especially the first two lines ... I have read nothing so beautiful in quite a while, not exactly as beautiful anyhows

    this poem has a subtle energy that underlies each thematic element, idea, image which is tenderly put the sameway that life enters or leaves us ... by our own bidding ... the end of life is of no interest to the one who loves this life and knows it is a child and a wizard and that is enough


    ... a masterpiece


  • well, we will all find out soon enough whether it is an eternal existence, we may speculate and feel that it is, but there is no guarantee. we might just pop our clogs and then that's it, and if so then fine, for we will never realise for there will be no more thought. a good poem.

1 - 7 of 7