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The imperfect speakers

The mystic waves that lap against your world
wash up, as flotsam, countless eldritch things;
but when a man of destiny is hurled
into our sphere, the realm of spirits sings!
Upon the careful balance, life and death,
the fate of men and nations, tip and sway.
A single name upon our lips – Macbeth –
we prophesy with lies, our aye is nay.
Thus arcane truths are, in due time, revealed
for all with eyes to see. Too late! The blood
of slaughtered kings, long-shed, now lies congealed
upon the field stained by that crimson flood…
    So play, upon the unprotected mind,
    the unpredicted voices of our kind.


Author notes

"Stay, you imperfect speakers, tell me more:"
Wm Shakespeare ~ MacBeth ~ Act 1, scene 3.

The final line is a quotation from a poem by Ian Crichton Smith.

By the way, "eldritch" means weird or eerie (Merriam-Webster Dictionary)

Published in Sonnetto Poesia issue 1705-4524 Autumn 2008

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Comments

1 - 31 of 31
  • Vera Rich
    June 9

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    But surely they did NOT prophesy with LIES... They told the truth... it was simply that Macbeth tried to take his own steps towards making their prophesies come to pass.

    Do remember thay Shakespeare's witches are a RATIONALIZATION of the vision reported in Holinshed's "Chronicle". Holinshed says that Macbeth encountered "The wierd sisters, that is the goddesses of fate". "Wyrd" in Old English was a noun meaning "fate" - and the "wierd sisters/goddesses of fate" to Holinshed clearly meant the Norns - whose names in Old Norse mean "Past, Present and Furure". So the first hails Macbeth as "Thane of Glamis", a title he had inherited some time previously, the second hails his as "Thane of Cawdor" (which Duncan is just at that moment conferring on him!), and the third hails him as the future "King Heareafter!"

    Shakespeare rationalized the Norns into Witches, and, in view of King James' fascinated interest in witchcraft (and doubtless also to please the groundlings who clearly enjoyed the "witch" plays of Middleton et al) he developed the witch-theme into some spectacular dramatic effects. But he still seems sufficiently aware of the origins of the story to ensure that everything they predict is - within the "secondary creation" of the play, absolutely true...

    Macbeth, towards the end of the play speaks of "th'equivocation of the fiend that lies like truth"... but tbat is the comment of Macbeth the character not Shakespeare in his authorial persona.


    Perhaps you could give some thought to revising line 8, taking these ideas into account.

    • That is the whole point - the paradox - and the way I have expressed it is deliberate. To prophecy is to tell the truth, but here the truth misleads, and that, as you rightly point out, is how MacBeth sees it. The poem is in the form in which it has been published, so I am leaving it like that.


  • duana
    June 3
    Edit | Reply
    you are a very gifted poet and I look forward to reading more of your poetry and learning from it.


  • Melodies
    October 3, 2008

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    Ah, beautiful and sweetly penned by a sonnet poet... lovely and filled with splendid imagery.


  • crystaldust gold member
    July 7, 2008

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    crystaldust

    Many congratulations on taking the gold for this wonderful sonnet. I've only just picked up on the results, having not been on site for very long very often. WS would be proud of you.
    Joy


    • Mairi bheag gold member
      July 7, 2008
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      Thanks, Joy - I am knocked out to get a brace of gold's for this one poem.


  • Lyndon gold member
    June 27, 2008

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    Famous line on page 692 of a book I have.

    Iain Crichton Smith ~ good stuff!
    Your excellent Shakespearean sonnet is eloquent upon the Macbeth of Shakespeare. (In actual History, he was not, for his time, a bad bloke.)
    Indeed your lyric voice touches on the sadness of charismatic leaders and even patriotically popular leaders from Alexander to Bush, failing.
    This is a wonderful rendition of witch-consciousness, as it were.
    They, rather than man, are the voices of destiny. Your 'found' line, in this context, "So play ... the unpredicted voices of our kind" is most cogent.
    Quatrain one develops the dualism of the world of human beings and the world of the supernatural. And, they interact: "the realm of spirits sings".
    Then you build upon this "balance" and proceed from the general to the particular ~ for with Macbeth the witches lie in deepest consequence. This is quatrain two and ends the octet.
    The result is murder and war most bloody. The final quatrain treats this. But, all three quatrains use sophisticated language and imagery developed logically and with the poetic drama required for this sonnet to maintain its intellectually and aesthetically high standard.
    Finally, the couplet. It is the weird sisters' triumph. Their final say. The malapertness of voices speaking chillingly of their success in destroying the dreams of men and their women, in this case, too.
    Quite an experience, reading and exploring this poem at a superficial level.
    Lyndon of the Winklings.


  • Pamela A Lamppa silver member
    June 24, 2008

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    Your first four lines absolutely ROCK. You blew me away with this. A superbly written sonnet, set forth with a skilled hand and a wonderful mind.

    Exceptional poetry that handles the wrestle between good and evil with intelligent and mature verse.

    I simply fell in love with this poem. Superb entry. Best of luck in the judging. ~Pamela


    • Mairi bheag gold member
      June 24, 2008
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      Thanks, Pamela. I had forgotten this contest was still in the pre-judge stage. Glad you like the poem.


  • kao3
    May 30, 2008
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    Perfect answer to the prompt

    The exact choice to represent shakespeare's representation, sort of a live and live policy.

  • crystaldust gold member
    May 29, 2008
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    crystaldust
    This ought to be a winner, it is excellent in every way. I can hear and feel the witches making certain that Macbeth stood no chance of anything but doom and death. I really enjoyed reading this sonnet. Good luck in the contest.


  • cherylline
    May 5, 2008

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    Hoho! I knew this was a winning poem. I have to confess that I actually read this about a week ago, but didn't comment then. I wanted to wait awhile before I could come back, because reading poetry like this is like looking at the pyramids in person for the first time, or visiting an ancient, ancient temple at dusk - it's awesome, and reminds one just how silly and little one and one's own poetry is, and you need more time to come to terms with that.
    I *really* admire the ease with which you seem to manage the sonnet form. It flows naturally, such that the concluding couplet feels entirely your own, and I very much like how the last line takes on added ominous tones when you've put "unpredicted" and "unprotected" against one another. Love the way those negatives sound together. "Aye is nay" was also a fantastic line.
    And it was great how the sonnet seemed to evoke Shakespeare in tone as well as reference... "Too late! The blood of slaughtered kings" echoes wonderfully in the mind, and on the tongue. That, and the latter half of the sonnet, fittingly feels like it could be uttered as the concluding speech of a tragedy.
    Much love for this work.

    • Mairi bheag gold member
      May 5, 2008
      Edit | Reply
      Cherylline, I have spent a long time trying to get over the notion that I have to measure my work using other poets' work as a yardstick. Early on, when folk told me I ought to try to get published, I would fetch a book, and read aloud some W B Yeats or Andrew Marvell to them. Then I would say, "THAT is the opposition. THAT is the standard I have to beat to get into print!" It took me a while to realise that I was wrong. I appreciate the honesty of your tribute, but you ought not to measure yourself against me.

      Having said that, thank you for spotting things I was actually working towards, such as making the last line my own, rather than a "found" line. I am glad, most of all, that you got such enjoyment from reading it.

      I dream in bloody iambic pentameter, and wish I could stop.


  • breedluv gold member
    May 4, 2008
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    This is awesome work, and well-deserving of the gold!


  • lilAj
    April 20, 2008

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    this is amazing!! I first red "Macbeth" two years ago for a Lit class, I will never forget it lol


    • Mairi bheag gold member
      April 20, 2008
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      MacB is brilliant. But then WS is totally in a class of his own.

      Glad you liked this.

  • Paula Pears
    April 20, 2008

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    My GOD!!!
    WOW
    This is poetry. It is so wonderful, you have just flooded my soul with joy and the need to read Shakespeare. Thank-you from the bottom of my heart.

    • Mairi bheag gold member
      April 20, 2008
      Edit | Reply
      Shakespeare is wonderful from end to end. He practically invented the English language. Any saying that isn't from the King James Bible or the era of sail is from him. So if I have made you want to read Shakespeare, I am glad. Do not neglect his wonderful sonnets.

      And thank you for your kind remarks.


  • Keith
    April 20, 2008
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    This is excellent. You should be proud of it. And choosing a line from my favourite play helps a lot. Not only that, but the original poem, by Iain Crichton Smith, is also a wonderfully evocative one: I've found a link, though you have to scroll down to get to the poem.

    http://www.arts.gla.ac.uk/ScotLit/ASLS/ICSmith.html

    • Mairi bheag gold member
      April 20, 2008
      Edit | Reply
      Goodness, was it one of Ian Crichton Smith's lines? Wow!...

      OK I followed the link, and I want to give up! Who can compete with poetry of that calibre. Not I, that's for sure. So I am glad you liked my humble offering.


  • MelodiousDreaming
    April 18, 2008
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    Magnificent !

    You're a fantastic writer
    Good luck in the contest but I highly doubt you'll need it ^_^

    • Mairi bheag gold member
      April 19, 2008
      Edit | Reply
      Thank you, but I don't know so much - there are some really first-class entries, and it's down to the contest setter, at the end of the day.

  • Bad Bill
    April 18, 2008

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    This powerful sonnet is a great response to the contest's idea of using a last line. Excellent stuff!

    Bill


  • Amera gold member
    April 18, 2008

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    Perfect in every way, I read it three times simply because I loved the taste.


    Love,
    Amera♥


  • just mercedes gold member
    April 18, 2008

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    A Scottish sonnet - and beautifully done. I'd just reread Lady MacBeth's soliloquy demanding to be un-sexed, this is very timely! And yes, I do know what eldritch means. So strange that both our poems have waves and blood, and men of destiny.


  • cricketjeff gold member
    April 18, 2008

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    And how many others of your readers will know what eldritch means?
    Beautiful sonnet, written in Shakespeare's form.

    Those weird sisters had a lot to answer for.

    Great poem (sounds of ripping my own up). I'll need to up the ante

    Consider yourself well bunnied

    • Mairi bheag gold member
      April 18, 2008
      Edit | Reply
      If they don't know, they can look it up - like I do when I come across something I don't know. Actually, I have included it in the notes, as you have been so icky-picky, bro.

      And don't judge your own poems by mine! Don't go ripping things up just because you have the insane idea I write better than you do.

      Thanks for the bunnies - I shall treasure them always.

      Your weird sister,
      M

  • ea silver member
    April 18, 2008
    Edit | Reply
    fascinating.

1 - 31 of 31