I enter the gruesome gates of Ballet Hell
In ten minutes I will stand before a glacial director,
In a line of nameless, faceless bodies,
Praying that God pulls me out of that line -
and gives me a name and a face.
I am waiting to begin the audition,
Waiting to learn my destiny.
One-by-one, fifty dancers will pour out their hearts
through their hands, their feet, and their eyes.
One-by-one, fifty dancers will have their love and future
twisted away.
And, yes, we pay them for this.
A smirking lady hands me my number:
the tangible epitome of the audition
It still retains its dizzying smell of magic marker.
I have been stripped of my identity -
Dehumanized by the graffiti pinned to my leotard;
For the next two hours my name will be:
Number twenty-eight.
Hair is deliberately coiled in a skull-gripping bun
Each girl inventories the bobby pins
that imprison her hair.
We fidget at the barre, in numerical order -
Each dancer starts to warm up by holding her leg in some
distorted position over her head.
Leg warmers and sweat pants shroud these
strangely beautiful, serpentine legs
The room writhes with apprehension…
The audition director enters - a self-exalted demi-god…
He walks agonizingly slowly…
Taking inventory of every body he passes…
He grins a sinister, weaselly smile…
Then seats himself at the front of the room.
…Let the festivities begin.
Author notes
Written January 22nd, 2006
A contest entry
- Dancing by -Christine-.
500 points, ended January 24, 2006, 11 entries
• next poem in this contest, remove from contest
What did you think
Comments
-
Interesting. Very interesting.
I quite liked this, it was so different and refreshing; the descriptions are all so vividly detailed, I found myself completely imagining the entire poem. It was easy to follow, and your words really stirred up feeings. So yes, I felt this one when I read it, you definitely did a good job connecting with the reader.
And wow, curious topic.
I like it, I like it.
That last line is a kicker.
Christine
1 old applause
