Ditch the ads, upload images and much more - upgrade today from 5.95/month!
Read Contests Groups Learn Forums Store Help
 

flotsam tickles the moon






sharpening edges
dim between swings & long
strokes

contrasts rise

grappling a crucible, becoming it-
fingers grow feathers
circle the moon while Icarus' daughters whisper
a dreamsong


it sounds like November,
or never -

in either case a shedding

untarnished regret
with precision, a careless fondling


[ all similar in this mutable space ]


it changes the standard by which
an alien visionary
measures warm light  in cold cups

in substitution
all evil runs as a sanitary sound

for our inversion of sin, wearing us
until we are worn

between moments of folded skin, pages
locked as they were in beginning

in the dark, moist warmth of becoming

when the sky was rising
when the sky was falling








Author notes

Still editing - not sure ... 'yet' - but may be something

In a list

A contest entry

Please tell me what you think (Critical Honesty Appreciated)

    : , Your review:

    Comment Suggestion: What is your your first impression?
    Line numbers  • Invite them to read
    : no Cost: 0 free left 0 points, You have (?)

Comments

1 - 21 of 21

  • Cannonsfire
    November 29, 2008

    Edit | Reply
    You know to do a piece on the unfinished aspect of Neri's art is probably going to be an unfinished edit lol, I think the abstraction in this is wonderful and line breaks well lol I struggle with them as well so nice to know Zayra does too, but this seems to enhance the piece with them and give pause where the reader should take a deep breath and ponder. Well done here, I liked it C


  • Heart Sutra
    November 29, 2008

    Edit | Reply
    As everyone knows I struggle with a lot of line breaks in a poem and tend to not use too many of them in mine. That said, I think the line breaks in this poem lend an abstract quality to it that fits the subject and theme well.

    I especially liked this stanza:

    it sounds like November,
    or never -

    in either case a shedding

    untarnished regret
    with precision, a careless fondling

  • silverfish
    November 21, 2008

    Edit | Reply
    you facinate me with your temporal sensory perceptions. smooth skin tones, sharp moon light upon cold surfaces. not sensual, but sensate. exciting. -silverfish


  • tara wilson gold member
    November 3, 2008
    Edit | Reply


  • Grunts Girl silver member
    November 3, 2008

    Edit | Reply
    'alien visionary'
    oh how i would love to steal this


  • just rob gold member
    November 3, 2008

    Edit | Reply

    Walks away,

    shaking my head, and asking myself if I could ever write something to compare with this.

    speechless...


    • EvilKate
      November 3, 2008
      Edit | Reply
      That's strange - from my readings, I think you have - more than once - surpassed this


  • Fug-azi
    November 3, 2008

    Edit | Reply
    About time you started again

    After reading the commnents from such talented poets who would I be to say anything needed changing (actually there isn't anything)

    Good to see you back ... really good.


    • EvilKate
      November 3, 2008
      Edit | Reply
      Good to be back - ish ... spotty atm but getting there.


  • Starswhispers silver member
    November 3, 2008

    Edit | Reply
    An amazing take on the prompt the mixure of personal references and references on the subject is excellent all entangled in an endless motion.
    I really loved this
    "between moments of folded skin, pages
    locked as they were in beginning" ...



  • transcendental baby gold member
    November 2, 2008

    Edit | Reply
    I agree with everybody else... I don't see anything that needs editing, and I think you could be in danger of working it to death if you tinker too much with the essence of it. But of course, that's your call to make.

    Welcome back Miss Kate ... good to see ya back in town


    • EvilKate
      November 3, 2008
      Edit | Reply
      Good to be back. I missed this place too much - is their an AP Anonymous somewhere?


  • marc creamore
    November 2, 2008

    Edit | Reply
    Well, like the others have said, don`t edit very much . . . I love the music, the images that create this piece into an abstract, but oh so rewarding write.


  • stasis
    November 2, 2008

    Edit | Reply
    I'm with Nicolette and Kathleen... when you edit this, don't go overboard. It's so moving as it is, I think any editing would take away from this. Best of luck in the contest.

    ♣ Tegan


  • Nicolette gold member
    November 2, 2008

    Edit | Reply
    I agree with Kathleen..don't edit this too much as it already has that lingering quality about it....beautifully abstract, yet real too.

    ~ Nicolette


  • MJ Donnelly gold member
    November 2, 2008

    Edit | Reply
    Deeply abstract I dare say, a real thinking persons poem, and I for one enjoyed this.


    All the best,
    mj.


  • luna-midnight gold member
    November 2, 2008

    Edit | Reply
    omg, this is like stunning, and amazing, i suxx.lol
    good luck, though you dont need it
    and take care
    Stephanie ♥

  • Rowan gold member
    November 2, 2008

    Edit | Reply
    How I've missed your work. This was such a moving piece. So many words and lines I really liked; "grappling a crucible, becoming it"
    "it sounds like November,
    or never -"
    and
    "measures warm light in cold cups"
    Such great alliteration in your lines. Don't edit too much.


  • iverbthenoun
    November 2, 2008
    Edit | Reply
    i like this.


  • nancy drew
    November 2, 2008

    Edit | Reply
    i do like this; irregardless of if/when you edit. i think it's very, very well written.

    helen~

1 - 21 of 21