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All in the bronzed evening . . . & All in the Bitter Cold . . .

All in the bronzed evening, I think of you.

When I am strolling by Nepalese prayers

wheeled in constant rhythmic rotation,

 

I'm thinking of you, dusky,

in your glamour of black satin.

Will you walk in my garden?

 

This is an orchard, in tune with four seasons,

spun upon an axis and, within, black grapes;

in the landscape, one tree.

 

Its muse plucks strings of the planets,

echoes one Venus, one Mars, a gift of years

where tides ever salve, with sun and moon;

 

rise and fall in each cell of its tiny green leaves. 

Nearby, a fountain tumbles over beds of water dragons;

soft music of pipes and rich hyacinths

 

sing of shaded pastures for shepherds

on lyre and harp in their solace

for squatting, aged acolytes

 

in this orchard of ripened, brown fruit 

where winds rise, winds fall.

Lords and ladies dream of soulful birds

 

singing tuneless hymns, strange as dew

on dry lips of dry times; behold Byzantium

enamelled, empowered, embellished;

 

gulp food in pellets of artful time.

Lyrics, where dark is good, thrive in this orchard;

ultimate poetry blooms on this tree.

 

Where are you, my beloved; my country? 

 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 

 

All in the Bitter Cold . . .

 

All in the bitter cold, I dream of you.

When I am all wrapped in furs this autumn morning

in constant motion among sparse trees,

 

I'm thinking of you, your seven day trip

in your spun blanket of loose mohair.

Will you walk across the mountain?

 

It is early morning, in tune with urgent September,

spun upon an axis and within, a dark ger*;

and, in the landscape, one leafless tree.

 

A self-appointed muse sings a cow song,

echoes her brother peering from a frozen sky

where dreams of cities are vain, bleak as the soft sun. 

 

Dream on fair herder, Mongolia dreams with you.

Chinese gardeners, near, cramp you; drive you, beloved

across mountains, east, to me and greener fields.

 

You sing of shaded pastures for shepherds;

no lyre nor harp for solace. Nothing

but to walk in cold night air and yell to the sky.

 

In this caravan of wizened, leather-skinned riders,

winds rise, winds fall, but bareback and barefoot

'lords and ladies' dream of Genghis Khan,

 

sing tuneless battle-cries, strange as dew

upon dry lips these dry times; the Darhad beckons not;

bereft of sheep, goats and oxen, a disembowelled valley.

 

The hungry gulp food in pellets of artful time.

Lyrics, where dark seeds hope, do not perish.

Ultimate poetry feeds a proud race.

 

Where are you, my beloved; my country? 

 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ 

 

 

 

 

 

 

Author notes

The former poem is the obvious 'prewrite.'
* "Ger" is a felt, circular tent used today by Mongolian nomadic pastoralists.
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Comments

1 - 46 of 46

  • Darianna
    May 5, 2008

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    These poems positively sing! I can understand why you won gold! I wasn't really sure of the subject (as in I didn't really understand it too much being a simple person in nature) but I enjoyed the words and the pictures they created. I love the sounds words make, and these poems surely took advantage of that! The alliteration scattered throughout was not grating, or distracting. In fact it really added to the whole "tune" of the piece you were creating. I really liked it.

    Congratulations on the well deserved gold!

    Dari xxx


    • Lyndon gold member
      May 17, 2008
      Edit | Reply

      Darianna

      Thank you for your kind words. Ron.


  • Keith
    May 5, 2008

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    These remind me a bit of S.T. Coleridge, not in style, but in the imagery and atmosphere. As love poems, they have a celebratory style which suits the demands of the contest, and a sisterly quality too. So all in all, a deserved win.


    • Lyndon gold member
      May 17, 2008
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      S.T. Coleridge?

      That is praise indeed. Thank you Keith.


  • Lyndon gold member
    May 3, 2008
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  • MargaretG
    May 3, 2008

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    There is a subtlety in the reflections that I cannot match and can barely grasp - deep thoughts and a sombre mood. Very well done Ron, the imagery is wonderful. Congratulations for this win.

    • Lyndon gold member
      May 3, 2008
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      Dear Margaret

      I wish there were a subtlety about them.
      As I have said, I placed them in out of exasperation that folk who CAN write were not placing work in! Thank you for what you have said, all the same.


  • Voodoo Eyes
    May 2, 2008

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    Nice write. It actually didn't keep my attention very well but that may not be your fault. I trust the judge that it was good. Keep writting!


    • Lyndon gold member
      May 3, 2008
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      Gray Fairy

      This could very well be my fault.
      I can be abstruse at times so do not worry.


  • hoodoolover silver member
    May 2, 2008

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    You have written your orchard a magical place, regardless of season, the power is there, inviting me to linger among the bronzed light, or wrap tight and linger in the bitter, beautiful either way.
    I cannot find fault with this, and I congratulate you on your gold.


    • Lyndon gold member
      May 17, 2008
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      Thank you indeed.

      I can find need for polishing. What writer cannot?


    • Lyndon gold member
      May 3, 2008
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      Dear Poet

      Thank you for your kind words upon my imperfections where I see many faults. C'est la vie!


  • Peteskid gold member
    May 2, 2008

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    Well this is one of those rare chances to do something a second time, and seeing this marvelous poem. "All in the bronzed evening..." is a pleasure revisited, and added to it the equally enjoyable "All in the bitter cold..." i have to first say the imagery in each is done with rare skill, and each has something of depth to offer, and understanding of how things are and a wish for what might be...so very well done here...PK


    • Lyndon gold member
      May 3, 2008
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      PK thank you

      but on re-reading, I wish to rip them down and start again. I guess you know that feeling. Ron.

    • Lyndon gold member
      May 2, 2008
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      Thank you PK.

      You know, when Vera asked for more entries, I placed these two poems here. I suppose through a sense of duty. There was no attempt to be competitive. I am not inclined that way and that is why my trophies are few. [Well, that's my excuse!]


  • Mairi bheag gold member
    May 2, 2008

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    First of all, dear Seamer, congratulation on the wee yellow vase.

    These poems are very atmospheric, very evocative, and wonderfully balanced. I was very uneasy about the way enjambement left "orphaned" words (prayer ... wheels, for example). That made an awkwardness for me. Don't worry - we've all done it. I did it myself in this very contest, and it was exacerbated by the initial letter of the initial word of each line being in upper case.

    Did this obey the contest rules with regard to pairs of free verse poems? I thought we had to make each one of the pair identical in syllable count or meter. Och, perhaps I mis-read. That's easily done too.

    What matters is the quality of the work, and that's pretty good.

    • Vera Rich
      May 13, 2008
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      But these poems are NOT in "free verse". (Had they been, I should, indeed, have required a syllable-by-syllable count!) They are written in sprung rhythm (a VERY different technique!!!) in which it is the STRESSES that determine form.


      • Lyndon gold member
        May 20, 2008
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        Thank you Vera.

      • Mairi bheag gold member
        May 13, 2008
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        Supplementary message:

        Never mind, I have just researched it. I'm afraid I side with the critics of Hopkins on this matter, but that's only my opinion.

      • Mairi bheag gold member
        May 13, 2008
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        Then I am truly ignorant, because I simply do not see it. I see two different poems. But it's not my call and not my business.

    • Lyndon gold member
      May 2, 2008
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      Sweet singer

      You are perfectly justified and I have remedied the orphan epithet! I hope. As for the syllables I read it as "stressing".
      Do have a glance atr the prayer wheel for me.


      • Mairi bheag gold member
        May 2, 2008
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        Jings... That was a clever juggle! I'm impressed.


        • Lyndon gold member
          May 3, 2008
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          A quick escape from the eyes of a REAL poet, Mairi.


          • Mairi bheag gold member
            May 3, 2008
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            I'm not one for false modesty, Ron.

            • Lyndon gold member
              May 3, 2008
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              I know.

              I place here a valid criticism that came, sensitively, by IM.
              "Hi Ron.

              Quoting from the rules:

              What I require is a pair of poems on two related themes. The poems must be in the same verse-form (if you write free verse, the length and stressing of each line in poem "A" must be replicated in poem "B".)

              I'm calling for the third umpire. "


              • Mairi bheag gold member
                May 3, 2008
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                I'm sure the "third umpire" bit was a leg-pull.


                • Lyndon gold member
                  May 17, 2008
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                  The poem remains at its crease

                  The umpire at the wicket did not call for the third ump!

                  • Mairi bheag gold member
                    May 17, 2008
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                    Then be prepared for my forthcoming column: "Why I remain unconvinced by 'Sprung Rhythm'".

                    I'll give you a clue in advance - if it had been I who invented it, and not G M Hopkins, people would have yawned and passed on.

                    Keep this up, and my next over will consist of brutal stuff down the leg side.


                    • Lyndon gold member
                      June 8, 2008
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                      No, keep the ball up

                      just outside off stump and rising.


            • Lyndon gold member
              May 3, 2008
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              And I'm no fool when I come to know a poet, either!


  • Sprite silver member
    May 2, 2008

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    Beautifully written. I love the way you used the seasons to join, but contrast the two poems. The joining is so seamlessly achieved. I think you will be able to simply present them as one poem.

    The flow is impressive. So many brilliant descriptions. I love the fourth stanza of the second poem, and the entire first poem is exquisite.

    Glad I read this. I'll have to read your poetry from now on. Not enough applause to give!

    ~ Joyce


  • secberm
    April 12, 2008

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    Oh my...! Intellegent and inspiring. Now this, too, is poetry. These words stimulates a part of me, my alcohol soaked brain cells, that is rarely stimulated. Write on. One.

    Dez


  • Pamela A Lamppa silver member
    April 4, 2008
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    Amazing work my friend. This is simply breathtaking.

    I simply marveled at the title. Wonderful phrasing and your referenced so Eliot are dear to my heart. Use of color is utterly magnificent. I love the use of color in poetry to set mood and tone.

    Best of luck in this contest. I adored this piece. ~Pamela


    • Lyndon gold member
      May 3, 2008

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      Pamela

      Not up to your standard of free verse (I mean this truly) but thank you very much all the same.


  • raspberry Greeters member
    April 3, 2008

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    wow.. wowow.. i ve missed this soo far.. excellent usage of words.. very very poetic. oh.. Ron.. trust me, i just dont use false words for flattery but this is impressssing Plucking strings of the planets... poets culd really get far and high!!!!


    • Lyndon gold member
      May 17, 2008
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      Dear Raspberry

      I know you are sincere and I do thank you.


    • Lyndon gold member
      May 3, 2008
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      I trust you. However, I do not trust myself to believe these lines are very poetic!


  • notorious gold member
    April 2, 2008

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    Unbelievably eloquent--descriptive, full of imagery, and I really like the background.

    You found a place to list planets and even reference Byzantium.

    "Will you walk in my garden?" Nice--it's one of those questions that mean something else.

    "strange as dew"
    Hmm...dew is strange.

    "enamelled, empowered, embellished" Nothing like alliteration.


    • Lyndon gold member
      May 3, 2008
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      The dew is strange because it is upon dry lips in dry times.
      Thank you for your careful observations.


  • HaleyMary
    March 30, 2008

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    Beautiful write. This had wonderful imagery and I liked the last line the best. It seemed metaphorical, like how thoughts and feelings can grow into words on paper like leaves grow on trees. Thanks for sharing and best of luck in the contest.


  • Lady Altheia gold member
    March 29, 2008

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    This is fabulous Daddy. You always write so beautifully. I agree with the opther commentors that you are indeed a master of poetry. The poem has a serene quality.


  • Sue Cardwell gold member
    March 29, 2008

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    This is very beautiful, inducing a serene, calming effect upon the reader. Some of the prompts I recognize but not all and some of the lines softly flow, like the sound of a fountain over beds of water dragons, one picture that will remain in my mind's eye after reading this.

    Thank you for sharing this and all the best in the contest...

    Sue

  • Rowan gold member
    March 29, 2008

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    I agree with Pk, you are a master. So richly textured, and lushly alliterated. I like to stroll in your words. Beautiful.


  • Lancashire Lad
    March 29, 2008
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    cool

    wow i can tell ur really in2 ur poetry. it sounded great mint poem well done


  • RowanMoon
    March 29, 2008
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    What a lush poem! Sweeet..

  • Peteskid gold member
    March 29, 2008
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    Simply remarkable work here, use of color and themes; history and the pleasant vernacular of non-western judgement where a word takes on new character, black, brown, use and importance of sounds, so reflective of Senghor...i could go on; Thank you for this fine entry into the contest, and the best of luck to you in the judging...PK **

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