Through self-imposed trenches
I scoured--
listless--
wandering amid corruption,
my being, singed:
ravenous for a haven.
Unadorned,
limping about
this machine called existence--
A soul dispossessed...
Author notes
The real me: without pretensions.
.
Revisions: The real me, improved and inspired, by a real muse: Nicole Hanna.
A contest entry
- Spirit by Nicole Hanna.
4000 points, ended July 13, 2008, 19 entries
• next poem in this contest, remove from contest
Critical Critique Please! Be RUTHLESS! I LIKE IT ROUGH!
Comments
-
Tis how it should be. And can I just say "Be ruthless! I like it rough" is the most romantic thing a girl like me can read
So here ya go:
Through eons of self-revision
I traveled--
These first two lines are almost over-the-top. It's poetic in a way, but uncessary and makes the poem seem dramatic in a pushy way, verses dramatic in a natural way. I think it's words like "eons" and "traveled" that make me envision space travel verses a personal spiritual awakening. Something softer would do the trick, but still supply the punch.
listless--
wandering the fathoms of corruption
Again, "fathoms" is too dramatic a word. Maybe something like "in the belly of corruption". Still shows the depth and darkness of corruption without making me think of Captain Kirk.
singed into my being:
If you can shorten a word, do it. Brevity is a wonderful thing at times. "into" can be "in". Or you could do without the word at all and just say "my being, singed". Re-working the order of words not only adds a little spice, but gets rid of superfluous wording.
ravenous for a haven.
Unadorned, quite naked,
limping and shuffling about
this machine called existence--
I like this stanza, but would love to see you play with the order of things a bit. Unadorned and naked are repetative, as they spark the same kind of mental imagery, and as such, one of them seems unnecessary. Dont really like the word "shuffling"- one "-ing" word too many in a single line for my tastes, but limping is nice visceral kind of word. I would think readers are more likely to feel empathy for someone limping than someone shuffling. Shuffling inspires visions of laziness, and that's not what this poem is about- quite the contrary. So you could really use a stronger word there, though I'd be weary of using too many adjectives.
A wayward soul dispossessed...
Remove "wayward" here. "A soul dispossessed" is a really strong final line, and the adjective actually takes away from it, verses improves it. Plus, dispossessed is a stronger word which, in a subtle way, IMPLIES being wayward, so it's another instance of repetition.
Over all, the feelings are baring themselves out, tangible enough that I was able to emmerse myself in the reading. You definitely have something here.
