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Supernova

More a French shave than five o'clock shadow,
the young artist's way of backing off,
announcing danger, an air of the unexpected,
as the King snake has evolved to feign the Coral.

Yet where camel hair touched canvas calm,
where quintessential light met quotidian ennui,
not the advertised blackened rose or orchid,
rather the sizzle, the honeyed-heat of azalea.

Each stroke portended floral intifada,
pastel yellows and oily greens igniting
upon a fired-umber background,
threatened to melt the easel into tar.

I stood gape-jawed, nodded approval,
eyeing the second creation within a single flower.

Author notes

Bah! Humbug!

A contest entry

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Comments

1 - 24 of 24
  • so creative and original.


  • echo-ink
    December 30, 2008

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    Wonderful imagery in this.
    ...The second creation within a single flower...
    I thought this was a fantastic way to portray the portrait of an artists flower.


  • Venugopal gold member
    December 1, 2007

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    A nice poem to read.Nice description of nature here. Very well done and you did a justice to the things described.

  • ecrivain01
    November 30, 2007
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    Not familiar ...

    with the phrase "French shave", but I like the way you've used it anyway. I think you've penned a real tour de force here, and am not surprised you garnered a Gold with this. Congratulations.


  • Avatar of Innocence
    November 22, 2007

    Edit | Reply
    Hmm...

    Wow. It is not often that I can't find a single piece of useful criticism for a poem, even if it is good. I am wordless. For now.

    Let me digest this poem. I will return to read it again later and provide an adequate critique.

  • Hypocritical Oath
    November 21, 2007

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    Great

    Though it left me a little baffled as to it's direction at times, I think all round this is an excelent piece, well done, and thank you for the submission. Good luck.

  • Melissa Gayle gold member
    October 10, 2007
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    This feels colorful, very nicely done. I love when nature is done justice.

  • ecrivain01
    September 25, 2007

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    Very nice ...

    I'd consider this for publication if you'd submitted it to Sonnetto Poesia. Of course, Richard and I would have to agree first, but I think he'd like this one too. Anyway, good job on this.


    • A60sMan
      September 25, 2007
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      I'd be honored to submit for publication. Just tell me how. And thank you for the very kind words.

      A60sMan


  • anaisnais
    September 9, 2007
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    What an art of imagery you hold poet. Worth the time it took to marvel your work. In honesty I think there are many here that will not read into your work. There is a large group who like quick simplicity to move on, missing the time to speculate and ponder such marvels.


  • micol
    August 25, 2007

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    Very nice. Almost-a-sonnet...that is, all of the effectiveness with none of the affectation. Image and image and more, leading to a solid resolution. Nice.

    • A60sMan
      August 25, 2007
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      Actually I'd appreciate your help

      I have never been happy with this piece, because I feel it contains a serious flaw in the wording:

      .... igniting
      upon a tinderbox loam background,

      I rather doubt that loam is a platform for igniting much of anything. When I realized the poem had this flaw, the best I could come up with was to front end the loam with "tinderbox" to try and lessen its weakness.

      Any thoughts or suggestions on how I might get around my dilemma?

    • A60sMan
      August 25, 2007
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      Most gracious sir ...

      ... though in truth, I thought your poem much the tighter piece. I do not think the judge did you justice. I shall take pleasure in knowing that you found some merit in the poem.

      A60sMan


      • micol
        August 25, 2007
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        Where were you going with "loam"? Why that word originally? Part of the painting? or something else?

        • A60sMan
          August 25, 2007
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          The "loam" was what the artist painted in the background of the azalea. I just went originally with what I had seen, but as I began to look at my poem critically, I became more and more unhappy with that particular word. I had thought of using the word mulch, but that strikes me as most unpoetic. So there I am, stuck with a word that I feel ruins my poem. :-(

          • micol
            August 26, 2007
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            Two possible directions:

            “upon a terra-cotta background” – fired clay, implicitly related to “tinderbox”

            “upon a fire-umber background” – Burnt Umber—brown clay pigment that has been fired to intensify its hue do a dark red-brown.

            Neither probably fits, but working toward something that implies a color while continuing the fire motif might work. "Background" may be part of the problem--it seem a bit prosaic, and its sounds are strong enough to force attention to it.

            Interesting problem. Hope this is helpful. Please let me know what you think.

            • A60sMan
              August 26, 2007
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              I knew you could help!

              Many garcias, Micol! :-) ... Those are all excellent suggestions. It hadn't occurred to me to try the color route. I especially like the "fire-umber" concept. I'm in your debt.

              A60sMan


  • jaffa-forbes
    August 23, 2007
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    Good stuff. I liked the lexis and the structure. Last stanza works well. Good luck.

    jaff


  • Dalaney gold member
    August 20, 2007
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    ...are you southern, by any chance?


    • A60sMan
      August 20, 2007
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      Not a novice

      I've been writing for 12 years, Lane. How long for you?

    • A60sMan
      August 20, 2007
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      Not southern

      I grew up in the Mohawk Valley in central upstate New York. I have travelled extensively, including in the south. Today I'm planted in Las Vegas, but not taking root. :-) --- Supernova was written in Olympia WA, where azaleas bloom in profusion in the spring.


  • crazylittledevil
    February 23, 2007

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    While this is well written to the extent I could understand. I AM AN ARTIST NOT A SCHOLAR, can you PLEASE put " quotidian ennui" and " portended floral intifada" in laymen English.


    • A60sMan
      February 23, 2007
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      re: laymen English

      quotidian ennui = daily boredom
      "portended floral intifada" = signed a warning of floral uprising


  • Gasp
    February 14, 2007

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    huh? lol the words were big lol ,from what a got it was a good poem!

    ~!~keep writing~!~

    ~marin~

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