~ "Do you remember asking me, on Saturday, if that's what it feels like for me, too?"
I smile, wryly. Saturday I'd slept all day. Wandered through frost dusted post apocalyptic south east train stations for an hour too long until frost bite took hold. Worn a skirt, goddammit, in subzero weather. Drank a bottle of ginsin and three other bottles of winelies. Had a drunken fit of max drama and high dudgeon at six am.
Done, said, inflicted many, many things. Including this.
~ "Yes."
~ "You never actually told me, what it feels like for you."
My wry smile turns to embarrassed smirk. Another stupid solecism, add to my weekend's collection. I turn away. Feel myself dozing, a little. I don't know the answer. I suspect I may never know the answer.
But it's a fair question. Something pulls me back to reality to consider it again. Leaning back, and moving my dank palm across a coolly dry shoulder, I try to verbalise.
~ "Sometimes it's really intense."
I shift my head, to stare up at the ceiling. I don't want to bulls**, but I don't want the question to force out any words that are less than true. Somehow at this moment there seems a gap between those two definitions. I close my eyes, wanting to look in, not out.
~ "Sometimes it hurts."
Again the feeling of wanting to move, to rearrange. Of being too self-contained to emote. I remind myself: it's a fair question. It's a very personal question - so tell the truth as best you know it. The compulsion to shy away from even wondering is overwhelming. I shift myself sideways to face him, but don't really catch his eye.
~ "And sometime's it's scary-weird."
That's it. That's the extent of all I know. Perhaps all I'll ever know in answer to this one. I drop my head down, too close for communication to continue, ready to drowse again. There's nothing more to be said about this, I feel. And I'm tired, sated, over-verbalised, satiated. He leans in toward me.
~ "I think you like it when it's like that."
I don't know: he could be wrong. He could very easily be right.
Author notes
Written April 28th, 2005
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1 - 5 of 5
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You seem to have a real gift for dialogue and realism, really putting us there with you. You don't always use complete sentences, and that's a good thing because we don't think in complete sentences, only snippets and bruises and spots. You do a great job of drawing us into the character's head--we are her.
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good
it's long it was good
sorry never read the book you was talking about
the poem women
well it's not the way i wanted it to go
but hell it works if you realy want to know how i feel look at my other poems -
Cheers, Wood. I apologise for not chatting; I'm somewhat busy with the writing.
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In other thing the poem was good i was in the zone like I was there!
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You sound really hott!!!!=)
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