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Searching For Basquiat


Street dead essentially
moving mirrors broken
backwards interred;
sheared with chalk
and wait for rain
little boys who run to water
pennies clutched in stubby fingers-

bricks which seem to have fallen
leave incomplete
torn sleeves, missing buttons
fast eyes which do not miss
the spasms in crabbed shoulders
hands collapsed into fingers
piles of the disregarded
rearranged
for the hint of the stench.

Such new religions pry coffins
from beneath the soot
of the new city
poems that do not dry
but weep into street dead
faults rumble of steam
footfalls turning corners

the melting clock slides out of the canvas,
the colliding voices hold eternity
between the planes; for an interrupted breath
corruption is naked,

dying.

Author notes

Image Basquiat: "Untitled"

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Comments

1 - 9 of 9

  • feetus
    October 20, 2008

    Edit | Reply
    Very interesting format.
    I enjoyed reading this. It was very
    thought-provoking. Thanks for sharing it


  • tarcus
    February 28, 2008

    Edit | Reply
    the melting clock slides out of the canvas,
    the colliding voices hold eternity
    between the planes; for an interrupted breath
    corruption is naked,

    dying.

    this last stanza pulls everything together very neatly at the end good write.


  • OctoberCrush
    February 28, 2008
    Edit | Reply
    Wow- I'm impressed.

    Wonderful Job**

  • Zyskandar A Jaimot
    February 28, 2008

    Edit | Reply
    good title strong opening stanza this part toward the end was inspired:"Such new religions pry coffins
    from beneath the soot
    of the new city
    poems that do not dry
    but weep into street dead
    faults rumble of steam
    footfalls turning corners

    the melting clock slides out of the canvas,
    the colliding voices hold eternity
    between the planes; for an interrupted breath
    corruption is naked,

    dying." thank you for sharing these thoughts/snippets about Basquiat regards zaj



  • Jaden silver member
    February 28, 2008

    Edit | Reply
    I think the picture and your poem has at least one thing in common-- a full color palette. It's pretty rich. Not sure if the picture inspired the poem or you wrote the poem and found a picture to fit-- either way it works. Good to see good poems (so rare, cough-cough, on this site). Anyhoot, enjoyed it.

    Although you don't need encouragement, here's some anyway-- keep writing them thar poems.

    PS: I didn't spend any of your points when I saw this on the Featured poem list. Why is it that people click on that damed thing when all you have to do is go to your fav list or simply hit the link to your site? Laziness I'm sure. bleh . . .


  • cvillelisa
    February 27, 2008
    Edit | Reply


    This isn't anything like anything I'm reading anywhere else. Therefore I'm not sure you will be popular.

    Just keep that in mind.


  • NurseChilly gold member
    February 27, 2008

    Edit | Reply
    he was a man beyond his time, the way he painted and his surreal thoughts, his troubled soul with drugs and the hedonistic life style for a street boy all seemed to much..

    as in this poem, with time and space melting and melding to find devastation and corruption in the empty streets.... all this we see on a daily basis

    is there art there, in the chaos? - I do hope so.... naked and dying, always

    G.x


    - thought provoking Mistah Guitarman


  • I Hope You Choke
    February 26, 2008

    Edit | Reply
    A bit surreal with perfect imagery. The wording is so concise yet lost in one's mind. I really like this, but I'm not really sure why. Great write. :]

  • cvillelisa
    February 26, 2008

    Edit | Reply


    It is just like that isn't it. Colliding voices holding eternity between the planes

    and yes, not even corruption can touch it. Art.

    You make it sound so simple and that is a testament to your understanding of its nature, perhaps because it is your Nature.


    There is a brokenness in language in S1,2 & 3. The pieces being assembled
    sadness, memories, joy, junk, Then, Now, Tomorrow

    it works building up to the last stanza.


    Perhaps because I understand, I read this stanza as slightly sentimental or a tad didactic? But I have no real suggestion on undoing that and perhaps there is a place and time for such an arrangement of words ...


    Such new religions pry coffins
    from beneath the soot
    of the new city
    poems that do not dry
    but weep into street dead
    faults rumble of steam
    footfalls turning corners



    but the last stanza is sure a good evocation of the meaning of the word Art ...

1 - 9 of 9