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one gray ohio morning

(3rd draft)

 

 

 

 

There are scatters of ghosts

laid out along the ditch-

line as death

rising up to cloud

the break in a mid-march morning;

tires squeal in the distance,

a 45 degree curve and how

the dress of an apparation

covers it in a mock game

of hide-and-seek. An owl

voicing his desire

to find home through

the wet curtain of 4 a.m.

 

and somewhere, trapped in the heavy

of transitional air, on

a side road half-way between

Trenton and Monroe sits

the deceased image of my goodbye.

 

 

 

...............................

 

 

 

(2nd draft)

 

There is a scattering of ghosts

laid out along the ditch-

 line as death

rising up to cloud

mid-March mornings;

distant squeal of car tires

surprised

at the 45 degree curve

that sneaks up on me every day

on my way in to work, an owl

voicing his desire

to locate home through

the wet curtain of 4 a.m.

 

and somewhere, trapped

 in the heavy of transitional air

on a road half-way between Trenton

and Monroe, is the dissipating

sound of my goodbye.

 

 

 

.................................




 

 

 


The fog is thicker
on March mornings, driving
down a side road half-
way between
Trenton and Monroe;

there is a scattering of ghosts
laid out along the ditch line,
distant squeal of a car
that misjudged the 45
degree curve that catches me
unaware every day,
an owl screaming his desire
to find home
through the wet curtain
of 4 a.m.

and somewhere
trapped in mist of dew-heavy
air is the dissipating
sound of my goodbye
breaking down.

 

 

 

 

Author notes

yeah, I'm having an attention crisis...

oh, and writer's block. seriously.

help... suggestions... does anyone pay attention to me anymore?

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Comments

1 - 10 of 10

  • passionvine
    March 24, 2007

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    Sigh

    This will be a lousy response because I just spent too many days making dutiful journeys on family business in Southwestern Ohio.

    It makes me weep – and I am too emotionally involved to discern whether it is me or the poem.

    Got caught in a couple of ice storms – and the ghosts of those subsequent days when the heat stirred specters from the asphalt is still with me.

    It is a goodbye experience – and I had lots of those too

    Thanks for the poem.

    Peace.


  • cvillelisa
    March 23, 2007

    Edit | Reply

    I came back.

    I'm never really sure anymore whether people want self-confidence boosts -- which may or may not help them write a better poems

    or whether they really want to work on a poem. I find myself often in a difficult place with regard to these things here at this place which often has little to do with poetry in my opinion.

    Have you ever gone to everypoet.com? It is an absolute horrible place for the most part but for some reason I go there. Though now I'm banned. Anyway, if you think you are serious, it might behoove you to post a poem there. It is shockingly brutal.

    It has nothing to do with back scratching or making you "feel good" about yourself. Being there didn't do anything to help me become a better writer -- but what it did do was help me "see" my poems in a different light -- and see criticism in a different light.

    You seem serious about your work which was why I spent time with this. I read something today that intrigued me and because I happen to be talking to you, I'll share it with you:

    Once the poet dwells in the "thing" his poetry will be freed from the dangers of rhetoric and prolixity and become alive:

    For it is not until poetry lives again "close to the thing" that it will be a vital part of contemporary life.

    The only way to escape from rhetoric and frilled paper decoration is through beauty -- "beauty of a thing."

    Pound, from "I Gather the Limbs of Osiris," New Age x.16 (January 11, 1912).

    Of course it reminds me of Basho's learn from the pine lesson. There is a timeless wisdom I find in those "lessons" I dunno, maybe it is just me.

    Anyway. I don't know, just felt a bit like talking poetry with someone.

    I do like the stanza re-arrange. More interesting I think. I think it could still be worked more -- to get to the beauty to the "thing" But this is your poem, you are the poet. I am simply a reader offering my experience inside.

    Happy Friday.


  • Heart Sutra
    March 22, 2007

    Edit | Reply
    It seems pretty good to me. What is "an attention crisis?" lol. You are cute. The poem is excellent and I like the foggy feeling of the whole thing.


  • cvillelisa
    March 21, 2007

    Edit | Reply
    and somewhere
    trapped inside the dew heavy air
    is the disspiating sound
    of my goodbye.


    by the way --

  • cvillelisa
    March 21, 2007
    Edit | Reply

    Stroke the poets ego, stroke, stroke stroke..


    You write so damn much I get overloaded. You know me, takes me 20 reads and 2 days to sometimes work myself through a poem enough to make what I think might be a valid comment. I know for me, it would help if you sent me links of things you want my type of ad nauseum critical commenting on.

    Couple of problems with this for me: number 1, fog is so overdone -- to start your poem there kind of makes me go "yawn" also your interuption here:

    that catches me
    unaware every day,

    jars me from the coolness of that stanza. Get out of there, I don't really care about what is going on with you I'm too interested in the ghosts .. ya know?

    I'd suggest playing around with moving the stanzas around some. I played a bit:

    Gray Ohio Morning

    There is a scattering of ghosts
    laid out along the ditch line,
    the distant squeal of a car
    that misjudged the 45
    degree curve, an owl screaming
    his desire to find home
    through the wet curtain
    of 4 A.M.

    Between Trenton and Monroe
    on March mornings,
    the fog is thicker,

    and somewhere
    trapped inside the dew heavy
    air is the disspiating sound
    of my goodbye.



    breaking down and disspitating - don't they kind of mean the same thing? Not sure you need both. Also for me, mist of dew-heavy air is adjective overload.

    I'd change the title to remove one
    Gray Ohio Morning

    This way it isn't limited both the day, the setting, and the goodbye. It could me a goodbye said everyday -- or a final goodbye. Does that make any sense?

    Hope so. Not sure there's anything in my evaluation that helps. But thanks for giving me some time to be in your world.

    Lisa


  • MuddyKing
    March 21, 2007

    Edit | Reply

    excellent

    as far as the block goes...many poets would love to have a block like this
    this screams of description, the second passage made my jaw drop...as far as attention
    who needs it anyways
    I'm just glad when two brain cells connect at the same time
    brilliant
    peace and hugs Muddy


  • SmokinHotWhiteTiger
    March 21, 2007

    Edit | Reply

    Interesting

    roflmao I cna't help you because I ain't that good of a poet but I can laugh my ass off at this poem. I found this poem quite interesting because although you seem to be suffering from attention and also writers block I found this poem to ber quite a good one and I much enjoyed the poem. very nice well rounded poem packed full of detailing and its just awesome. I like it alot and I hope you find your muse again Lil Ole Pauly


  • Cat
    March 20, 2007
    Edit | Reply
    i pay attention...

    i'll come back when i'm more awake


  • JazzALTernative silver member
    March 20, 2007

    Edit | Reply
    Fine job for a Monday or Tuesday's just the same morning. Thanks for the gray poem - it was, well - I won't say it..., gray-it... I said it - gosh darn....

1 - 10 of 10