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Danielle J Adomaitis

rashly as it must the wind whips up and zaps the dust

as slip (it must) and slide on jagged-edged can-lids

each bright morning pain contained in slick rays of heat

beset by early-light wetness and the haze of a day’s grace

 

Capitaine

Capitaine

voyage ton flag et hale ton camp

 

a truck full of pyrotechnics backs into a paint store and

voilà chère it’s all zydeco and mardi gras  righteously

kicked into overdrive like Revelation is God’s flash cards

and there’s a Gay Pride parade marching in the shade

with great purpose to get from here to Basile by wheel

or deal along for the next meal while sad sharp barks

from the dog park hound our heel and jazz our steps

 

tout le tour autour du moyeu

 

our two-steps hit a plateau and they rattle the pavement

too drunk for Nirvana too sober to stop skipping so soon

way too pretty now to miss out on all that blissful kissin’

we’re just the early-birds on the trip you heard about

we used to slink in the souks of the sullen soul and

your skin’s scent was fresh tomatoes on the vine

after rainfall in the all-out calling cries of a city sky

and your bite was the sharp aftertaste of vanilla pods

 

la route est grande

la nuit est longue

et les belles ne sont pas invitées

 

but now we jerk and jive from the souk to the juke joint

to the sounds of highlife and sentimentale beat-boxes

take the route to the flap of prayer-flags and the clap

of bells and the rarified cool of sky-high air flying

your armed linked to the arm of a beautiful girl

two smiles in a smile are good for so many miles

and suddenly you’ve grown from woman to young angel

with a catch in my breath I track that rare moment

 

c’est hip

c’est hip

c’est hop

et mon cher camarade

 

 

Author notes

This poem is from my series “58 degrees North”, which were composed, or at least written down in embryonic note form, in the far North West of Scotland, during a week in July 2008. Some of them have gone forward as part of my portfolio entered in the Manchester Poetry Competition 2008 (and will therefore not appear on AP yet). Several of them are written for or about AP poets.

The interruptions in this poem are words from a traditional Cajun Mardi Gras song.

"Highlife" and "sentimentale" are two kinds of 20c popular music from West Africa.


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