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You, Midge, and the box

 

(an experiment in imitation of “The Dislocated Room” by Richard Siken)

 

 

 

There is a harsh, yellow light coming right in, right past the

drapes.

______It is steady, like a searchlight but dimmer.

_____________________________________Hotter. You

came here along a cinder path, you came of your own free will,

and here you are.

_______________Midge is mute in the rectangular room,

_____she can’t hear you, taking things out of the box, putting

things

______into the box. Three nails, a book, and a folded scarf.

You call to her,

__________________________________Midge look at me,

and she answers but it is like underwater, like at the pool when

you

______are underwater and everyone is talking and laughing on

___deckchairs. The box is blue, rectangular, with sharp corners.

The lid

is battered and won’t fit,

______________________and the lock scratches your fingers.

Midge comes and licks your fingers and complains that they taste

of gasoline,

__________________and you can smell it. You know this is not

_______________________________________________the

right box, but you can’t say.

______________________It is full of clouds. It is full of clouds

and peeling sunshine. Also the cries of children from outside,

________and a backfire from an old car.

_________________It is sick and cold here, and aching joints,

___and all the time the television flickers. The shadows in the

room,

_________in the harsh yellow light, are hard, and they move.

They make a man’s shape, the seaside man, the man you know.

The

____man lies down beside the box.

____________________________He nestles to it and shivers,

because

_______________________his back is bare, and Midge says

__________Look there, at how they criss-cross like tic-tac-toe.

The

____man has scars and deep weals

______________________like the furrows in a ploughed field.

The man

has scars like dogtooth check. The scars are like rivulets of

tears,

______running with rainwater, wheel-ruts, the mud sucking at

your feet.

_______There is a cold, cold mist in the fields, but not here in

_______________________________________________the

rectangular

_______room.

It is still summer.

________________It is still.

_________________________It is summer. Dust is dancing

in the sunlight, though the sunlight never moves. The man

_______________________________turns his face to you,

and

you know him because he has been on a thousand billboards.

__________________He has laughed at you from magazines,

_______from the magazines your mother once bought for you.

He

___is saying

____________Quick, come quick. Or go. Come with me or go.

____________But he isn’t moving. Lying there with one arm

round

_____the box, while
Midge is taking out the nails, the book, the folded scarf, and

____________________________putting them in a neat row.

You take them

_____________________and make the order go backwards;

a nail, another nail, another nail, a book, a scarf folded neatly.

She

_____________takes them

_____________________and makes the order go backwards.

Backwards and forwards,

a neatly folded scarf, a book, another nail, another nail, a nail.

She

______________takes the scarf and knots it round her neck,

______________she stands upon a chair,

a black chair with a red seat and Arabic writing like a prayer.

_____________________________________________The

man is laughing and Midge says

______________________________Goodbye, and goodbye,

there

_____is a sound outside like a single backfire from an old car.

_________________You look from the light to the empty box,

from the empty box to the light. From the overturned chair to

the light, and always to the blue,

_____________________________empty box.

 

 

Author notes

In “The Dislocated Room” by Richard Siken, an uneasy, unreal poem, the title itself is a transferred epithet; it is the observer (observed?) who is dislocated, alienated. But at the same time – yes – the room is a step sideways from reality and into a strange pathology. The room and the observer(observed?) are one:

 

“You're here. You aren't here. You're the room. You're in the room.


______ You aren't in the room.”

 

The very construction of the poem is a state of dislocation, with skewed rules governing the splitting-up of the lines, jumps and jerks from image to subconscious image. There is a shadowy person called Henry, there is a devil, there is a boy who is injured or dead and who might just be the observer (observed?) himself. As in a dream, the scene shifts erratically, and the observer (observed?) escapes the room and onto the highway; but that might be a flashback to the journey to the room.There is more than a suggestion of sex, willing or unwilling, and that is equated to the wounding or death. The poem is relentless, inescapable. Unfortunately for me, it is also inimitable.

 

In a list

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Comments

1 - 27 of 27

  • manatee
    November 18

    Edit | Reply

    Interesting

    As a dilettante poet, I don't know that I get this experiment. It's like something David Lynch would write if asked to write a thought experiment; I don't know about "inimitable", but inscrutable for sure. -The Manatee


    • Mairi bheag gold member
      November 18
      Edit | Reply
      I don't know whether I would ever have volunteered to do this, but I was challenged. It was originally a contest, but I was the only person who entered. I guess that says something.


  • csmmoms2
    November 18

    Edit | Reply
    A stunning piece of work, I found myself waiting for the next line...very original and unique. -c


  • rollingzen
    November 18
    Edit | Reply
    Unfortunately for me, it is also inimitable.


  • Nickelspring gold member
    November 18

    Edit | Reply
    Well, I haven't ever experienced anything like this before.
    Interesting, very dreamlike in it's diconnection.
    It reminds me a little of existentialism.
    Thanks for sharing something different~
    Kris


  • grammabuff
    November 18

    Edit | Reply
    Disturbing.
    Wonderful.

    Both of the above. At first, the "_____" bothered me but after several readings they became part of what I read: more than a space, just less than a word. This is outside the box because there is no box that could contain it and remain a box. Love it!


    • Mairi bheag gold member
      November 18
      Edit | Reply
      I wish I could claim this as 100% my own, but it is an attempt to emulate Richard Siken. I'm glad you like it.


  • Freed by Mercy silver member
    November 13

    Edit | Reply
    There is an unnerving, haunting, sense of pathology to this piece. The end does not wrap up neatly, we are left with more questions and no answers. In that way it is an effective poem, very disturbing.

    Bill will go crazy.


  • paulcreates silver member
    November 11

    Edit | Reply

    wow

    Well, you may have done a good job in imitating this man's style but I don't see the artistry in the style. Sorry but the lines and disjointed thought only indicate a tortured mind to me, nothing else.
    I think there should be some appeal to the reader, some communication, but it is sadly a void. I could take a bucket of letters and lines and throw them onto a table and achieve the same effect. I'm not against obscurity but here I see nothing.
    Just being honest.
    Paul


    • Mairi bheag gold member
      November 11
      Edit | Reply

      tortured mind

      The sense of alienation is very strong. This is what I gained from reading the original (I didn't want to!), and what I tried to put into the imitation (I didn't want to!).

      Bucket of letters and lines - no you couldn't. A bucket of words and lines maybe.

      It doesn't have to appeal to you. I am sure that you appreciate the intellectual exercise, which what this piece of writing was all about, and the point I was trying to make elsewhere about what constitutes poetry.

      M


      • paulcreates silver member
        November 11
        Edit | Reply
        yes, you're right. I thought bucket of "words" but wrote "letters". And yes, I do appreciate the point you were trying to make about the unnecessary strictures of punctuation and grammar as it relates to poetry. Sorry about the "tortured mind" reference. Nothing personal. I just call 'em as I sees 'em.

        Paul

  • chordphrute
    October 14, 2008

    Edit | Reply
    wow, M - you did a great job imitation Siken with this one and adding your own voice to it. How did you feel about it? I wonder now, what you will do with it, if anything? Will you play with the structure and make it truly your own, or will you leave it as is?
    ...


    • Mairi bheag gold member
      October 14, 2008
      Edit | Reply
      Well as you know I wrote it for a contest, and so I think I shall leave it as it is. It was a good exercise, and - yes - you and everyone says my own voice was right there; but I feel it is still very Siken-esque. I enjoyed doing it very much, even though an intense study of the original and a composition with so much _____ in it took a lot of time.


  • badnovocaine
    October 4, 2008

    Edit | Reply
    I really like your take on this. This is very different but makes an interesting read nonetheless.
    This is really good, i now adore your writing.
    Considering this is the first one that i have read of yours.
    This is one of my favorite parts:
    ---------------------------
    It is summer. Dust is dancing

    in the sunlight, though the sunlight never moves.
    ----------------------------

    This was a really good read.
    Good luck in the contest, I wish you well.


    • Mairi bheag gold member
      October 5, 2008
      Edit | Reply
      Thank you. I am glad you like this, even though it is unlike anything else I have ever written. I write all kinds of things from prissy sonnets to free verse - as you will find out if you start monitoring my work.


  • Dalaney gold member
    October 4, 2008

    Edit | Reply
    Man, oh, man...this is WILD! I love it! Not only do the --------------'s work, but it certainly makes for
    a damn intriguing read. Honestly, this is like being really stoned, and still 'getting' it. Keep on experimenting - this is exciting! Love, Lane

  • Bad Bill
    October 4, 2008

    Edit | Reply
    This really works for me. It is surreal, nightmarish and subtle in its psychological complexity. It exudes decadence, but artistic decadence, not gratuitous at all. I don't know how it compares to the original, but I like it fine without the comparison.

    Best of luck with this,
    Bill


    • Mairi bheag gold member
      October 4, 2008
      Edit | Reply
      Thank you, Bill. Actually, your description fits the original perfectly. Siken uses language and says things in a way which could point towards the seamier, more disreputable aspect of the demi-monde of gay America. Now that I have come to know "The Dislocated Room" I begin to wonder whether it is a coded expression of being HIV positive; but this is really a flight of fancy on my part.

      I have only just been introduced to RS, by being required to read one poem in great detail, almost taking it apart, analysing it line-by-line. It made a great impression on me.

      I am glad you enjoyed my imitation.


  • Amera gold member
    October 3, 2008
    Edit | Reply
    This is different! Is this spelled correctly: "__________________"

    Love,
    Amera♥


  • Sue Cardwell gold member
    October 3, 2008

    Edit | Reply
    I thoroughly enjoyed this piece, I found the dislocation of the lines enhanced the text and my understanding of it. The imagery is stunning and I experienced the words.

    Not having read the original I can't say whether the experiment works, but the enjoyment is there.

    All the best...Sue.

    P.S. Having read the original, yes, your experiment does work, and work well

    • Mairi bheag gold member
      October 3, 2008
      Edit | Reply
      Sue, thank you. I myself am stunned that this is working for people!


  • cricketjeff gold member
    October 3, 2008

    Edit | Reply
    After upping the text settings twice to get to readable...

    This is a brilliant, disturbing, totally disjointed dreamscape. haunting and painful.
    The odd layout and the repetitions make for uncomfortable reading which seems to be the intent.
    The ideas leak from one to another and back, never quite back, to where they were.
    I am glad this is not lik emy dreams but it certainly has that quality.
    Fantastic.
    But the text is still too small.


    • Mairi bheag gold member
      October 3, 2008
      Edit | Reply
      The font will have to suffice - formatting issues. I'll have a wee go at altering it, but I can't promise. I am glad you like the work.

      • cricketjeff gold member
        October 3, 2008
        Edit | Reply
        Reservations withdrawn (well still apply to the notes) it is simply stunning.


        • Mairi bheag gold member
          October 3, 2008
          Edit | Reply
          The notes will have to stay as they are. I get so many glitches and gloops when I try to re-format stuff here, so many ERROR 500s. Anyhow, bro, glad you liked it. You seem to like it when I write weird.

1 - 27 of 27