Mood moved on, modulating
Meaningless motion memories
With more or less familial
Memorials, unskeptical,
Unfaithless, never rooted to
Be, not unfriendly with none whom
To tomb, all left dead behind, womb
Of nought, uncaught as fish in sea's
Upper light, shallow's blues dappling,
No prospects in morbid grappling
As when, out late winter dead bud
Sappling leaf to find relief in
Sun, of bark shorn by evolute
Point pointing out, wan light won to,
Just, how potential potential
Is, stunned knight midbattle who fall
In between falling and riding,
Between wielding and a dying
Blow not there, own sword dangling
Only sword it were not Iy rang
The changes in by but naming
Of a why now humanity
Had betrayed itself to be on
That day but mimicry with a
Seductory of vampirey
And no prospect in mind the We
Of Goremann kind ever arise
Could. The should then best to do were
To send them all to miniture
Hell, scatter only later for
To rescind, to reap the whirlwind,
Establish of his passings kinned
Vampire that lord might might bite back
Upon humanity growing
Strong as termite mound tornado
Throng in summer night's driving rain.
So thinking, less morbidly Iy
Stroked at throat of mount, and moved on.
^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^^
Author notes
1: Part I.6 of a 15 Part Section of a Multi-Canto poem concerning the character "Iy", a semi-volitionally nomadic selfhood.
In this part, Iy yet wander after a losing battle with a lost army left behind him, alive and yet living, both, parted and distinct, set in a time where humans be burgeoning into the civilised, as one might so call it, statehoods of many, bound and loathing.
2: The sexual allusion of the last line will be less evident in this part-icular formulation of presentation, but is there nonetheless, be it seen or no.
3: QV: The "Goremann" character, as also, if not more obscurely, the "Case" character, both also of mine opii.
