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Mr. Ivories

Mr. Ivories

      entertains with elan,
daily during cocktails on the mezzanine level.
Jolene always orders a Black Russian,

      mine is a Dewar's and water.
We drop a fiver in his basket on the Steinway,
along with a request for "Ebb Tide",

      Jolene's personal favorite.
He conjures an image of Fred Astaire at keyboard,
his tails flipped elegantly over the piano bench,

      like long black raven's plumes.
Jolene points out two announcers from CNN,
seated opposite.  Makes us feel

      important by mere association.
Our waitress asks, would we like another round
before the hour's end, as we speculate

      about Mr. Ivories' musical propensity.
Time escapes in moonlit harmonic vapors,
leaves us already longing our next soiree.

Author notes

This is a unique piece for me ... the only time I've ever written in enjambed tercets

A contest entry

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Comments

1 - 8 of 8

  • Amy Meneses
    April 6

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    I like the descriptions and the unique style of your language but I don't know if this is personal enough. It didn't touch me as much as I'd hoped it would but I commend you on the attempt of a form. Thank you for the great read.


  • Emmyb gold member
    March 16
    Edit | Reply
    descriptive and thoughtful. what a gorgeous poem. xx


  • anaisnais
    December 16, 2007
    Edit | Reply
    aaahh romantic evening at the bar listening to pianist......picture perfection! A lovely evening i am sure. Geees how the other half live! lol.


  • Rheea gold member
    November 20, 2007
    Edit | Reply
    ah you lost me boy I am still out in the barn cleaning stalls


  • anaisnais
    November 18, 2007

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    Not familiar with this form myself, but your line endings want you to rush on to the next stanza and get through! Lovely poetry too!


  • micol
    November 15, 2007

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    Actually one of my favorite structures for this kind of semi-narrative poem--three lines of varying length, no forceful metrical rhythm, and a springboard from the last of one stanza to the first of the next. White space between stanzas becomes part of the movement, the cadence of the piece.

    It works especially well in this piece, relaxed, leisurely, setting its own pace for each element of the experience. And coupled with an appropriately sense of language and syntax.

    The whole thing is well handled. And enjoyable to read.


  • DrunkenRam
    November 15, 2007
    Edit | Reply

    Guilty (Everybody's guilty)

    I like this, I like anything with scotch in it.

1 - 8 of 8