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Dmitri Shostakovich

Had a genius, they said
for music

denunciated banned

accolades awards

pendulum of ecstasy depression

grinding his soul

with one hand of sustenance

the other of punishment…



fifteen symphonies, two operas

preludes fugues quartets concertos


a knock on the door…

friends relatives disappear

no choice but to bend the tune

to their will…



propaganda music!

Politburo-approved themes!


must please a tyrant

in his oppressive utopian lie

or 'disappear'…



producing like a whore

dangling like a marionette

in front of a microphone

trumpted like a horn with their vile words

then scurrying away

into the frightened darkness

one of the few who survived

like a rat licking its scars…



soaring strings, melancholy winds

daring dissonance


secret messages embedded within

"Say the opposite of what you mean"

instruct politically tortured beings

"and someone may understand you on the outside…"



soft song cycles, lyrical poems set to music

melodic polyphonies


seeking…

a final place to rest.



the art of fear
in the Soviet Opera
Pravda editorials
in a great nightmare
of politicized art
media spectacle
public resentment
forged into an unholy alliance…

dancing on a tilted stage
offering a veneer of sophistication
to the thuggery…

slipping by ideology and propaganda bureaus
finding an international audience
commissions come, comissions go
moving independent rhythms
high modern complexities
of spiky young composers
proletarian musicians
grotesque agendas at the core
health plans, sanatoriums
illegitimate designs
smothering pure, original scores
of yearning phrases
timpani pounding relentlessly
over motifs of soft voices
drowned by the drumbeat
of a brutal finale,
severe and threatening,
effective upon their primitive fear…




a velvet prison

of a socialist hero

malevolent splendor

then arrested

following one offending word…

honored with a place

on a January list

of 341 death sentences…

his wife stabbed to death,

then disappearing

on the wrong side

of the "people's will"

which is still idealized

by the naïve on the outside…









Author notes

Dmitri Shostakovich, Russian Composer, 1906-1975

the last part with the wife stabbed to death is another contemporary Russian composer

pieced together from "The Rest is Noise- Music of the 20th Century" by Alex Ross

In a list

A contest entry

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Comments

1 - 10 of 10
  • Melissa Gayle gold member
    April 14, 2008

    Edit | Reply
    Love this. You drew me in and had me from the start and the fact there is history and truth woven here only enhances the piece.


    • wbiro gold member
      April 14, 2008
      Edit | Reply
      thanks, as long as it wasn't boring, time to iron out a few wrinkles... and thanks for the silver, I needed one to keep them ahead of those infernal bronzes... (which I don't really mind)


  • stani
    April 11, 2008
    Edit | Reply
    cool stuff!


  • Elfin
    April 11, 2008

    Edit | Reply
    wow this is scary but a true story nevertheless. You attempted an epic here and you pulled it off so well. A fantastic read and a history lesson at the same time. Bravo. Val


  • lullabyegurl
    April 11, 2008

    Edit | Reply

    great

    it freaks me out a little but it is still really good. im not just sayin tht it really is!!!! lol xx


  • quantumsurveyor
    April 11, 2008
    Edit | Reply
    The idea of using the composer as a sounding board is splendid yet I am uncertain as to the intent - are we lauding the composer or damning him I wonder? Perhaps the problem (for me) is the length, the whole is not taut enough maybe to make meaning clear.

    • wbiro gold member
      April 11, 2008

      Edit | Reply
      and the experts still ask your very same question... I say he did what he had to do to survive and protect those around him from the thugs, and he wasn't happy about the situation...

      • quantumsurveyor
        April 11, 2008

        Edit | Reply
        I guess that you know his jolliest piece - Tahiti Trot a humorous orchestration of Tea for Two. For the rest I guess I rate the Leningrad above the Fifth that is so frequently played. Ain't music great? And, we all have different ears and different ideas.

        • wbiro gold member
          April 11, 2008
          Edit | Reply
          I've only heard bits and pieces of his work so far, he'd compose a nice neoclassical piece to please the Politburo's narrow tastes, and be a national hero, then he'd turn around and do a modern piece that said 'Up yours, Politburo', and he'd get in trouble again...! I'll have to find his 'Tea for Two' arrangement... thanks.


  • frownsnfreckles
    April 11, 2008

    Edit | Reply
    a very informative and sumpathetic write, what a dilemma and soul destroying duality. To be compelled by the soul to write and that soul to be owned by the devil of an oppressive regime. damned if you do and damned if you dont comes to mind if I have understood the content correctly.

1 - 10 of 10