"Sea Dependence" by Mathew Arnold
Weary of myself, and sick of asking
What I am, and what I ought to be,
At this vessel's prow I stand, which bears me
Forwards, forwards, o'er the starlit sea.
And a look of passionate desire
O'er the sea and to the stars I send:
"Ye who from my childhood up have calm'd me,
Calm me, ah, compose me to the end!
"Ah, once more," I cried, "ye stars, ye waters,
On my heart your mighty charm renew;
Still, still let me, as I gaze upon you,
Feel my soul becoming vast like you!"
From the intense, clear, star-sown vault of heaven,
Over the lit sea's unquiet way,
In the rustling night-air came the answer:
"Wouldst thou be as these are? Live as they.
"Unaffrighted by the silence round them,
Undistracted by the sights they see,
These demand not that the things without them
Yield them love, amusement, sympathy.
"And with joy the stars perform their shining,
And the sea its long moon-silver'd roll;
For self-poised they live, nor pine with noting
All the fever of some differing soul.
"Bounded by themselves, and unregardful
In what state God's other works may be,
In their own tasks all their powers pouring,
These attain the mighty life you see."
O air-born voice! long since, severely clear,
A cry like thine in mine own heart I hear:
"Resolve to be thyself; and know that he,
Who finds himself, loses his misery!"
I would start with this because it explains how some people are tentative about change and the ebb and flow of the sea reflects life changes. I would then lead into "Seaside" by Rupert Brooke as it expresses how the simple roar of the sea can calm the mind from all that may trouble it, supporting the theme of the previous poem that the calmness granted by the sea may disappear upon relocating.
"Seaside" by Rupert Brooke
Swiftly out from the friendly lilt of the band,
The crowd's good laughter, the loved eyes of men,
I am drawn nightward; I must turn again
Where, down beyond the low untrodden strand,
There curves and glimmers outward to the unknown
The old unquiet ocean. All the shade
Is rife with magic and movement. I stray alone
Here on the edge of silence, half afraid,
Waiting a sign. In the deep heart of me
The sullen waters swell towards the moon,
And all my tides set seaward.
From inland
Leaps a gay fragment of some mocking tune,
That tinkles and laughs and fades along the sand,
And dies between the seawall and the sea.
The next poem highlights the changes in mood that the sea can bring at night, I feel it follows on from the mood shift in the previous poem.
"Meeting At Night" by Robert Browning
I.
The grey sea and the long black land;
And the yellow half-moon large and low;
And the startled little waves that leap
In fiery ringlets from their sleep,
As I gain the cove with pushing prow,
And quench its speed in the slushy sand.
II.
Then a mile of warm sea-scented beach;
Three fields to cross till a farm appears;
A tap at the pane, the quick sharp scratch
And blue spurt of a lighted match,
And a voice less loud, thro' its joys and fears,
Than the two hearts beating each to each!
The next poem is rich in emotion and contemplation which many of us can relate to if we sit upon the shores for a while. It also touches on how memories can flow back and forth in a mind just like the tide on the shore.
"Sea Song" by Katherine Mansfield
I will think no more of the sea!
Of the big green waves
And the hollowed shore,
Of the brown rock caves
No more, no more
Of the swell and the weed
And the bubbling foam.
Memory dwells in my far away home,
She has nothing to do with me.
She is old and bent
With a pack
On her back.
Her tears all spent,
Her voice, just a crack.
With an old thorn stick
She hobbles along,
And a crazy song
Now slow, now quick,
Wheeks in her throat.
And every day
While there's light on the shore
She searches for something;
Her withered claw
Tumbles the seaweed;
She pokes in each shell
Groping and mumbling
Until the night
Deepens and darkens,
And covers her quite,
And bids her be silent,
And bids her be still.
The ghostly feet
Of the whispery waves
Tiptoe beside her.
They follow, follow
To the rocky caves
In the white beach hollow . . .
She hugs her hands,
She sobs, she shrills,
And the echoes shriek
In the rocky hills.
She moans: "It is lost!
Let it be! Let it be!
I am old. I'm too cold.
I am frightened . . . the sea
Is too loud . . . it is lost,
It is gone . . . Memory
Wails in my far away home.
The following poem ties into the previous poem and the first poem as it describes a fondness of the sea whilst not being close by it, also it explains the allure of the ocean both to birds and to sailors.
"Sea Fever" by John Masefield
I must go down to the seas again, to the lonely sea and the sky,
And all I ask is a tall ship and a star to steer her by,
And the wheel's kick and the wind's song and the white sail's shaking,
And a gray mist on the sea's face, and a gray dawn breaking.
I must go down to the seas again, for the call of the running tide
Is a wild call and a clear call that may not be denied;
And all I ask is a windy day with the white clouds flying,
And the flung spray and the blown spume, and the sea-gulls crying.
I must go down to the seas again, to the vagrant gypsy life,
To the gull's way and the whale's way, where the wind's like a whetted knife;
And all I ask is a merry yarn from a laughing fellow-rover,
And quiet sleep and a sweet dream when the long trick's over.
Finally the last poem ties in with the sea-farer theme of John Masefield's poem and is one of the most classical and highly recognised poems with a Maritime theme,
it also expresses the danger and power that the ocean has that should always be respected.
"Time" by Percy Bysshe Shelley
Unfathomable Sea! whose waves are years,
Ocean of Time, whose waters of deep woe
Are brackish with the salt of human tears!
Thou shoreless flood, which in thy ebb and flow
Claspest the limits of mortality,
And sick of prey, yet howling on for more,
Vomitest thy wrecks on its inhospitable shore;
Treacherous in calm, and terrible in storm,
Who shall put forth on thee,
Unfathomable Sea?
The estimated time to read through these pieces without a linking narrative is about 13 minutes - a little less than you stated but still allows for an easy reading pace.
Author notes
Written with the purpose of providing a poetic journey with a Maritime theme to a meeting held in a Maritime Museum. The links to the 6 poems chosen are:
1. http://oldpoetry.com/opoem/19-Matthew-Arnold-Self-Dependence
2. http://oldpoetry.com/opoem/185-Rupert-Brooke-Seaside
3. http://oldpoetry.com/opoem/310-Robert-Browning-Meeting-At-Night
4. http://oldpoetry.com/opoem/1265-Katherine-Mansfield-Sea-Song
5. http://oldpoetry.com/opoem/14195-John-Masefield-Sea-Fever
6. http://oldpoetry.com/opoem/7790-Percy-Bysshe-Shelley-Time
I hope this is what you were looking for. I tried to cover poets of varying experience and lifespans so that the diversity of the chosen poems could be maximised and to show how different facets of life can relate to the marine environment.
A contest entry
- COLUMN: Poems For Reading Out Loud by Old Poetry.
1200 points, ended October 7, 2008, 8 entries
Honorable mention
• next poem in this contest, remove from contest
Detailed critique welcome
Comments
-
These poems are all excellent poetic pieces and all have the sea as a strong, if not central element, in them but were I to recite these to a maritime audience I would be doing them a disservice as I am sure they would expect the sea to be the theme and not merely the vehicle for the poet’s work. Although there is a tang of the sea in each of your chosen pieces it is like a fleeting glimpse through a train window on a journey to somewhere else.
That being said the poems are good enough to recite to an audience and not just suited for an audience of one.
Your first choice poet Arnold begins with a definite whiff of ozone but it is, to my mind, merely a convenient background on which the night sky can play the starring role (sorry for the pun
). This is followed by a similar piece from Brooke who is contrasting a day at the sea-side with a night on the sea; again using it as a metaphor rather than as a central character.
The opening verse from Browning is a good description of the end of a voyage from the sea towards something the poet feels is more desirable. Mansfield too is describing the sea as a negative image and something to be feared. Her protagonist finds it difficult to escape the pull of the sea as does Masefield’s protagonist in “Sea Fever”. However there is a world of difference between her reluctance to return to the ocean and his joyous acceptance of and longing for such a return.
Again in the final offering we return to the sea as a negative image. The line “Vomited thy wrecks on its inhospitable shore” is perhaps prophetically describing the scene of his own death!!
You have endeavoured to link the poems with intermediate commentary which is essential and all together you have provided an interesting poetic interlude which could be read to an audience without embarrassing oneself but the title would need to reflect the true nature of the poems a little more closely so as not to mislead the audience.
Overall I feel this is a worthy entrant in this competition. Thank You and Well Done.
Jim -
Thank you for your entry. It is nice to see a similar theme yet with an almost completely different set of poems to my own chosen ones. I too have Sea Fever although I will be using it as my opening poem. That and Masefield's Cargoes are the earliest poems I remember reading at school at age 7 or 8! almost half a century since

I will take time to savour your offering and write more later.
Jim


