You're a dying streetlamp on a deserted sidewalk, a broken glass abomination, a neuron-chocolate milk lovechild (and I'm a skittle-morphine trust fund baby, together we make M&Ms and nicotine).
You're a quiet virus that rubs against my skin and feels like sandpaper, teeth against my verterbrae, fingernails on my tongue, drops of bleach on my lips;
I can mold myself into metal and steel and carmalize my thoughts in slow motion (you're not a fork or a spoon but a pair of metal chopsticks, an enigma if you please, a timebomb placed in the world of silverware that could easily destroy the dishes and the punch bowl at will).
My ice cold breath illuminated by the flickering light of your sunny disposition and my ghostly touch lingers against yours in this ambionic silence; in this white noise-black lace paper house; it's pretty from the outside just don't go in or you'll get trapped in the walls, and devoured by the elephant in the room (he's rabid and vicious and senile, but he makes good pancakes and treats me like an equal).
I'm a paranoid packet of frozen vegetables stuck in the freezer. I'm inbetween someone's chocolate fudge icecream, hamburger meat, and a nicely packaged corpse. But they're going to eat me, and boil me, and stick me next to yesterday's lamb. And if I'm lucky, they'll not like me or be allergic or something. And they'll scrape me off their plates, into the trash where I can play with my bestfriends: the rotting piece of lettuce and the cow heart.
I don't want to be your leftovers or your main course, just the peas under your slab of meat.
Smash me with your fork and I'll be content.
You're a quiet virus that rubs against my skin and feels like sandpaper, teeth against my verterbrae, fingernails on my tongue, drops of bleach on my lips;
I can mold myself into metal and steel and carmalize my thoughts in slow motion (you're not a fork or a spoon but a pair of metal chopsticks, an enigma if you please, a timebomb placed in the world of silverware that could easily destroy the dishes and the punch bowl at will).
My ice cold breath illuminated by the flickering light of your sunny disposition and my ghostly touch lingers against yours in this ambionic silence; in this white noise-black lace paper house; it's pretty from the outside just don't go in or you'll get trapped in the walls, and devoured by the elephant in the room (he's rabid and vicious and senile, but he makes good pancakes and treats me like an equal).
I'm a paranoid packet of frozen vegetables stuck in the freezer. I'm inbetween someone's chocolate fudge icecream, hamburger meat, and a nicely packaged corpse. But they're going to eat me, and boil me, and stick me next to yesterday's lamb. And if I'm lucky, they'll not like me or be allergic or something. And they'll scrape me off their plates, into the trash where I can play with my bestfriends: the rotting piece of lettuce and the cow heart.
I don't want to be your leftovers or your main course, just the peas under your slab of meat.
Smash me with your fork and I'll be content.
Author notes
Sooo...
this poem goes all over the place.
But I mildly like it.
It's different.
And each part has a different meaning.
It talks about different things and yeah.
I can't think.
I'm extrememly hungry, though.
I would KILL for some pancakes.
KILL.
(And yes. I've noticed that I haven't written anything in forever.)
A contest entry
- The Result Of Boredom: A "Whatever" Contest by Exodus.
525 points, ended January 25, 2008, 49 entries
• next poem in this contest, remove from contest
Please tell me what you think
Comments
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You are obviously an EXTREMELY random person but I really admire the creativity. This certainly was interesting.
Good job, hope you get your pancakes.
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Thankkkkk youuuu.
<3
And thanks, also, for the pancake luck.
I'll need it. =[
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