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In Horologium

by Percy Bysshe Shelley

INTER marmoreas Leonorae pendula colles
Fortunata mmis Machina dicit horas.
Quas manibus premit ilia duas insensa papillas
Cur mihi sit digito tangere, amata, nefas?

Fragment: To The People Of England

by Percy Bysshe Shelley

PEOPLE of England, ye who toil and groan,
Who reap the harvests which are not your own,
Who weave the clothes which your oppressors wear,
And for your own take the inclement air;
Who build warm houses . . .
And are like gods who give them all they have,
And nurse them from the cradle to the grave . . .

Fragment: There Is A Warm And Gentle Atmosphere

by Percy Bysshe Shelley, 1819

There is a warm and gentle atmosphere
About the form of one we love, and thus
As in a tender mist our spirits are
Wrapped in the of that which is to us
The health of life’s own life--

Stanza From A Translation Of The Marseillaise Hymn

by Percy Bysshe Shelley, 1810

Tremble, Kings despised of man!
Ye traitors to your Country,
Tremble! Your parricidal plan
At length shall meet its destiny...
We all are soldiers fit to fight,
But if we sink in glory's night
Our mother Earth will give ye new
The brilliant pathway to pursue
Which leads to Death or Victory...

Poetical Essay

by Percy Bysshe Shelley

Extract from Poetical Essay


Millions to fight compell'd, to fight or die
In mangled heaps on War's red altar lie . . .
When the legal murders swell the lists of pride;
When glory's views the titled idiot guide

Fragments Supposed To Be Parts Of Otho

by Percy Bysshe Shelley, 1817

I.
Those whom nor power, nor lying faith, nor toil,
Nor custom, queen of many slaves, makes blind,
Have ever grieved that man should be the spoil
Of his own weakness, and with earnest mind
Fed hopes of its redemption; these recur
Chastened by deathful victory now, and find
Foundations in this foulest age, and stir
Me whom they cheer to be their minister.

II.
Dark is the realm of grief: but human things
Those may not know who cannot weep for them.
...

III.
Once more descend
The shadows of my soul upon mankind,
For to those hearts with which they never blend,
Thoughts are but shadows which the flashing mind
From the swift clouds which track its flight of fire,
Casts on the gloomy world it leaves behind.
...

Fragment: The Lake's Margin

by Percy Bysshe Shelley, 1818

The fierce beasts of the woods and wildernesses
Track not the steps of him who drinks of it;
For the light breezes, which for ever fleet
Around its margin, heap the sand thereon.

Fragment: Milton's Spirit

by Percy Bysshe Shelley, 1820

I dreamed that Milton's spirit rose, and took
From life's green tree his Uranian lute;
And from his touch sweet thunder flowed, and shook
All human things built in contempt of man,--
And sanguine thrones and impious altars quaked,
Prisons and citadels...

To Edward Williams

by Percy Bysshe Shelley, 1821

I.
The serpent is shut out from Paradise.
The wounded deer must seek the herb no more
In which its heart-cure lies:
The widowed dove must cease to haunt a bower
Like that from which its mate with feigned sighs
Fled in the April hour.
I too must seldom seek again
Near happy friends a mitigated pain.

II.
Of hatred I am proud,--with scorn content;
Indifference, that once hurt me, now is grown
Itself indifferent;
But, not to speak of love, pity alone
Can break a spirit already more than bent.
The miserable one
Turns the mind’s poison into food,--
Its medicine is tears,--its evil good.

III.
Therefore, if now I see you seldomer,
Dear friends, dear FRIEND! know that I only fly
Your looks, because they stir
Griefs that should sleep, and hopes that cannot die:
The very comfort that they minister
I scarce can bear, yet I,
So deeply is the arrow gone,
Should quickly perish if it were withdrawn.

IV.
When I return to my cold home, you ask
Why I am not as I have ever been.
YOU spoil me for the task
Of acting a forced part in life's dull scene,--
Of wearing on my brow the idle mask
Of author, great or mean,
In the world's carnival. I sought
Peace thus, and but in you I found it not.

V.
Full half an hour, to-day, I tried my lot
With various flowers, and every one still said,
'She loves me--loves me not.'
And if this meant a vision long since fled--
If it meant fortune, fame, or peace of thought--
If it meant,--but I dread
To speak what you may know too well:
Still there was truth in the sad oracle.

VI.
The crane o'er seas and forests seeks her home;
No bird so wild but has its quiet nest,
When it no more would roam;
The sleepless billows on the ocean’s breast
Break like a bursting heart, and die in foam,
And thus at length find rest:
Doubtless there is a place of peace
Where MY weak heart and all its throbs will cease.

VII.
I asked her, yesterday, if she believed
That I had resolution. One who HAD
Would ne’er have thus relieved
His heart with words,—but what his judgement bade
Would do, and leave the scorner unrelieved.
These verses are too sad
To send to you, but that I know,
Happy yourself, you feel another’s woe.

Zephyrus The Awakener

by Percy Bysshe Shelley, 1821

Come, thou awakener of the spirit's ocean,
Zephyr, whom to thy cloud or cave
No thought can trace! speed with thy gentle motion!

Fragment Of The Elegy On The Death Of Adonis

by Percy Bysshe Shelley

From the Greek of Bion.

I mourn Adonis dead—loveliest Adonis--
Dead, dead Adonis--and the Loves lament.
Sleep no more, Venus, wrapped in purple woof--
Wake violet-stoled queen, and weave the crown
Of Death,--'tis Misery calls,--for he is dead.

The lovely one lies wounded in the mountains,
His white thigh struck with the white tooth; he scarce
Yet breathes; and Venus hangs in agony there.
The dark blood wanders o'er his snowy limbs,
His eyes beneath their lids are lustreless,
The rose has fled from his wan lips, and there
That kiss is dead, which Venus gathers yet.

A deep, deep wound Adonis...
A deeper Venus bears upon her heart.
See, his beloved dogs are gathering round--
The Oread nymphs are weeping--Aphrodite
With hair unbound is wandering through the woods,
'Wildered, ungirt, unsandalled--the thorns pierce
Her hastening feet and drink her sacred blood.
Bitterly screaming out, she is driven on
Through the long vales; and her Assyrian boy,
Her love, her husband, calls--the purple blood
From his struck thigh stains her white navel now,
Her bosom, and her neck before like snow.

Alas for Cytherea—the Loves mourn--
The lovely, the beloved is gone!--and now
Her sacred beauty vanishes away.
For Venus whilst Adonis lived was fair--
Alas! her loveliness is dead with him.
The oaks and mountains cry, Ai! ai! Adonis!
The springs their waters change to tears and weep--
The flowers are withered up with grief...

Ai! ai! ... Adonis is dead
Echo resounds ... Adonis dead.
Who will weep not thy dreadful woe. O Venus?
Soon as she saw and knew the mortal wound
Of her Adonis—saw the life-blood flow
From his fair thigh, now wasting,—wailing loud
She clasped him, and cried ... 'Stay, Adonis!
Stay, dearest one,...
and mix my lips with thine--
Wake yet a while, Adonis—oh, but once,
That I may kiss thee now for the last time--
But for as long as one short kiss may live--
Oh, let thy breath flow from thy dying soul
Even to my mouth and heart, that I may suck
That...'

On An Icicle That Clung To The Grass Of A Grave

by Percy Bysshe Shelley, 1810

I.
Oh! take the pure gem to where southerly breezes,
Waft repose to some bosom as faithful as fair,
In which the warm current of love never freezes,
As it rises unmingled with selfishness there,
Which, untainted by pride, unpolluted by care,
Might dissolve the dim icedrop, might bid it arise,
Too pure for these regions, to gleam in the skies.

II.
Or where the stern warrior, his country defending,
Dares fearless the dark-rolling battle to pour,
Or o'er the fell corpse of a dread tyrant bending,
Where patriotism red with his guilt-reeking gore
Plants Liberty's flag on the slave-peopled shore,
With victory's cry, with the shout of the free,
Let it fly, taintless Spirit, to mingle with thee.

III.
For I found the pure gem, when the daybeam returning,
Ineffectual gleams on the snow-covered plain,
When to others the wished-for arrival of morning
Brings relief to long visions of soul-racking pain;
But regret is an insult—to grieve is in vain:
And why should we grieve that a spirit so fair
Seeks Heaven to mix with its own kindred there?

IV.
But still 'twas some Spirit of kindness descending
To share in the load of mortality's woe,
Who over thy lowly-built sepulchre bending
Bade sympathy's tenderest teardrop to flow.
Not for THEE soft compassion celestials did know,
But if ANGELS can weep, sure MAN may repine,
May weep in mute grief o'er thy low-laid shrine.

V.
And did I then say, for the altar of glory,
That the earliest, the loveliest of flowers I'd entwine,
Though with millions of blood-reeking victims 'twas gory,
Though the tears of the widow polluted its shrine,
Though around it the orphans, the fatherless pine?
Oh! Fame, all thy glories I'd yield for a tear
To shed on the grave of a heart so sincere.

Fragment Of A Sonnet : To Harriet

by Percy Bysshe Shelley, 1812

Ever as now with Love and Virtue's glow
May thy unwithering soul not cease to burn,
Still may thine heart with those pure thoughts o'erflow
Which force from mine such quick and warm return.

Fragment Of A Sonnet. Farewell To North Devon

by Percy Bysshe Shelley, 1812

Where man's profane and tainting hand
Nature’s primaeval loveliness has marred,
And some few souls of the high bliss debarred
Which else obey her powerful command;
...mountain piles
That load in grandeur Cambria's emerald vales.

From The Original Draft Of The Poem To William Shelley

by Percy Bysshe Shelley, 1817

I.
The world is now our dwelling-place;
Where'er the earth one fading trace
Of what was great and free does keep,
That is our home!...
Mild thoughts of man's ungentle race
Shall our contented exile reap;
For who that in some happy place
His own free thoughts can freely chase
By woods and waves can clothe his face
In cynic smiles? Child! we shall weep.

II.
This lament,
The memory of thy grievous wrong
Will fade...
But genius is omnipotent
To hallow...

Fragment: Thoughts Come And Go In Solitude

by Percy Bysshe Shelley, 1817

My thoughts arise and fade in solitude,
The verse that would invest them melts away
Like moonlight in the heaven of spreading day:
How beautiful they were, how firm they stood,
Flecking the starry sky like woven pearl!

Lines To A Critic

by Percy Bysshe Shelley, 1817

I.
Honey from silkworms who can gather,
Or silk from the yellow bee?
The grass may grow in winter weather
As soon as hate in me.

II.
Hate men who cant, and men who pray,
And men who rail like thee;
An equal passion to repay
They are not coy like me.

III.
Or seek some slave of power and gold
To be thy dear heart's mate;
Thy love will move that bigot cold
Sooner than me, thy hate.

IV.
A passion like the one I prove
Cannot divided be;
I hate thy want of truth and love--
How should I then hate thee?

On The Medusa Of Leonardo da Vinci In The Florentine Gallery

by Percy Bysshe Shelley, 1819

I.
It lieth, gazing on the midnight sky,
Upon the cloudy mountain-peak supine;
Below, far lands are seen tremblingly;
Its horror and its beauty are divine.
Upon its lips and eyelids seems to lie
Loveliness like a shadow, from which shine,
Fiery and lurid, struggling underneath,
The agonies of anguish and of death.

II.
Yet it is less the horror than the grace
Which turns the gazer's spirit into stone,
Whereon the lineaments of that dead face
Are graven, till the characters be grown
Into itself, and thought no more can trace;
’Tis the melodious hue of beauty thrown
Athwart the darkness and the glare of pain,
Which humanize and harmonize the strain.

III.
And from its head as from one body grow,
As grass out of a watery rock,
Hairs which are vipers, and they curl and flow
And their long tangles in each other lock,
And with unending involutions show
Their mailed radiance, as it were to mock
The torture and the death within, and saw
The solid air with many a ragged jaw.

IV.
And, from a stone beside, a poisonous eft
Peeps idly into those Gorgonian eyes;
Whilst in the air a ghastly bat, bereft
Of sense, has flitted with a mad surprise
Out of the cave this hideous light had cleft,
And he comes hastening like a moth that hies
After a taper; and the midnight sky
Flares, a light more dread than obscurity.

V.
'Tis the tempestuous loveliness of terror;
For from the serpents gleams a brazen glare
Kindled by that inextricable error,
Which makes a thrilling vapour of the air
Become a and ever-shifting mirror
Of all the beauty and the terror there--
A woman’s countenance, with serpent-locks,
Gazing in death on Heaven from those wet rocks.

The Sepulchre Of Memory

by Percy Bysshe Shelley, 1819

And where is truth? On tombs? for such to thee
Has been my heart—and thy dead memory
Has lain from childhood, many a changeful year,
Unchangingly preserved and buried there.

When A Lover Clasps His Fairest

by Percy Bysshe Shelley, 1819

I.
When a lover clasps his fairest,
Then be our dread sport the rarest.
Their caresses were like the chaff
In the tempest, and be our laugh
His despair—her epitaph!

II.
When a mother clasps her child,
Watch till dusty Death has piled
His cold ashes on the clay;
She has loved it many a day--
She remains,—it fades away.

Wake The Serpent Not

by Percy Bysshe Shelley, 1819

Wake the serpent not—lest he
Should not know the way to go,--
Let him crawl which yet lies sleeping
Through the deep grass of the meadow!
Not a bee shall hear him creeping,
Not a may-fly shall awaken
From its cradling blue-bell shaken,
Not the starlight as he’s sliding
Through the grass with silent gliding.

To Jane: The Recollection

by Percy Bysshe Shelley, 1822

I.
Now the last day of many days,
All beautiful and bright as thou,
The loveliest and the last, is dead,
Rise, Memory, and write its praise!
Up,--to thy wonted work! come, trace
The epitaph of glory fled,--
For now the Earth has changed its face,
A frown is on the Heaven’s brow.

II.
We wandered to the Pine Forest
That skirts the Ocean’s foam,
The lightest wind was in its nest,
The tempest in its home.
The whispering waves were half asleep,
The clouds were gone to play,
And on the bosom of the deep
The smile of Heaven lay;
It seemed as if the hour were one
Sent from beyond the skies,
Which scattered from above the sun
A light of Paradise.

III.
We paused amid the pines that stood
The giants of the waste,
Tortured by storms to shapes as rude
As serpents interlaced;
And, soothed by every azure breath,
That under Heaven is blown,
To harmonies and hues beneath,
As tender as its own,
Now all the tree-tops lay asleep,
Like green waves on the sea,
As still as in the silent deep
The ocean woods may be.

IV.
How calm it was!—the silence there
By such a chain was bound
That even the busy woodpecker
Made stiller by her sound
The inviolable quietness;
The breath of peace we drew
With its soft motion made not less
The calm that round us grew.
There seemed from the remotest seat
Of the white mountain waste,
To the soft flower beneath our feet,
A magic circle traced,--
A spirit interfused around
A thrilling, silent life,--
To momentary peace it bound
Our mortal nature’s strife;
And still I felt the centre of
The magic circle there
Was one fair form that filled with love
The lifeless atmosphere.

V.
We paused beside the pools that lie
Under the forest bough,--
Each seemed as ’twere a little sky
Gulfed in a world below;
A firmament of purple light
Which in the dark earth lay,
More boundless than the depth of night,
And purer than the day--
In which the lovely forests grew,
As in the upper air,
More perfect both in shape and hue
Than any spreading there.
There lay the glade and neighbouring lawn,
And through the dark green wood
The white sun twinkling like the dawn
Out of a speckled cloud.
Sweet views which in our world above
Can never well be seen,
Were imaged by the water’s love
Of that fair forest green.
And all was interfused beneath
With an Elysian glow,
An atmosphere without a breath,
A softer day below.
Like one beloved the scene had lent
To the dark water’s breast,
Its every leaf and lineament
With more than truth expressed;
Until an envious wind crept by,
Like an unwelcome thought,
Which from the mind’s too faithful eye
Blots one dear image out.
Though thou art ever fair and kind,
The forests ever green,
Less oft is peace in Shelley’s mind,
Than calm in waters, seen.

Fiordispina

by Percy Bysshe Shelley, 1820

The season was the childhood of sweet June,
Whose sunny hours from morning until noon
Went creeping through the day with silent feet,
Each with its load of pleasure; slow yet sweet;
Like the long years of blest Eternity
Never to be developed. Joy to thee,
Fiordispina and thy Cosimo,
For thou the wonders of the depth canst know
Of this unfathomable flood of hours,
Sparkling beneath the heaven which embowers--

...

They were two cousins, almost like to twins,
Except that from the catalogue of sins
Nature had rased their love—which could not be
But by dissevering their nativity.
And so they grew together like two flowers
Upon one stem, which the same beams and showers
Lull or awaken in their purple prime,
Which the same hand will gather—the same clime
Shake with decay. This fair day smiles to see
All those who love—and who e’er loved like thee,
Fiordispina? Scarcely Cosimo,
Within whose bosom and whose brain now glow
The ardours of a vision which obscure
The very idol of its portraiture.
He faints, dissolved into a sea of love;
But thou art as a planet sphered above;
But thou art Love itself—ruling the motion
Of his subjected spirit: such emotion
Must end in sin and sorrow, if sweet May
Had not brought forth this morn—your wedding-day.

...

‘Lie there; sleep awhile in your own dew,
Ye faint-eyed children of the ... Hours,’
Fiordispina said, and threw the flowers
Which she had from the breathing--

...

A table near of polished porphyry.
They seemed to wear a beauty from the eye
That looked on them—a fragrance from the touch
Whose warmth ... checked their life; a light such
As sleepers wear, lulled by the voice they love, which did reprove
The childish pity that she felt for them,
And a ... remorse that from their stem
She had divided such fair shapes ... made
A feeling in the ... which was a shade
Of gentle beauty on the flowers: there lay
All gems that make the earth’s dark bosom gay.
... rods of myrtle-buds and lemon-blooms,
And that leaf tinted lightly which assumes
The livery of unremembered snow--
Violets whose eyes have drunk--

...

Fiordispina and her nurse are now
Upon the steps of the high portico,
Under the withered arm of Media
She flings her glowing arm

...

... step by step and stair by stair,
That withered woman, gray and white and brown--
More like a trunk by lichens overgrown
Than anything which once could have been human.
And ever as she goes the palsied woman

...

'How slow and painfully you seem to walk,
Poor Media! you tire yourself with talk.'
‘And well it may,
Fiordispina, dearest—well-a-day!
You are hastening to a marriage-bed;
I to the grave!’—‘And if my love were dead,
Unless my heart deceives me, I would lie
Beside him in my shroud as willingly
As now in the gay night-dress Lilla wrought.'
'Fie, child! Let that unseasonable thought
Not be remembered till it snows in June;
Such fancies are a music out of tune
With the sweet dance your heart must keep to-night.
What! would you take all beauty and delight
Back to the Paradise from which you sprung,
And leave to grosser mortals?--
And say, sweet lamb, would you not learn the sweet
And subtle mystery by which spirits meet?
Who knows whether the loving game is played,
When, once of mortal [vesture] disarrayed,
The naked soul goes wandering here and there
Through the wide deserts of Elysian air?
The violet dies not till it’--

Lines -- Far, Far Away, O Ye

by Percy Bysshe Shelley, 1821

I.
Far, far away, O ye
Halcyons of Memory,
Seek some far calmer nest
Than this abandoned breast!
No news of your false spring
To my heart’s winter bring,
Once having gone, in vain
Ye come again.

II.
Vultures, who build your bowers
High in the Future’s towers,
Withered hopes on hopes are spread!
Dying joys, choked by the dead,
Will serve your beaks for prey
Many a day.

Remembrance

by Percy Bysshe Shelley, 1821

I.
Swifter far than summer's flight--
Swifter far than youth’s delight--
Swifter far than happy night,
Art thou come and gone--
As the earth when leaves are dead,
As the night when sleep is sped,
As the heart when joy is fled,
I am left lone, alone.

II.
The swallow summer comes again--
The owlet night resumes her reign--
But the wild-swan youth is fain
To fly with thee, false as thou.--
My heart each day desires the morrow;
Sleep itself is turned to sorrow;
Vainly would my winter borrow
Sunny leaves from any bough.

III.
Lilies for a bridal bed--
Roses for a matron’s head--
Violets for a maiden dead--
Pansies let MY flowers be:
On the living grave I bear
Scatter them without a tear--
Let no friend, however dear,
Waste one hope, one fear for me.

Epithalamium : Another Version

by Percy Bysshe Shelley, 1821

Night, with all thine eyes look down!
Darkness shed its holiest dew!
When ever smiled the inconstant moon
On a pair so true?
Hence, coy hour! and quench thy light,
Lest eyes see their own delight!
Hence, swift hour! and thy loved flight
Oft renew.

BOYS:

O joy! O fear! what may be done
In the absence of the sun?
Come along!
The golden gates of sleep unbar!
When strength and beauty meet together,
Kindles their image like a star
In a sea of glassy weather.
Hence, coy hour! and quench thy light,
Lest eyes see their own delight!
Hence, swift hour! and thy loved flight
Oft renew.

GIRLS:

O joy! O fear! what may be done
In the absence of the sun?
Come along!
Fairies! sprites! and angels, keep her!
Holiest powers, permit no wrong!
And return, to wake the sleeper,
Dawn, ere it be long.
Hence, swift hour! and quench thy light,
Lest eyes see their own delight!
Hence, coy hour! and thy loved flight
Oft renew.

BOYS AND GIRLS:

O joy! O fear! what will be done
In the absence of the sun?
Come along!

The Boat On The Serchio

by Percy Bysshe Shelley, 1821

Our boat is asleep on Serchio's stream,
Its sails are folded like thoughts in a dream,
The helm sways idly, hither and thither;
Dominic, the boatman, has brought the mast,
And the oars, and the sails; but ’tis sleeping fast,
Like a beast, unconscious of its tether.

The stars burnt out in the pale blue air,
And the thin white moon lay withering there;
To tower, and cavern, and rift, and tree,
The owl and the bat fled drowsily.
Day had kindled the dewy woods,
And the rocks above and the stream below,
And the vapours in their multitudes,
And the Apennine’s shroud of summer snow,
And clothed with light of aery gold
The mists in their eastern caves uprolled.

Day had awakened all things that be,
The lark and the thrush and the swallow free,
And the milkmaid’s song and the mower’s scythe
And the matin-bell and the mountain bee:
Fireflies were quenched on the dewy corn,
Glow-worms went out on the river’s brim,
Like lamps which a student forgets to trim:
The beetle forgot to wind his horn,
The crickets were still in the meadow and hill:
Like a flock of rooks at a farmer’s gun
Night’s dreams and terrors, every one,
Fled from the brains which are their prey
From the lamp’s death to the morning ray.

All rose to do the task He set to each,
Who shaped us to His ends and not our own;
The million rose to learn, and one to teach
What none yet ever knew or can be known.
And many rose
Whose woe was such that fear became desire;--
Melchior and Lionel were not among those;
They from the throng of men had stepped aside,
And made their home under the green hill-side.
It was that hill, whose intervening brow
Screens Lucca from the Pisan’s envious eye,
Which the circumfluous plain waving below,
Like a wide lake of green fertility,
With streams and fields and marshes bare,
Divides from the far Apennines—which lie
Islanded in the immeasurable air.

‘What think you, as she lies in her green cove,
Our little sleeping boat is dreaming of?’
‘If morning dreams are true, why I should guess
That she was dreaming of our idleness,
And of the miles of watery way
We should have led her by this time of day.’--

‘Never mind,’ said Lionel,
‘Give care to the winds, they can bear it well
About yon poplar-tops; and see
The white clouds are driving merrily,
And the stars we miss this morn will light
More willingly our return to-night.--
How it whistles, Dominic’s long black hair!
List, my dear fellow; the breeze blows fair:
Hear how it sings into the air--’

--‘Of us and of our lazy motions,’
Impatiently said Melchior,
‘If I can guess a boat’s emotions;
And how we ought, two hours before,
To have been the devil knows where.’
And then, in such transalpine Tuscan
As would have killed a Della-Cruscan,

...

So, Lionel according to his art
Weaving his idle words, Melchior said:
‘She dreams that we are not yet out of bed;
We’ll put a soul into her, and a heart
Which like a dove chased by a dove shall beat.’

...

‘Ay, heave the ballast overboard,
And stow the eatables in the aft locker.’
‘Would not this keg be best a little lowered?’
‘No, now all’s right.’ ‘Those bottles of warm tea--
(Give me some straw)—must be stowed tenderly;
Such as we used, in summer after six,
To cram in greatcoat pockets, and to mix
Hard eggs and radishes and rolls at Eton,
And, couched on stolen hay in those green harbours
Farmers called gaps, and we schoolboys called arbours,
Would feast till eight.’

...

With a bottle in one hand,
As if his very soul were at a stand
Lionel stood—when Melchior brought him steady:--
‘Sit at the helm—fasten this sheet--all ready!’

The chain is loosed, the sails are spread,
The living breath is fresh behind,
As with dews and sunrise fed,
Comes the laughing morning wind;--
The sails are full, the boat makes head
Against the Serchio’s torrent fierce,
Then flags with intermitting course,
And hangs upon the wave, and stems
The tempest of the...
Which fervid from its mountain source
Shallow, smooth and strong doth come,--
Swift as fire, tempestuously
It sweeps into the affrighted sea;
In morning’s smile its eddies coil,
Its billows sparkle, toss and boil,
Torturing all its quiet light
Into columns fierce and bright.

The Serchio, twisting forth
Between the marble barriers which it clove
At Ripafratta, leads through the dread chasm
The wave that died the death which lovers love,
Living in what it sought; as if this spasm
Had not yet passed, the toppling mountains cling,
But the clear stream in full enthusiasm
Pours itself on the plain, then wandering
Down one clear path of effluence crystalline
Sends its superfluous waves, that they may fling
At Arno’s feet tribute of corn and wine;
Then, through the pestilential deserts wild
Of tangled marsh and woods of stunted pine,
It rushes to the Ocean.

Life Rounded With Sleep

by Percy Bysshe Shelley, 1821

The babe is at peace within the womb;
The corpse is at rest within the tomb:
We begin in what we end.

O Thou Immortal Deity

by Percy Bysshe Shelley, 1821

O thou immortal deity
Whose throne is in the depth of human thought,
I do adjure thy power and thee
By all that man may be, by all that he is not,
By all that he has been and yet must be!

Saint Edmond's Eve

by Percy Bysshe Shelley, 1810

Oh! did you observe the Black Canon pass,
And did you observe his frown?
He goeth to say the midnight mass,
In holy St. Edmond's town.

He goeth to sing the burial chaunt,
And to lay the wandering sprite,
Whose shadowy, restless form doth haunt,
The Abbey's drear aisle this night.

It saith it will not its wailing cease,
'Till that holy man come near,
'Till he pour o’er its grave the prayer of peace,
And sprinkle the hallowed tear.

The Canon's horse is stout and strong
The road is plain and fair,
But the Canon slowly wends along,
And his brow is gloomed with care.

Who is it thus late at the Abbey-gate?
Sullen echoes the portal bell,
It sounds like the whispering voice of fate,
It sounds like a funeral knell.

The Canon his faltering knee thrice bowed,
And his frame was convulsed with fear,
When a voice was heard distinct and loud,
'Prepare! for thy hour is near.'

He crosses his breast, he mutters a prayer,
To Heaven he lifts his eye,
He heeds not the Abbot's gazing stare,
Nor the dark Monks who murmured by.

Bare-headed he worships the sculptured saints
That frown on the sacred walls,
His face it grows pale,--he trembles, he faints,
At the Abbot’s feet he falls.

And straight the father’s robe he kissed,
Who cried, 'Grace dwells with thee,
The spirit will fade like the morning mist,
At your benedicite.

'Now haste within! the board is spread,
Keen blows the air, and cold,
The spectre sleeps in its earthy bed,
'Till St. Edmond’s bell hath tolled,--

'Yet rest your wearied limbs to-night,
You’ve journeyed many a mile,
To-morrow lay the wailing sprite,
That shrieks in the moonlight aisle.

'Oh! faint are my limbs and my bosom is cold,
Yet to-night must the sprite be laid,
Yet to-night when the hour of horror's told,
Must I meet the wandering shade.

'Nor food, nor rest may now delay,--
For hark! the echoing pile,
A bell loud shakes!—Oh haste away,
O lead to the haunted aisle.'

The torches slowly move before,
The cross is raised on high,
A smile of peace the Canon wore,
But horror dimmed his eye--

And now they climb the footworn stair,
The chapel gates unclose,
Now each breathed low a fervent prayer,
And fear each bosom froze--

Now paused awhile the doubtful band
And viewed the solemn scene,--
Full dark the clustered columns stand,
The moon gleams pale between--

'Say father, say, what cloisters' gloom
Conceals the unquiet shade,
Within what dark unhallowed tomb,
The corse unblessed was laid.'

'Through yonder drear aisle alone it walks,
And murmurs a mournful plaint,
Of thee! Black Canon, it wildly talks,
And call on thy patron saint--

The pilgrim this night with wondering eyes,
As he prayed at St. Edmond's shrine,
From a black marble tomb hath seen it rise,
And under yon arch recline.'--

‘Oh! say upon that black marble tomb,
What memorial sad appears.'--
‘Undistinguished it lies in the chancel's gloom,
No memorial sad it bears'--

The Canon his paternoster reads,
His rosary hung by his side,
Now swift to the chancel doors he leads,
And untouched they open wide,

Resistless, strange sounds his steps impel,
To approach to the black marble tomb,
'Oh! enter, Black Canon,' a whisper fell,
'Oh! enter, thy hour is come.'

He paused, told his beads, and the threshold passed.
Oh! horror, the chancel doors close,
A loud yell was borne on the rising blast,
And a deep, dying groan arose.

The Monks in amazement shuddering stand,
They burst through the chancel's gloom,
From St. Edmond’s shrine, lo! a skeleton’s hand,
Points to the black marble tomb.

Lo! deeply engraved, an inscription blood red,
In characters fresh and clear--
'The guilty Black Canon of Elmham's dead,
And his wife lies buried here!'

In Elmham’s tower he wedded a Nun,
To St. Edmond’s his bride he bore,
On this eve her noviciate here was begun,
And a Monk’s gray weeds she wore;--

O! deep was her conscience dyed with guilt,
Remorse she full oft revealed,
Her blood by the ruthless Black Canon was spilt,
And in death her lips he sealed;

Her spirit to penance this night was doomed,
'Till the Canon atoned the deed,
Here together they now shall rest entombed,
'Till their bodies from dust are freed--

Hark! a loud peal of thunder shakes the roof,
Round the altar bright lightnings play,
Speechless with horror the Monks stand aloof,
And the storm dies sudden away--

The inscription was gone! a cross on the ground,
And a rosary shone through the gloom,
But never again was the Canon there found,
Or the Ghost on the black marble tomb.

To The Republicans Of North America

by Percy Bysshe Shelley, 1810

I.
Brothers! between you and me
Whirlwinds sweep and billows roar:
Yet in spirit oft I see
On thy wild and winding shore
Freedom’s bloodless banners wave,--
Feel the pulses of the brave
Unextinguished in the grave,--
See them drenched in sacred gore,--
Catch the warrior's gasping breath
Murmuring 'Liberty or death!'

II.
Shout aloud! Let every slave,
Crouching at Corruption's throne,
Start into a man, and brave
Racks and chains without a groan:
And the castle's heartless glow,
And the hovel's vice and woe,
Fade like gaudy flowers that blow--
Weeds that peep, and then are gone
Whilst, from misery's ashes risen,
Love shall burst the captive's prison.

III.
Cotopaxi! bid the sound
Through thy sister mountains ring,
Till each valley smile around
At the blissful welcoming!
And, O thou stern Ocean deep,
Thou whose foamy billows sweep
Shores where thousands wake to weep
Whilst they curse a villain king,
On the winds that fan thy breast
Bear thou news of Freedom's rest!

IV.
Can the daystar dawn of love,
Where the flag of war unfurled
Floats with crimson stain above
The fabric of a ruined world?
Never but to vengeance driven
When the patriot's spirit shriven
Seeks in death its native Heaven!
There, to desolation hurled,
Widowed love may watch thy bier,
Balm thee with its dying tear.

Marenghi

by Percy Bysshe Shelley, 1818

I.
Let those who pine in pride or in revenge,
Or think that ill for ill should be repaid,
Who barter wrong for wrong, until the exchange
Ruins the merchants of such thriftless trade,
Visit the tower of Vado, and unlearn
Such bitter faith beside Marenghi’s urn.

II.
A massy tower yet overhangs the town,
A scattered group of ruined dwellings now...

...

III.
Another scene are wise Etruria knew
Its second ruin through internal strife
And tyrants through the breach of discord threw
The chain which binds and kills. As death to life,
As winter to fair flowers (though some be poison)
So Monarchy succeeds to Freedom’s foison.

IV.
In Pisa’s church a cup of sculptured gold
Was brimming with the blood of feuds forsworn:
A Sacrament more holy ne’er of old
Etrurians mingled mid the shades forlorn
Of moon-illumined forests, when...

V.
And reconciling factions wet their lips
With that dread wine, and swear to keep each spirit
Undarkened by their country’s last eclipse...

...

VI.
Was Florence the liberticide? that band
Of free and glorious brothers who had planted,
Like a green isle mid Aethiopian sand,
A nation amid slaveries, disenchanted
Of many impious faiths—wise, just—do they,
Does Florence, gorge the sated tyrants’ prey?

VII.
O foster-nurse of man’s abandoned glory,
Since Athens, its great mother, sunk in splendour;
Thou shadowest forth that mighty shape in story,
As ocean its wrecked fanes, severe yet tender:—
The light-invested angel Poesy
Was drawn from the dim world to welcome thee.

VIII.
And thou in painting didst transcribe all taught
By loftiest meditations; marble knew
The sculptor’s fearless soul—and as he wrought,
The grace of his own power and freedom grew.
And more than all, heroic, just, sublime,
Thou wart among the false...was this thy crime?

IX.
Yes; and on Pisa’s marble walls the twine
Of direst weeds hangs garlanded—the snake
Inhabits its wrecked palaces;—in thine
A beast of subtler venom now doth make
Its lair, and sits amid their glories overthrown,
And thus thy victim’s fate is as thine own.

X.
The sweetest flowers are ever frail and rare,
And love and freedom blossom but to wither;
And good and ill like vines entangled are,
So that their grapes may oft be plucked together;--
Divide the vintage ere thou drink, then make
Thy heart rejoice for dead Marenghi’s sake.

Xa.

[Albert] Marenghi was a Florentine;
If he had wealth, or children, or a wife
Or friends, [or farm] or cherished thoughts which twine
The sights and sounds of home with life’s own life
Of these he was despoiled and Florence sent...

...

XI.
No record of his crime remains in story,
But if the morning bright as evening shone,
It was some high and holy deed, by glory
Pursued into forgetfulness, which won
From the blind crowd he made secure and free
The patriot’s meed, toil, death, and infamy.

XII.
For when by sound of trumpet was declared
A price upon his life, and there was set
A penalty of blood on all who shared
So much of water with him as might wet
His lips, which speech divided not—he went
Alone, as you may guess, to banishment.

XIII.
Amid the mountains, like a hunted beast,
He hid himself, and hunger, toil, and cold,
Month after month endured; it was a feast
Whene’er he found those globes of deep-red gold
Which in the woods the strawberry-tree doth bear,
Suspended in their emerald atmosphere.

XIV.
And in the roofless huts of vast morasses,
Deserted by the fever-stricken serf,
All overgrown with reeds and long rank grasses,
And hillocks heaped of moss-inwoven turf,
And where the huge and speckled aloe made,
Rooted in stones, a broad and pointed shade,--

XV.
He housed himself. There is a point of strand
Near Vado’s tower and town; and on one side
The treacherous marsh divides it from the land,
Shadowed by pine and ilex forests wide,
And on the other, creeps eternally,
Through muddy weeds, the shallow sullen sea.

XVI.
Here the earth’s breath is pestilence, and few
But things whose nature is at war with life--
Snakes and ill worms—endure its mortal dew.
The trophies of the clime’s victorious strife--
And ringed horns which the buffalo did wear,
And the wolf’s dark gray scalp who tracked him there.

XVII.
And at the utmost point...stood there
The relics of a reed-inwoven cot, 95
Thatched with broad flags. An outlawed murderer
Had lived seven days there: the pursuit was hot
When he was cold. The birds that were his grave
Fell dead after their feast in Vado’s wave.

XVIII.
There must have burned within Marenghi’s breast
That fire, more warm and bright than life and hope,
(Which to the martyr makes his dungeon...
More joyous than free heaven’s majestic cope
To his oppressor), warring with decay,--
Or he could ne’er have lived years, day by day.

XIX.
Nor was his state so lone as you might think.
He had tamed every newt and snake and toad,
And every seagull which sailed down to drink
Those freshes ere the death-mist went abroad.
And each one, with peculiar talk and play,
Wiled, not untaught, his silent time away.

XX.
And the marsh-meteors, like tame beasts, at night
Came licking with blue tongues his veined feet;
And he would watch them, as, like spirits bright,
In many entangled figures quaint and sweet
To some enchanted music they would dance--
Until they vanished at the first moon-glance.

XXI.
He mocked the stars by grouping on each weed
The summer dew-globes in the golden dawn;
And, ere the hoar-frost languished, he could read
Its pictured path, as on bare spots of lawn
Its delicate brief touch in silver weaves
The likeness of the wood’s remembered leaves.

XXII.
And many a fresh Spring morn would he awaken--
While yet the unrisen sun made glow, like iron
Quivering in crimson fire, the peaks unshaken
Of mountains and blue isles which did environ
With air-clad crags that plain of land and sea,--
And feel ... liberty.

XXIII.
And in the moonless nights when the dun ocean
Heaved underneath wide heaven, star-impearled,
Starting from dreams...
Communed with the immeasurable world;
And felt his life beyond his limbs dilated,
Till his mind grew like that it contemplated.

XXIV.
His food was the wild fig and strawberry;
The milky pine-nuts which the autumn-blast
Shakes into the tall grass; or such small fry
As from the sea by winter-storms are cast;
And the coarse bulbs of iris-flowers he found
Knotted in clumps under the spongy ground.

XXV.
And so were kindled powers and thoughts which made
His solitude less dark. When memory came
(For years gone by leave each a deepening shade),
His spirit basked in its internal flame,--
As, when the black storm hurries round at night,
The fisher basks beside his red firelight.

XXVI.
Yet human hopes and cares and faiths and errors,
Like billows unawakened by the wind,
Slept in Marenghi still; but that all terrors,
Weakness, and doubt, had withered in his mind.
His couch...

...

XXVII.
And, when he saw beneath the sunset’s planet
A black ship walk over the crimson ocean,--
Its pennon streaming on the blasts that fan it,
Its sails and ropes all tense and without motion,
Like the dark ghost of the unburied even
Striding athwart the orange-coloured heaven,--

XXVIII.
The thought of his own kind who made the soul
Which sped that winged shape through night and day,--
The thought of his own country...

...

The Spectral Horseman

by Percy Bysshe Shelley, 1810

What was the shriek that struck Fancy's ear
As it sate on the ruins of time that is past?
Hark! it floats on the fitful blast of the wind,
And breathes to the pale moon a funeral sigh.
It is the Benshie's moan on the storm,
Or a shivering fiend that thirsting for sin,
Seeks murder and guilt when virtue sleeps,
Winged with the power of some ruthless king,
And sweeps o'er the breast of the prostrate plain.
It was not a fiend from the regions of Hell
That poured its low moan on the stillness of night:
It was not a ghost of the guilty dead,
Nor a yelling vampire reeking with gore;
But aye at the close of seven years' end,
That voice is mixed with the swell of the storm,
And aye at the close of seven years' end,
A shapeless shadow that sleeps on the hill
Awakens and floats on the mist of the heath.
It is not the shade of a murdered man,
Who has rushed uncalled to the throne of his God,
And howls in the pause of the eddying storm.
This voice is low, cold, hollow, and chill,
'Tis not heard by the ear, but is felt in the soul.
'Tis more frightful far than the death-daemon's scream,
Or the laughter of fiends when they howl o’er the corpse
Of a man who has sold his soul to Hell.
It tells the approach of a mystic form,
A white courser bears the shadowy sprite;
More thin they are than the mists of the mountain,
When the clear moonlight sleeps on the waveless lake.
More pale HIS cheek than the snows of Nithona,
When winter rides on the northern blast,
And howls in the midst of the leafless wood.
Yet when the fierce swell of the tempest is raving,
And the whirlwinds howl in the caves of Inisfallen,
Still secure mid the wildest war of the sky,
The phantom courser scours the waste,
And his rider howls in the thunder's roar.
O'er him the fierce bolts of avenging Heaven
Pause, as in fear, to strike his head.
The meteors of midnight recoil from his figure,
Yet the 'wildered peasant, that oft passes by,
With wonder beholds the blue flash through his form:
And his voice, though faint as the sighs of the dead,
The startled passenger shudders to hear,
More distinct than the thunder's wildest roar.
Then does the dragon, who, chained in the caverns
To eternity, curses the champion of Erin,
Moan and yell loud at the lone hour of midnight,
And twine his vast wreaths round the forms of the daemons;
Then in agony roll his death-swimming eyeballs,
Though 'wildered by death, yet never to die!
Then he shakes from his skeleton folds the nightmares,
Who, shrieking in agony, seek the couch
Of some fevered wretch who courts sleep in vain;
Then the tombless ghosts of the guilty dead
In horror pause on the fitful gale.
They float on the swell of the eddying tempest,
And scared seek the caves of gigantic...
Where their thin forms pour unearthly sounds
On the blast that sweets the breast of the lake,
And mingles its swell with the moonlight air.

Otho

by Percy Bysshe Shelley, 1817

I.
Thou wert not, Cassius, and thou couldst not be,
Last of the Romans, though thy memory claim
From Brutus his own glory--and on thee
Rests the full splendour of his sacred fame:
Nor he who dared make the foul tyrant quail
Amid his cowering senate with thy name,
Though thou and he were great--it will avail
To thine own fame that Otho’s should not fail.

II.
'Twill wrong thee not—thou wouldst, if thou couldst feel,
Abjure such envious fame--great Otho died
Like thee--he sanctified his country’s steel,
At once the tyrant and tyrannicide,
In his own blood—a deed it was to bring
Tears from all men—though full of gentle pride,
Such pride as from impetuous love may spring,
That will not be refused its offering.

To The Nile

by Percy Bysshe Shelley, 1818

Month after month the gathered rains descend
Drenching yon secret Aethiopian dells,
And from the desert’s ice-girt pinnacles
Where Frost and Heat in strange embraces blend
On Atlas, fields of moist snow half depend.
Girt there with blasts and meteors Tempest dwells
By Nile’s aereal urn, with rapid spells
Urging those waters to their mighty end.
O’er Egypt’s land of Memory floods are level
And they are thine, O Nile--and well thou knowest
That soul-sustaining airs and blasts of evil
And fruits and poisons spring where’er thou flowest.
Beware, O Man--for knowledge must to thee,
Like the great flood to Egypt, ever be.

To Mary ----

by Percy Bysshe Shelley, 1818

O Mary dear, that you were here
With your brown eyes bright and clear.
And your sweet voice, like a bird
Singing love to its lone mate
In the ivy bower disconsolate;
Voice the sweetest ever heard!
And your brow more...
Than the          sky
Of this azure Italy.
Mary dear, come to me soon,
I am not well whilst thou art far;
As sunset to the sphered moon,
As twilight to the western star,
Thou, beloved, art to me.

O Mary dear, that you were here;
The Castle echo whispers 'Here!'

To Jane: The Invitation

by Percy Bysshe Shelley, 1822

Best and brightest, come away!
Fairer far than this fair Day,
Which, like thee to those in sorrow,
Comes to bid a sweet good-morrow
To the rough Year just awake
In its cradle on the brake.
The brightest hour of unborn Spring,
Through the winter wandering,
Found, it seems, the halcyon Morn
To hoar February born,
Bending from Heaven, in azure mirth,
It kissed the forehead of the Earth,
And smiled upon the silent sea,
And bade the frozen streams be free,
And waked to music all their fountains,
And breathed upon the frozen mountains,
And like a prophetess of May
Strewed flowers upon the barren way,
Making the wintry world appear
Like one on whom thou smilest, dear.

Away, away, from men and towns,
To the wild wood and the downs--
To the silent wilderness
Where the soul need not repress
Its music lest it should not find
An echo in another’s mind,
While the touch of Nature's art
Harmonizes heart to heart.
I leave this notice on my door
For each accustomed visitor:--
'I am gone into the fields
To take what this sweet hour yields;--
Reflection, you may come to-morrow,
Sit by the fireside with Sorrow.--
You with the unpaid bill, Despair,--
You, tiresome verse-reciter, Care,--
I will pay you in the grave,--
Death will listen to your stave.
Expectation too, be off!
To-day is for itself enough;
Hope, in pity mock not Woe
With smiles, nor follow where I go;
Long having lived on thy sweet food,
At length I find one moment’s good
After long pain—with all your love,
This you never told me of.'

Radiant Sister of the Day,
Awake! arise! and come away!
To the wild woods and the plains,
And the pools where winter rains
Image all their roof of leaves,
Where the pine its garland weaves
Of sapless green and ivy dun
Round stems that never kiss the sun;
Where the lawns and pastures be,
And the sandhills of the sea;--
Where the melting hoar-frost wets
The daisy-star that never sets,
And wind-flowers, and violets,
Which yet join not scent to hue,
Crown the pale year weak and new;
When the night is left behind
In the deep east, dun and blind,
And the blue noon is over us,
And the multitudinous
Billows murmur at our feet,
Where the earth and ocean meet,
And all things seem only one
In the universal sun.

Fragment: What Men Gain Fairly

by Percy Bysshe Shelley, 1819

What men gain fairly -- that they should possess,
And children may inherit idleness,
From him who earns it—This is understood;
Private injustice may be general good.
But he who gains by base and armed wrong,
Or guilty fraud, or base compliances,
May be despoiled; even as a stolen dress
Is stripped from a convicted thief; and he
Left in the nakedness of infamy.

To William Shelley. Thy Little Footsteps On The Sands

by Percy Bysshe Shelley, 1819

Thy little footsteps on the sands
Of a remote and lonely shore;
The twinkling of thine infant hands,
Where now the worm will feed no more;
Thy mingled look of love and glee
When we returned to gaze on thee--

Fragment: Sufficient Unto The Day

by Percy Bysshe Shelley, 1819

Is not to-day enough? Why do I peer
Into the darkness of the day to come?
Is not to-morrow even as yesterday?
And will the day that follows change thy doom?
Few flowers grow upon thy wintry way;
And who waits for thee in that cheerless home
Whence thou hast fled, whither thou must return
Charged with the load that makes thee faint and mourn?

The Sensitive Plant

by Percy Bysshe Shelley, 1820

PART 1.
A Sensitive Plant in a garden grew,
And the young winds fed it with silver dew,
And it opened its fan-like leaves to the light.
And closed them beneath the kisses of Night.

And the Spring arose on the garden fair,
Like the Spirit of Love felt everywhere;
And each flower and herb on Earth’s dark breast
Rose from the dreams of its wintry rest.

But none ever trembled and panted with bliss
In the garden, the field, or the wilderness,
Like a doe in the noontide with love’s sweet want,
As the companionless Sensitive Plant.

The snowdrop, and then the violet,
Arose from the ground with warm rain wet,
And their breath was mixed with fresh odour, sent
From the turf, like the voice and the instrument.

Then the pied wind-flowers and the tulip tall,
And narcissi, the fairest among them all,
Who gaze on their eyes in the stream’s recess,
Till they die of their own dear loveliness;

And the Naiad-like lily of the vale,
Whom youth makes so fair and passion so pale
That the light of its tremulous bells is seen
Through their pavilions of tender green;

And the hyacinth purple, and white, and blue,
Which flung from its bells a sweet peal anew
Of music so delicate, soft, and intense,
It was felt like an odour within the sense;

And the rose like a nymph to the bath addressed,
Which unveiled the depth of her glowing breast,
Till, fold after fold, to the fainting air
The soul of her beauty and love lay bare:

And the wand-like lily, which lifted up,
As a Maenad, its moonlight-coloured cup,
Till the fiery star, which is its eye,
Gazed through clear dew on the tender sky;

And the jessamine faint, and the sweet tuberose,
The sweetest flower for scent that blows;
And all rare blossoms from every clime
Grew in that garden in perfect prime.

And on the stream whose inconstant bosom
Was pranked, under boughs of embowering blossom,
With golden and green light, slanting through
Their heaven of many a tangled hue,

Broad water-lilies lay tremulously,
And starry river-buds glimmered by,
And around them the soft stream did glide and dance
With a motion of sweet sound and radiance.

And the sinuous paths of lawn and of moss,
Which led through the garden along and across,
Some open at once to the sun and the breeze,
Some lost among bowers of blossoming trees,

Were all paved with daisies and delicate bells
As fair as the fabulous asphodels,
And flow’rets which, drooping as day drooped too,
Fell into pavilions, white, purple, and blue,
To roof the glow-worm from the evening dew.

And from this undefiled Paradise
The flowers (as an infant’s awakening eyes
Smile on its mother, whose singing sweet
Can first lull, and at last must awaken it),

When Heaven’s blithe winds had unfolded them,
As mine-lamps enkindle a hidden gem,
Shone smiling to Heaven, and every one
Shared joy in the light of the gentle sun;

For each one was interpenetrated
With the light and the odour its neighbour shed,
Like young lovers whom youth and love make dear
Wrapped and filled by their mutual atmosphere.

But the Sensitive Plant which could give small fruit
Of the love which it felt from the leaf to the root,
Received more than all, it loved more than ever,
Where none wanted but it, could belong to the giver,—

For the Sensitive Plant has no bright flower;
Radiance and odour are not its dower;
It loves, even like Love, its deep heart is full,
It desires what it has not, the Beautiful!

The light winds which from unsustaining wings
Shed the music of many murmurings;
The beams which dart from many a star
Of the flowers whose hues they bear afar;

The plumed insects swift and free,
Like golden boats on a sunny sea,
Laden with light and odour, which pass
Over the gleam of the living grass;

The unseen clouds of the dew, which lie
Like fire in the flowers till the sun rides high,
Then wander like spirits among the spheres,
Each cloud faint with the fragrance it bears;

The quivering vapours of dim noontide,
Which like a sea o’er the warm earth glide,
In which every sound, and odour, and beam,
Move, as reeds in a single stream;

Each and all like ministering angels were
For the Sensitive Plant sweet joy to bear,
Whilst the lagging hours of the day went by
Like windless clouds o’er a tender sky.

And when evening descended from Heaven above,
And the Earth was all rest, and the air was all love,
And delight, though less bright, was far more deep,
And the day’s veil fell from the world of sleep,

And the beasts, and the birds, and the insects were drowned
In an ocean of dreams without a sound;
Whose waves never mark, though they ever impress
The light sand which paves it, consciousness;

(Only overhead the sweet nightingale
Ever sang more sweet as the day might fail,
And snatches of its Elysian chant
Were mixed with the dreams of the Sensitive Plant);--

The Sensitive Plant was the earliest
Upgathered into the bosom of rest;
A sweet child weary of its delight,
The feeblest and yet the favourite,
Cradled within the embrace of Night.

PART 2.

There was a Power in this sweet place,
An Eve in this Eden; a ruling Grace
Which to the flowers, did they waken or dream,
Was as God is to the starry scheme.

A Lady, the wonder of her kind,
Whose form was upborne by a lovely mind
Which, dilating, had moulded her mien and motion
Like a sea-flower unfolded beneath the ocean,

Tended the garden from morn to even:
And the meteors of that sublunar Heaven,
Like the lamps of the air when Night walks forth,
Laughed round her footsteps up from the Earth!

She had no companion of mortal race,
But her tremulous breath and her flushing face
Told, whilst the morn kissed the sleep from her eyes,
That her dreams were less slumber than Paradise:

As if some bright Spirit for her sweet sake
Had deserted Heaven while the stars were awake,
As if yet around her he lingering were,
Though the veil of daylight concealed him from her.

Her step seemed to pity the grass it pressed;
You might hear by the heaving of her breast,
That the coming and going of the wind
Brought pleasure there and left passion behind.

And wherever her aery footstep trod,
Her trailing hair from the grassy sod
Erased its light vestige, with shadowy sweep,
Like a sunny storm o’er the dark green deep.

I doubt not the flowers of that garden sweet
Rejoiced in the sound of her gentle feet;
I doubt not they felt the spirit that came
From her glowing fingers through all their frame.

She sprinkled bright water from the stream
On those that were faint with the sunny beam;
And out of the cups of the heavy flowers
She emptied the rain of the thunder-showers.

She lifted their heads with her tender hands,
And sustained them with rods and osier-bands;
If the flowers had been her own infants, she
Could never have nursed them more tenderly.

And all killing insects and gnawing worms,
And things of obscene and unlovely forms,
She bore, in a basket of Indian woof,
Into the rough woods far aloof,--

In a basket, of grasses and wild-flowers full,
The freshest her gentle hands could pull
For the poor banished insects, whose intent,
Although they did ill, was innocent.

But the bee and the beamlike ephemeris
Whose path is the lightning's, and soft moths that kiss
The sweet lips of the flowers, and harm not, did she
Make her attendant angels be.

And many an antenatal tomb,
Where butterflies dream of the life to come,
She left clinging round the smooth and dark
Edge of the odorous cedar bark.

This fairest creature from earliest Spring
Thus moved through the garden ministering
Mi the sweet season of Summertide,
And ere the first leaf looked brown—she died!

PART 3.

Three days the flowers of the garden fair,
Like stars when the moon is awakened, were,
Or the waves of Baiae, ere luminous
She floats up through the smoke of Vesuvius.

And on the fourth, the Sensitive Plant
Felt the sound of the funeral chant,
And the steps of the bearers, heavy and slow,
And the sobs of the mourners, deep and low;

The weary sound and the heavy breath,
And the silent motions of passing death,
And the smell, cold, oppressive, and dank,
Sent through the pores of the coffin-plank;

The dark grass, and the flowers among the grass,
Were bright with tears as the crowd did pass;
From their sighs the wind caught a mournful tone,
And sate in the pines, and gave groan for groan.

The garden, once fair, became cold and foul,
Like the corpse of her who had been its soul,
Which at first was lovely as if in sleep,
Then slowly changed, till it grew a heap
To make men tremble who never weep.

Swift Summer into the Autumn flowed,
And frost in the mist of the morning rode,
Though the noonday sun looked clear and bright,
Mocking the spoil of the secret night.

The rose-leaves, like flakes of crimson snow,
Paved the turf and the moss below.
The lilies were drooping, and white, and wan,
Like the head and the skin of a dying man.

And Indian plants, of scent and hue
The sweetest that ever were fed on dew,
Leaf by leaf, day after day,
Were massed into the common clay.

And the leaves, brown, yellow, and gray, and red,
And white with the whiteness of what is dead,
Like troops of ghosts on the dry wind passed;
Their whistling noise made the birds aghast.

And the gusty winds waked the winged seeds,
Out of their birthplace of ugly weeds,
Till they clung round many a sweet flower’s stem,
Which rotted into the earth with them.

The water-blooms under the rivulet
Fell from the stalks on which they were set;
And the eddies drove them here and there,
As the winds did those of the upper air.

Then the rain came down, and the broken stalks
Were bent and tangled across the walks;
And the leafless network of parasite bowers
Massed into ruin; and all sweet flowers.

Between the time of the wind and the snow
All loathliest weeds began to grow,
Whose coarse leaves were splashed with many a speck,
Like the water-snake’s belly and the toad’s back.

And thistles, and nettles, and darnels rank,
And the dock, and henbane, and hemlock dank,
Stretched out its long and hollow shank,
And stifled the air till the dead wind stank.

And plants, at whose names the verse feels loath,
Filled the place with a monstrous undergrowth,
Prickly, and pulpous, and blistering, and blue,
Livid, and starred with a lurid dew.

And agarics, and fungi, with mildew and mould
Started like mist from the wet ground cold;
Pale, fleshy, as if the decaying dead
With a spirit of growth had been animated!

Spawn, weeds, and filth, a leprous scum,
Made the running rivulet thick and dumb,
And at its outlet flags huge as stakes
Dammed it up with roots knotted like water-snakes.

And hour by hour, when the air was still,
The vapours arose which have strength to kill;
At morn they were seen, at noon they were felt,
At night they were darkness no star could melt.

And unctuous meteors from spray to spray
Crept and flitted in broad noonday
Unseen; every branch on which they alit
By a venomous blight was burned and bit.

The Sensitive Plant, like one forbid,
Wept, and the tears within each lid
Of its folded leaves, which together grew,
Were changed to a blight of frozen glue.

For the leaves soon fell, and the branches soon
By the heavy axe of the blast were hewn;
The sap shrank to the root through every pore
As blood to a heart that will beat no more.

For Winter came: the wind was his whip:
One choppy finger was on his lip:
He had torn the cataracts from the hills
And they clanked at his girdle like manacles;

His breath was a chain which without a sound
The earth, and the air, and the water bound;
He came, fiercely driven, in his chariot-throne
By the tenfold blasts of the Arctic zone.

Then the weeds which were forms of living death
Fled from the frost to the earth beneath.
Their decay and sudden flight from frost
Was but like the vanishing of a ghost!

And under the roots of the Sensitive Plant
The moles and the dormice died for want:
The birds dropped stiff from the frozen air
And were caught in the branches naked and bare.

First there came down a thawing rain
And its dull drops froze on the boughs again;
Then there steamed up a freezing dew
Which to the drops of the thaw-rain grew;

And a northern whirlwind, wandering about
Like a wolf that had smelt a dead child out,
Shook the boughs thus laden, and heavy, and stiff,
And snapped them off with his rigid griff.

When Winter had gone and Spring came back
The Sensitive Plant was a leafless wreck;
But the mandrakes, and toadstools, and docks, and darnels,
Rose like the dead from their ruined charnels.

CONCLUSION.
Whether the Sensitive Plant, or that
Which within its boughs like a Spirit sat,
Ere its outward form had known decay,
Now felt this change, I cannot say.

Whether that Lady’s gentle mind,
No longer with the form combined
Which scattered love, as stars do light,
Found sadness, where it left delight,

I dare not guess; but in this life
Of error, ignorance, and strife,
Where nothing is, but all things seem,
And we the shadows of the dream,

It is a modest creed, and yet
Pleasant if one considers it,
To own that death itself must be,
Like all the rest, a mockery.

That garden sweet, that lady fair,
And all sweet shapes and odours there,
In truth have never passed away:
’Tis we, ’tis ours, are changed; not they.

For love, and beauty, and delight,
There is no death nor change: their might
Exceeds our organs, which endure
No light, being themselves obscure.

Pater Omnipotens

by Percy Bysshe Shelley, 1820

Serene in his unconquerable might
Endued[,] the Almighty King, his steadfast throne
Encompassed unapproachably with power
And darkness and deep solitude an awe
Stood like a black cloud on some aery cliff
Embosoming its lightning—in his sight
Unnumbered glorious spirits trembling stood
Like slaves before their Lord—prostrate around
Heaven’s multitudes hymned everlasting praise.

Dirge For The Year

by Percy Bysshe Shelley, 1821

I.
Orphan Hours, the Year is dead,
Come and sigh, come and weep!
Merry Hours, smile instead,
For the Year is but asleep.
See, it smiles as it is sleeping,
Mocking your untimely weeping.

II.
As an earthquake rocks a corse
In its coffin in the clay,
So White Winter, that rough nurse,
Rocks the death-cold Year to-day;
Solemn Hours! wail aloud
For your mother in her shroud.

III.
As the wild air stirs and sways
The tree-swung cradle of a child,
So the breath of these rude days
Rocks the Year:—be calm and mild,
Trembling Hours, she will arise
With new love within her eyes.

IV.
January gray is here,
Like a sexton by her grave;
February bears the bier,
March with grief doth howl and rave,
And April weeps--but, O ye Hours!
Follow with May's fairest flowers.

The Fugitives

by Percy Bysshe Shelley, 1821

I.
The waters are flashing,
The white hail is dashing,
The lightnings are glancing,
The hoar-spray is dancing—
Away!

The whirlwind is rolling,
The thunder is tolling,
The forest is swinging,
The minster bells ringing--
Come away!

The Earth is like Ocean,
Wreck-strewn and in motion:
Bird, beast, man and worm
Have crept out of the storm--
Come away!

II.
'Our boat has one sail
And the helmsman is pale;--
A bold pilot I trow,
Who should follow us now,'--
Shouted he--

And she cried: 'Ply the oar!
Put off gaily from shore!'--
As she spoke, bolts of death
Mixed with hail, specked their path
O’er the sea.

And from isle, tower and rock,
The blue beacon-cloud broke,
And though dumb in the blast,
The red cannon flashed fast
From the lee.

III.
And 'Fear'st thou?' and 'Fear'st thou?'
And Seest thou?' and 'Hear'st thou?'
And 'Drive we not free
O'er the terrible sea,
I and thou?'

One boat-cloak did cover
The loved and the lover--
Their blood beats one measure,
They murmur proud pleasure
Soft and low;--

While around the lashed Ocean,
Like mountains in motion,
Is withdrawn and uplifted,
Sunk, shattered and shifted
To and fro.

IV.
In the court of the fortress
Beside the pale portress,
Like a bloodhound well beaten
The bridegroom stands, eaten
By shame;

On the topmost watch-turret,
As a death-boding spirit
Stands the gray tyrant father,
To his voice the mad weather
Seems tame;

And with curses as wild
As e’er clung to child,
He devotes to the blast,
The best, loveliest and last
Of his name!

Fragments Written For Hellas

by Percy Bysshe Shelley, 1821

I.
Fairest of the Destinies,
Disarray thy dazzling eyes:
Keener far thy lightnings are
Than the winged [bolts] thou bearest,
And the smile thou wearest
Wraps thee as a star
Is wrapped in light.

II.
Could Arethuse to her forsaken urn
From Alpheus and the bitter Doris run,
Or could the morning shafts of purest light
Again into the quivers of the Sun
Be gathered—could one thought from its wild flight
Return into the temple of the brain
Without a change, without a stain,--
Could aught that is, ever again
Be what it once has ceased to be,
Greece might again be free!

III.
A star has fallen upon the earth
Mid the benighted nations,
A quenchless atom of immortal light,
A living spark of Night,
A cresset shaken from the constellations.
Swifter than the thunder fell
To the heart of Earth, the well
Where its pulses flow and beat,
And unextinct in that cold source
Burns, and on ... course
Guides the sphere which is its prison,
Like an angelic spirit pent
In a form of mortal birth,
Till, as a spirit half-arisen
Shatters its charnel, it has rent,
In the rapture of its mirth,
The thin and painted garment of the Earth,
Ruining its chaos—a fierce breath
Consuming all its forms of living death.

Methought I Was A Billow In The Crowd

by Percy Bysshe Shelley, 1821

Methought I was a billow in the crowd
Of common men, that stream without a shore,
That ocean which at once is deaf and loud;
That I, a man, stood amid many more
By a wayside..., which the aspect bore
Of some imperial metropolis,
Where mighty shapes—pyramid, dome, and tower--
Gleamed like a pile of crags--

Fragment: A Wanderer

by Percy Bysshe Shelley, 1821

He wanders, like a day-appearing dream,
Through the dim wildernesses of the mind;
Through desert woods and tracts, which seem
Like ocean, homeless, boundless, unconfined.

Homer's Hymn To The Moon

by Percy Bysshe Shelley, 1818

Daughters of Jove, whose voice is melody,
Muses, who know and rule all minstrelsy
Sing the wide-winged Moon! Around the earth,
From her immortal head in Heaven shot forth,
Far light is scattered—boundless glory springs;
Where’er she spreads her many-beaming wings
The lampless air glows round her golden crown.

But when the Moon divine from Heaven is gone
Under the sea, her beams within abide,
Till, bathing her bright limbs in Ocean’s tide,
Clothing her form in garments glittering far,
And having yoked to her immortal car
The beam-invested steeds whose necks on high
Curve back, she drives to a remoter sky
A western Crescent, borne impetuously.
Then is made full the circle of her light,
And as she grows, her beams more bright and bright
Are poured from Heaven, where she is hovering then,
A wonder and a sign to mortal men.

The Son of Saturn with this glorious Power
Mingled in love and sleep--to whom she bore
Pandeia, a bright maid of beauty rare
Among the Gods, whose lives eternal are.

Hail Queen, great Moon, white-armed Divinity,
Fair-haired and favourable! thus with thee
My song beginning, by its music sweet
Shall make immortal many a glorious feat
Of demigods, with lovely lips, so well
Which minstrels, servants of the Muses, tell.

From Vergil's Tenth Eclogue

by Percy Bysshe Shelley

Melodious Arethusa, o'er my verse
Shed thou once more the spirit of thy stream:
Who denies verse to Gallus? So, when thou
Glidest beneath the green and purple gleam
Of Syracusan waters, mayst thou flow
Unmingled with the bitter Doric dew!
Begin, and, whilst the goats are browsing now
The soft leaves, in our way let us pursue
The melancholy loves of Gallus. List!
We sing not to the dead: the wild woods knew
His sufferings, and their echoes...
Young Naiads,...in what far woodlands wild
Wandered ye when unworthy love possessed
Your Gallus? Not where Pindus is up-piled,
Nor where Parnassus’ sacred mount, nor where
Aonian Aganippe expands...
The laurels and the myrtle-copses dim.
The pine-encircled mountain, Maenalus,
The cold crags of Lycaeus, weep for him;
And Sylvan, crowned with rustic coronals,
Came shaking in his speed the budding wands
And heavy lilies which he bore: we knew
Pan the Arcadian.
...
'What madness is this, Gallus? Thy heart's care
With willing steps pursues another there.'

From Vergil's Fourth Georgic

by Percy Bysshe Shelley

And the cloven waters like a chasm of mountains
Stood, and received him in its mighty portal
And led him through the deep’s untrampled fountains

He went in wonder through the path immortal
Of his great Mother and her humid reign
And groves profaned not by the step of mortal

Which sounded as he passed, and lakes which rain
Replenished not girt round by marble caves
‘Wildered by the watery motion of the main

Half ‘wildered he beheld the bursting waves
Of every stream beneath the mighty earth
Phasis and Lycus which the ... sand paves,

[And] The chasm where old Enipeus has its birth
And father Tyber and Anienas[?] glow
And whence Caicus, Mysian stream, comes forth

And rock-resounding Hypanis, and thou
Eridanus who bearest like empire’s sign
Two golden horns upon thy taurine brow

Thou than whom none of the streams divine
Through garden-fields and meads with fiercer power,
Burst in their tumult on the purple brine.

The Retrospect: CWM Elan, 1812

by Percy Bysshe Shelley, 1812

A scene, which 'wildered fancy viewed
In the soul's coldest solitude,
With that same scene when peaceful love
Flings rapture's colour o'er the grove,
When mountain, meadow, wood and stream
With unalloying glory gleam,
And to the spirit's ear and eye
Are unison and harmony.
The moonlight was my dearer day;
Then would I wander far away,
And, lingering on the wild brook's shore
To hear its unremitting roar,
Would lose in the ideal flow
All sense of overwhelming woe;
Or at the noiseless noon of night
Would climb some heathy mountain's height,
And listen to the mystic sound
That stole in fitful gasps around.
I joyed to see the streaks of day
Above the purple peaks decay,
And watch the latest line of light
Just mingling with the shades of night;
For day with me was time of woe
When even tears refused to flow;
Then would I stretch my languid frame
Beneath the wild woods' gloomiest shade,
And try to quench the ceaseless flame
That on my withered vitals preyed;
Would close mine eyes and dream I were
On some remote and friendless plain,
And long to leave existence there,
If with it I might leave the pain
That with a finger cold and lean
Wrote madness on my withering mien.

It was not unrequited love
That bade my ‘wildered spirit rove;
'Twas not the pride disdaining life,
That with this mortal world at strife
Would yield to the soul's inward sense,
Then groan in human impotence,
And weep because it is not given
To taste on Earth the peace of Heaven.
'Twas not that in the narrow sphere
Where Nature fixed my wayward fate
There was no friend or kindred dear
Formed to become that spirit's mate,
Which, searching on tired pinion, found
Barren and cold repulse around;
Oh, no! yet each one sorrow gave
New graces to the narrow grave.
For broken vows had early quelled
The stainless spirit's vestal flame;
Yes! whilst the faithful bosom swelled,
Then the envenomed arrow came,
And Apathy's unaltering eye
Beamed coldness on the misery;
And early I had learned to scorn
The chains of clay that bound a soul
Panting to seize the wings of morn,
And where its vital fires were born
To soar, and spur the cold control
Which the vile slaves of earthly night
Would twine around its struggling flight.

Oh, many were the friends whom fame
Had linked with the unmeaning name,
Whose magic marked among mankind
The casket of my unknown mind,
Which hidden from the vulgar glare
Imbibed no fleeting radiance there.
My darksome spirit sought--it found
A friendless solitude around.
For who that might undaunted stand,
The saviour of a sinking land,
Would crawl, its ruthless tyrant's slave,
And fatten upon Freedom's grave,
Though doomed with her to perish, where
The captive clasps abhorred despair.

They could not share the bosom's feeling,
Which, passion's every throb revealing,
Dared force on the world's notice cold
Thoughts of unprofitable mould,
Who bask in Custom's fickle ray,
Fit sunshine of such wintry day!
They could not in a twilight walk
Weave an impassioned web of talk,
Till mysteries the spirits press
In wild yet tender awfulness,
Then feel within our narrow sphere
How little yet how great we are!
But they might shine in courtly glare,
Attract the rabble's cheapest stare,
And might command where'er they move
A thing that bears the name of love;
They might be learned, witty, gay,
Foremost in fashion's gilt array,
On Fame's emblazoned pages shine,
Be princes' friends, but never mine!

Ye jagged peaks that frown sublime,
Mocking the blunted scythe of Time,
Whence I would watch its lustre pale
Steal from the moon o'er yonder vale
Thou rock, whose bosom black and vast,
Bared to the stream's unceasing flow,
Ever its giant shade doth cast
On the tumultuous surge below:

Woods, to whose depths retires to die
The wounded Echo's melody,
And whither this lone spirit bent
The footstep of a wild intent:

Meadows! whose green and spangled breast
These fevered limbs have often pressed,
Until the watchful fiend Despair
Slept in the soothing coolness there!
Have not your varied beauties seen
The sunken eye, the withering mien,
Sad traces of the unuttered pain
That froze my heart and burned my brain.
How changed since Nature's summer form
Had last the power my grief to charm,
Since last ye soothed my spirit's sadness,
Strange chaos of a mingled madness!
Changed!--not the loathsome worm that fed
In the dark mansions of the dead,
Now soaring through the fields of air,
And gathering purest nectar there,
A butterfly, whose million hues
The dazzled eye of wonder views,
Long lingering on a work so strange,
Has undergone so bright a change.
How do I feel my happiness?
I cannot tell, but they may guess
Whose every gloomy feeling gone,
Friendship and passion feel alone;
Who see mortality's dull clouds
Before affection's murmur fly,
Whilst the mild glances of her eye
Pierce the thin veil of flesh that shrouds
The spirit's inmost sanctuary.
O thou! whose virtues latest known,
First in this heart yet claim'st a throne;
Whose downy sceptre still shall share
The gentle sway with virtue there;
Thou fair in form, and pure in mind,
Whose ardent friendship rivets fast
The flowery band our fates that bind,
Which incorruptible shall last
When duty's hard and cold control
Has thawed around the burning soul,--
The gloomiest retrospects that bind
With crowns of thorn the bleeding mind,
The prospects of most doubtful hue
That rise on Fancy's shuddering view,--
Are gilt by the reviving ray
Which thou hast flung upon my day.

Sonnet : On Launching Some Bottles Filled With Knowledge Into The Bristol Channel

by Percy Bysshe Shelley, 1812

Vessels of heavenly medicine! may the breeze
Auspicious waft your dark green forms to shore;
Safe may ye stem the wide surrounding roar
Of the wild whirlwinds and the raging seas;
And oh! if Liberty e'er deigned to stoop
From yonder lowly throne her crownless brow,
Sure she will breathe around your emerald group
The fairest breezes of her West that blow.
Yes! she will waft ye to some freeborn soul
Whose eye-beam, kindling as it meets your freight,
Her heaven-born flame in suffering Earth will light,
Until its radiance gleams from pole to pole,
And tyrant-hearts with powerless envy burst
To see their night of ignorance dispersed.

Passage Of The Apennines

by Percy Bysshe Shelley, 1818

Listen, listen, Mary mine,
To the whisper of the Apennine,
It bursts on the roof like the thunder’s roar,
Or like the sea on a northern shore,
Heard in its raging ebb and flow
By the captives pent in the cave below.
The Apennine in the light of day
Is a mighty mountain dim and gray,
Which between the earth and sky doth lay;
But when night comes, a chaos dread
On the dim starlight then is spread,
And the Apennine walks abroad with the storm,
Shrouding...

Fragment: The Vine-Shroud

by Percy Bysshe Shelley, 1818

Flourishing vine, whose kindling clusters glow
Beneath the autumnal sun, none taste of thee;
For thou dost shroud a ruin, and below
The rotting bones of dead antiquity.

The Birth Place of Pleasure

by Percy Bysshe Shelley, 1819

At the creation of the Earth
Pleasure, that divinest birth,
From the soil of Heaven did rise,
Wrapped in sweet wild melodies--
Like an exhalation wreathing
To the sound of air low-breathing
Through Aeolian pines, which make
A shade and shelter to the lake
Whence it rises soft and slow;
Her life-breathing [limbs] did flow
In the harmony divine
Of an ever-lengthening line
Which enwrapped her perfect form
With a beauty clear and warm.

Fragment: Is It That In Some Brighter Sphere

by Percy Bysshe Shelley, 1819

Is it that in some brighter sphere
We part from friends we meet with here?
Or do we see the Future pass
Over the Present’s dusky glass?
Or what is that that makes us seem
To patch up fragments of a dream,
Part of which comes true, and part
Beats and trembles in the heart?

The World's Wanderers

by Percy Bysshe Shelley, 1820

I.
Tell me, thou Star, whose wings of light
Speed thee in thy fiery flight,
In what cavern of the night
Will thy pinions close now?

II.
Tell me, Moon, thou pale and gray
Pilgrim of Heaven’s homeless way,
In what depth of night or day
Seekest thou repose now?

III.
Weary Wind, who wanderest
Like the world’s rejected guest,
Hast thou still some secret nest
On the tree or billow?

Orpheus

by Percy Bysshe Shelley, 1820

A:
Not far from hence. From yonder pointed hill,
Crowned with a ring of oaks, you may behold
A dark and barren field, through which there flows,
Sluggish and black, a deep but narrow stream,
Which the wind ripples not, and the fair moon
Gazes in vain, and finds no mirror there.
Follow the herbless banks of that strange brook
Until you pause beside a darksome pond,
The fountain of this rivulet, whose gush
Cannot be seen, hid by a rayless night
That lives beneath the overhanging rock
That shades the pool—an endless spring of gloom,
Upon whose edge hovers the tender light,
Trembling to mingle with its paramour,--
But, as Syrinx fled Pan, so night flies day,
Or, with most sullen and regardless hate,
Refuses stern her heaven-born embrace.
On one side of this jagged and shapeless hill
There is a cave, from which there eddies up
A pale mist, like aereal gossamer,
Whose breath destroys all life--awhile it veils
The rock—then, scattered by the wind, it flies
Along the stream, or lingers on the clefts,
Killing the sleepy worms, if aught bide there.
Upon the beetling edge of that dark rock
There stands a group of cypresses; not such
As, with a graceful spire and stirring life,
Pierce the pure heaven of your native vale,
Whose branches the air plays among, but not
Disturbs, fearing to spoil their solemn grace;
But blasted and all wearily they stand,
One to another clinging; their weak boughs
Sigh as the wind buffets them, and they shake
Beneath its blasts—a weatherbeaten crew!

CHORUS:

What wondrous sound is that, mournful and faint,
But more melodious than the murmuring wind
Which through the columns of a temple glides?

A:

It is the wandering voice of Orpheus’ lyre,
Borne by the winds, who sigh that their rude king
Hurries them fast from these air-feeding notes;
But in their speed they bear along with them
The waning sound, scattering it like dew
Upon the startled sense.

CHORUS:

Does he still sing?
Methought he rashly cast away his harp
When he had lost Eurydice.

A:

Ah, no!
Awhile he paused. As a poor hunted stag
A moment shudders on the fearful brink
Of a swift stream—the cruel hounds press on
With deafening yell, the arrows glance and wound,--
He plunges in: so Orpheus, seized and torn
By the sharp fangs of an insatiate grief,
Maenad-like waved his lyre in the bright air,
And wildly shrieked ‘Where she is, it is dark!’
And then he struck from forth the strings a sound
Of deep and fearful melody. Alas!
In times long past, when fair Eurydice
With her bright eyes sat listening by his side,
He gently sang of high and heavenly themes.
As in a brook, fretted with little waves
By the light airs of spring—each riplet makes
A many-sided mirror for the sun,
While it flows musically through green banks,
Ceaseless and pauseless, ever clear and fresh,
So flowed his song, reflecting the deep joy
And tender love that fed those sweetest notes,
The heavenly offspring of ambrosial food.
But that is past. Returning from drear Hell,
He chose a lonely seat of unhewn stone,
Blackened with lichens, on a herbless plain.
Then from the deep and overflowing spring
Of his eternal ever-moving grief
There rose to Heaven a sound of angry song.
’Tis as a mighty cataract that parts
Two sister rocks with waters swift and strong,
And casts itself with horrid roar and din
Adown a steep; from a perennial source
It ever flows and falls, and breaks the air
With loud and fierce, but most harmonious roar,
And as it falls casts up a vaporous spray
Which the sun clothes in hues of Iris light.
Thus the tempestuous torrent of his grief
Is clothed in sweetest sounds and varying words
Of poesy. Unlike all human works,
It never slackens, and through every change
Wisdom and beauty and the power divine
Of mighty poesy together dwell,
Mingling in sweet accord. As I have seen
A fierce south blast tear through the darkened sky,
Driving along a rack of winged clouds,
Which may not pause, but ever hurry on,
As their wild shepherd wills them, while the stars,
Twinkling and dim, peep from between the plumes.
Anon the sky is cleared, and the high dome
Of serene Heaven, starred with fiery flowers,
Shuts in the shaken earth; or the still moon
Swiftly, yet gracefully, begins her walk,
Rising all bright behind the eastern hills.
I talk of moon, and wind, and stars, and not
Of song; but, would I echo his high song,
Nature must lend me words ne’er used before,
Or I must borrow from her perfect works,
To picture forth his perfect attributes.
He does no longer sit upon his throne
Of rock upon a desert herbless plain,
For the evergreen and knotted ilexes,
And cypresses that seldom wave their boughs,
And sea-green olives with their grateful fruit,
And elms dragging along the twisted vines,
Which drop their berries as they follow fast,
And blackthorn bushes with their infant race
Of blushing rose-blooms; beeches, to lovers dear,
And weeping willow trees; all swift or slow,
As their huge boughs or lighter dress permit,
Have circled in his throne, and Earth herself
Has sent from her maternal breast a growth
Of starlike flowers and herbs of odour sweet,
To pave the temple that his poesy
Has framed, while near his feet grim lions couch,
And kids, fearless from love, creep near his lair.
Even the blind worms seem to feel the sound.
The birds are silent, hanging down their heads,
Perched on the lowest branches of the trees;
Not even the nightingale intrudes a note
In rivalry, but all entranced she listens.

FromThe Arabic: An Imitation

by Percy Bysshe Shelley, 1821

I.
My faint spirit was sitting in the light
Of thy looks, my love;
It panted for thee like the hind at noon
For the brooks, my love.
Thy barb whose hoofs outspeed the tempest's flight
Bore thee far from me;
My heart, for my weak feet were weary soon,
Did companion thee.

II.
Ah! fleeter far than fleetest storm or steed
Or the death they bear,
The heart which tender thought clothes like a dove
With the wings of care;
In the battle, in the darkness, in the need,
Shall mine cling to thee,
Nor claim one smile for all the comfort, love,
It may bring to thee.

Mutability - II.

by Percy Bysshe Shelley, 1821

I.
The flower that smiles to-day
To-morrow dies;
All that we wish to stay
Tempts and then flies.
What is this world’s delight?
Lightning that mocks the night,
Brief even as bright.

II.
Virtue, how frail it is!
Friendship how rare!
Love, how it sells poor bliss
For proud despair!
But we, though soon they fall,
Survive their joy, and all
Which ours we call.

III.
Whilst skies are blue and bright,
Whilst flowers are gay,
Whilst eyes that change ere night
Make glad the day;
Whilst yet the calm hours creep,
Dream thou—and from thy sleep
Then wake to weep.

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