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Orchards

Colors collide and collect
when he squints;  her skin
the sum of every beautiful part;

dreamy illusion against muslin
sheets,  and fuzzy florets.
He needs to leave-

he needs to stay-
either way
it won't be right. The feminine

blush of morning; apricot
grows tearful medallions
in distant marina;

where Sarrazin joins him
in her sleep,
and sighs.

Author notes

Prompt: artwork by Klimt

A contest entry

Critiques not only welcomed, but encouraged.

    : , Your review:

    Comment Suggestion: What is your your first impression?
    : no Cost: 0 free left 0 points, You have (?)

Comments

1 - 10 of 10
  • Ohh gosh, yes, the feminine blush of morning.. how gorgeous is that huh huh huh.. damn this makes me sigh

    a most beautimous piece of work.. thank you for entering and good luck too

    sigh

    G.x
  • Excellent. Methinks the Poetess best clear a space for another shiny for the shelf! Especially liked the phraseology of " the feminine blush of morning" and the usage of apricot, though poignant the piece has a natural fruitfulness.


  • Emerald13
    April 30
    Edit | Reply
    oh sorry .. and much luck in the contest !

    • Rowan gold member
      April 30
      Edit | Reply
      Thanks, but when I read it your way, it doesn't have the same sound~ but that's more a personal flavor, lol. As for the word squint, it emphasizes the fuzzy feel to the morning. It's like when you narrow your eyes and look around, how differently things look; colors blend differently. But I liked your honesty, muchly!
      So thank you hon! Maybe I'll have to look at this piece again down the line again.
      Kathleen
      What's the sorry for? lol.

      • Emerald13
        April 30

        Edit | Reply
        heh . sorry that i actually came to wish you luck in the contest -not go off on a tangent ... and of course the suggestions are yours to use or lose ... purely subjective impressions ...

        you are most gracious in accepting my point of view ... >>> Gina

        (PS .. yes ... we do look through the squint to flatten out lights and darks ...to discover what jumps out to the eye and doesnt fit ... its a wonderful way of 'seeing' ) ...

  • Emerald13
    April 30
    Edit | Reply
    enjoyed this very much ...

    a couple of impressions/suggestions ... yours to use or lose ... (always) ...

    Orchards

    Colors collide and collect
    when he squints; her skin
    the sum of every beautiful part;

    i dont think you need 'when he squints' ...

    colors collide and collect
    her skin the sum
    of every beautiful part

    (love that stanza, anyways) ...

    dreamy illusion against muslin
    sheets, and fuzzy florets.
    He needs to leave-

    he needs to stay- <<< dont need the second 'he needs' .... so we go from he needs to leave/to stay /either way
    either way
    it won't be right. The feminine

    (again ... lovely stanza) ... love the line endings

    blush of morning; apricot
    grows tearful medallions
    in distant marina;

    where Sarrazin joins him
    in her sleep,
    and sighs. <<< nice nice !

    lovely piece whichevertheway you go >>> Gina

  • marc creamore
    April 18
    Edit | Reply
    Oh so beautifully soft . . . the imagery causes me to whisper an appreciative oh yes . . .


  • Allyce May
    April 17

    Edit | Reply
    I like your soft ones Who am I kidding, I love all your poetry You make me want to get out of my hump, I am seriously lacking enthusiasm these days.

    "blush of morning; apricot
    grows tearful medallions
    in distant marina"

    Ah, some lovely imagery here, soft and wistful. Brilliant use of "fuzzy" too


    • Rowan gold member
      April 17
      Edit | Reply
      lol, I think it's the first time I've used fuzzy in a poem,
      I am rather soft these days.. must be spring. Except, the forecast is calling for snow again this weekend.


      Anyways, thanks hon!!!
1 - 10 of 10