You insisted on using the vernacular,
though you’d only seen it tiny in the distance, a grievance or a celebration,
telescopically enumerated and illuminated in mud,
as the crack of dead leaves and backs black with earth and sweat and sun,
and children ill or crying, hands peeling in the fields while we watch –
but only through a telescope, and that, you said, was wrong.
You first changed it with words.
I did not point out to you that those sunburned daily soldiers could not read them.
Perhaps I should have, but even if I had you’d have gone on.
You had a way of making heat burn off the page and children’s tears dry underneath,
of making it all our fault, the cold, the sun, the mud, the lines dividing us and them.
Things changed, with blood and cannonfire.
The children turned into symbols, and your words said, “Not enough.”
You did not forget your words,
but now infused with power they burned brighter and you made them fight
for freedom, and more power.
If you streaked the children’s eyes with blood you could be forgiven for exaggeration:
the conclusion is that it was true from time to time, or close enough.
You turned us into a universe all yours, and pulled our strings to make us talk.
I could have spoken then, I could have pointed out the fact
that white scars may burn the eyes but, though softer,
blood against blue sky could melt instead of burning
and we might still die.
But I didn’t. I said nothing,
still believing that we’d eventually find something,
and that everything happens for a reason,
and that treason and reaction warrant retribution,
and if we’re not right, what have we done?
So I survived to watch the colours mesh and fade and seethe and burn away the cloth
and watched you growing older and more tired still finding time to insist “NOT ENOUGH”
The percussion and fission and repercussion all cramming year by year into my eyes,
until I caved and shouted that we had to wash the bloodstains from the flags,
pull out the bodies from the cracks and crags where they’d been hidden and heal the
earth so that it might finally be worth the endless stream of annihilation we’d created
and so much more but halfway through I noticed a dead silence,
and freefell into their defences accepting that to protect their lines mine had to go
and that they didn’t know what they were doing –
their flesh washed out with blood and their eyelids caving in – they didn’t know
and wouldn’t know till later when looking back they’d say how could we?
And then to make amends they’d burn the perpetrators and perpetuate another line
of people waiting for the smash of silver in their blood,
then emptiness, and then, again, mud.
though you’d only seen it tiny in the distance, a grievance or a celebration,
telescopically enumerated and illuminated in mud,
as the crack of dead leaves and backs black with earth and sweat and sun,
and children ill or crying, hands peeling in the fields while we watch –
but only through a telescope, and that, you said, was wrong.
You first changed it with words.
I did not point out to you that those sunburned daily soldiers could not read them.
Perhaps I should have, but even if I had you’d have gone on.
You had a way of making heat burn off the page and children’s tears dry underneath,
of making it all our fault, the cold, the sun, the mud, the lines dividing us and them.
Things changed, with blood and cannonfire.
The children turned into symbols, and your words said, “Not enough.”
You did not forget your words,
but now infused with power they burned brighter and you made them fight
for freedom, and more power.
If you streaked the children’s eyes with blood you could be forgiven for exaggeration:
the conclusion is that it was true from time to time, or close enough.
You turned us into a universe all yours, and pulled our strings to make us talk.
I could have spoken then, I could have pointed out the fact
that white scars may burn the eyes but, though softer,
blood against blue sky could melt instead of burning
and we might still die.
But I didn’t. I said nothing,
still believing that we’d eventually find something,
and that everything happens for a reason,
and that treason and reaction warrant retribution,
and if we’re not right, what have we done?
So I survived to watch the colours mesh and fade and seethe and burn away the cloth
and watched you growing older and more tired still finding time to insist “NOT ENOUGH”
The percussion and fission and repercussion all cramming year by year into my eyes,
until I caved and shouted that we had to wash the bloodstains from the flags,
pull out the bodies from the cracks and crags where they’d been hidden and heal the
earth so that it might finally be worth the endless stream of annihilation we’d created
and so much more but halfway through I noticed a dead silence,
and freefell into their defences accepting that to protect their lines mine had to go
and that they didn’t know what they were doing –
their flesh washed out with blood and their eyelids caving in – they didn’t know
and wouldn’t know till later when looking back they’d say how could we?
And then to make amends they’d burn the perpetrators and perpetuate another line
of people waiting for the smash of silver in their blood,
then emptiness, and then, again, mud.
Author notes
Option 1
Sorry; not sure if I'm allowed to enter two for this one - but I thought since the other one might not fit the guidelines I would enter a second one. And this is actually a prewrite; it's just that I hadn't uploaded it here yet.
While this is about revolution in general, and really about history itself, what I actually wrote it about was the French Revolution.
A contest entry
- History: BIG events and BIG people by Yorkshire Rose.
450 points, ended August 15, 2008, 16 entries
• next poem in this contest, remove from contest - Write Me a Chronology by chordphrute.
450 points, ended September 3, 2008, 6 entries
• next poem in this contest, remove from contest
Comments
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your subtle use of rhyme throughout this poem is absolutely beautiful, and the repetition of "not enough" "close enough" "not enough" is so haunting. you've managed to talk about a well-worn subject in a way that feels new and powerful. i REALLY liked this. thank you
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wow, i dont know if you would called this a pose or a poem but it certainly grabs your attention...mmm anyway very nice and good use of your vocab and thanks for your explantion, this is going to be one very very tough contest to judge since the standerd is getting soo high! well done, and thank you for your entry
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The thing with this one is it has to be read out loud...although I appreciate you may not want to sit reading poetry out loud to yourself. I do that sometimes and then people suddenly open the door of the room I'm in and give me very, very strange looks.
Hmm. Your contest seems to have kicked the other poem out since I entered this one. Does that mean I was only supposed to enter one?
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