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The Monolith


 

 

He Traveled Regions Vast

 

 

Upon Arriving at a Monolith in the Undergrowth

 

Wrinkling alone under leafy shelter
a monolithic tower edged into view
leaning time in unmarked barrenness
suffering blank crumbling colonnades;
shuffling enlightenment to this natural expanse
caroming off an inventive moment

I lose myself once again, on a distant planet
with a core influx from ancient authority,
into the irregular dwellings of underbrush
overgrown, eons with neglect
where my mind wanders in a long breath...


    Into the monolith...    

    for light of the mind
    a forgotten pathway
    loose boulders of a magnetic ether
    cover a darkness that haunts...

    perhaps just the hypothetical particles
    exuded by high-temperature industries
    or perhaps from the limits of jurisprudence
    still mingling in the grasses of Paleolithic tribesmen
    buried somewhere in the foothills of these lush hills…

    I stumble into a clearing edged in solitude and quiet
    try not to disturb the pristine senses
    and thereupon I was drawn to touch the monolith...    

    then carried on a sudden feeling of synergy
    an opprobrium of disingenuousness, exacerbated
    by the magisterial dotage of deliberations
    with an inordinate degree of lucubration
    from frenetic surreptitiously cogitated draughts
    of reductive moments of acuity
    somehow brought on by the monolith...    

    meaning I was hit with a sudden guilt
    that I could not be everywhere, with everyone, at once…    

    it was just such convoluted streams of consciousness
    that I tried to lose myself within,
    that I endeavored to flee the guilt

    that I was not spending time with those who mattered
    most in my life, in practical matters,
    while at this moment I'm caught in a dream, perhaps;
    no, I must admit it, a quest of necessity…    

    As I approached cautiously I was stung by regret
    woven in all directions and attributes of God,
    redolent with disturbing feelings

    that map geometries of reptiles and primates
    that, even here amidst such a remote celestial body
    displaying old-fashioned arrangements of

    bygone societies...
    I meld with the land softened by muddy surfaces…

    I cannot attest if it was the monolith,

    or the flowering cities of my distant species
    functioning in the roles of structuring genes

    and thereby awakening them
    to subject and style, leaving monuments
    that sing philosophical religions
    and cryptic words of learning

    nevertheless doomed by an exodus

    of the enlightened and wise
    that gave rise to the arts and aesthetics found

    in the metaphysical city-states of their earlier times-


    at this monolith I am renewed

    by the wind-swept ashes of time-space explorers
    who followed a mere nightingale’s song,
    bleeding with social and political flame
    mixed with pastoral substance, oozing in urban cultures
    now soothed by ultra-thin polymers and plastics
    so common among the materialistic denizens
    who were flicked off the pinnacle of excellence and beauty
    by intense marketing of the illogical

    born of a desperate need to reduce vast and tasteless inventories…

    I turn, and a striped body skitters by,

    featuring short, flipper-like stumps,
    flailing its defective appendages

    as it has in the fauna for the last 500 million years,
    no doubt to some day travel to the winter health spas
    with the ultimate hope of being introduced to the alphabet 
    used by the satellite colonies sailing the solar winds,
    most likely required in their university’s curriculum...

    I would open this vein of guilt
    and let portions of my abherrations spring forth
    in combustible passages of protoplasmic untriangulated

    mammalian remembrances

    railroaded by the cubicled employees
    who keep record of wonder and awe,
    but such an effusion would be insignificant…


I stroll along the edges of a low leafy shelter,
a monolithic tower marks my view,
leaning heavily in unmarked barrenness,
beyond the crumbling colonnades;
I toyed with its enlightenment in the natural expanse

of the inventive moment, was caught for a moment
while a generous influent from ancient authority
undistinguishable from the irregular dwellings

overgrown in the underbrush
and beckoning me on…

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

I think I've found just the place for an orphaned musical piece I recently created- a piece just on the edge enough to hint at the other-wordliness of this creative exercise in four parts...

 

musical accompaniment:  piece DGX-5a  by me

(right-click on link and open in new window)

ah, now I have a true multimedia creation here...

 

 

 

 

 

 

 

 

 

 

This was a creative exercise in four parts...

 

This Edit is:

Edit 2- the post-view clean-up 

Edit 3: with graphics (in spite of the abundance of tasteless abuse of graphics  -but then, what haven't we abused here...?!)

Edit 4: the post-comment scrutiny...  

Edit 5- many months later...

THE EXERCISE 

 

Part One: Write a Paragraph discussing a Line from an Existing Poem


Let me go to Oldpoetry.com and see if anything tickles my fancy…

OK, here’s one as good as any…

"He traveled regions vast”

from  The Ballad Of The Drover  by Henry Lawson

Now your average person would not envision much in that line, and would rather reach for a sugar bowl of finely-crafted pitter patter and eat it straight-up rather than expend the effort to ponder the psychological and emotional depths of such a mundane scene, but here, we bother...

 

 Now, taking the lines out of context, I would begin with a blank slate, and fill in the details based on my worldly, lifelong experiences. In context, I would let the original poem itself fill in what blanks it may...

I will try to take the best from both the 'in' and 'out of' context interpretations. In context, the poem is a ballad which recounts the story of a drover ('one that drives cattle or sheep') who is riding home from a drive, trying to beat the rains which will flood the river ahead… at this point the ballad could end up a tragedy or a triumph… the drover urges his horses and faithful dog to cross the swollen river… and it is a tragedy- the drover drowns, the dog makes it across the raging river but jumps back in for his master and drowns; only the pack-horse returns “to bring dumb tidings home.” (great line there…) Out of context, I'd have to plug-in my own imaginary, weathered character, drooping under the weight of his work, harboring the same regrets in life as myself...

  

Part 2: My Last Dream



Oh, dreams are so easily forgotten, let me pick my brain for my last one… hmmm… I think they are based on our digestive state… can’t recreate that! Maybe a recurring scene… nothing, too much stress in life right now… let me try harder… hmmm… I’m going to have to wait for my NEXT dream… I’ll pick this up then… OH, only 9 hours to go before the contest closes… there must be some way… how about a daydream? That would have been losing myself in a photo I took- there is land with an ancient monolith in a thick, overgrown jungle, and I was exploring the area looking for a good photo shoot while letting my mind wander, hence the daydream… in actuality I was in a sci-fi game featuring different planets with varied terrains, hence my using it for art. Since I was ‘there’ in mental spirit with my own unrelated musings, I’ll use that as my last dream, and I will weave into the poem the ancient monolith-in-the-jungle imagery…

  

Part 3: A Conflict in My Life Right Now



That would be spending time between work, sleep, family, and creative pastimes such as this; because whenever I am being creative, it is usually at the sacrifice of one or all of the others…

  

Part 4: Weaving it All Together in a Poem



Now the rule says that this poem does not have to relate to any of the above at all, which would make the previous efforts pointless! So I will opt to actually weave them all together…

 

Author notes

I may go get a few of those 'photographs' and use them here, in an attempt to create a media-spanning work of art... (done); maybe an original musical score to go with it (settled for an improvised creation) and in doing so I'll gain all the guilt from sacrificing work, sleep, and family... (happened)

pics by me during that journey...

In a list

A contest entry

Please tell me what you think

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Comments

1 - 5 of 5

  • Annalise
    March 7, 2008

    Edit | Reply
    Uhm, wow. When you set out to do something, you do it! Graphics, background, music, wonderful dissection of the prompt poem . . . the presentation really packs a punch.

    When I included the note that the poem doesn't have to be about the previous steps of this exercise I meant that they didn't have to be connected at a conscious level. I think it would be impossible to not connect them at a subconscious level. Which, of course, each poet in this contest has done, I think. As you have in this wonderful display of (what I would think is) hard work, dedication and true understanding of poetry.

    I like how your set-up speaks to the reader (me) instead of being aloof. The way you presented this makes the reader a participant.

    "I turn, and a striped body skitters by, featuring short, flipper-like stumps,
    flailing its defective appendages"

    I have (in this contest) pointed out lines in the poem which really stand out to me. That line does that (and then some).

    Thank you for the effort you put forth in this contest. It's mindblowing how much you put into this exercise.






    • wbiro gold member
      March 7, 2008
      Edit | Reply
      Thanks, Annalise, nothing like an authoritative comment to get one to give a piece one last spruce-up...


  • Pandorea
    March 5, 2008

    Edit | Reply
    whoa! this is sooo dense...but i mean that in a good way. i really loved

    "at my opprobrium of synergistic disingenuousness
    exacerbated
    by the magisterial dotage of my deliberations
    with an inordinate lucubration
    of frenetic surreptitious cogitated draughts of reductive acuity...

    meaning I was hit with a sudden guilt that I could not be everywhere
    and with everyone, at once…"

    it made me smile. your use of language throughout this whole thing was AMAZING and all in all i lvoed this poem, expecially from seeing how you came to it.


    • wbiro gold member
      March 5, 2008
      Edit | Reply
      thank you much, Pandorea, you spurred me to go over the piece again, and much needed...!

  • okjcop
    March 3, 2008

    Edit | Reply
    I have to work to appreciate this one. It is interesting and it makes me think, but the level of the vocabulary while within my ability to comprehend is just enough outside my normal patterns of communication that I had to struggle to follow the flow. I enjoyed it but would have probably found it more meaningful if I hadn't had to stretch to comprehend the vocabulary twists.

1 - 5 of 5