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Old Woman in a Housecoat by Georgiana Cohen: American Life in Poetry #14

Often everyday experiences provide poets with inspiration. Here Georgiana Cohen observes a woman looking out her window and compares the woman to the sunset. The woman's "slumped" chin, the fence that separates them, and the "beached" cars set the poem's tone; this is clearly not a celebration of the neighborhood. Yet by turning to clouds, sky, and breath, Cohen underscores the scene's fragile grace.

Old Woman in a Housecoat

An old woman in
a floor-length housecoat
had become sunset
to me, west-facing.
Turquoise, sage, or rose,
she leans out of her
second floor window,
chin slumped in her palm,
and gazes at the
fenced property line
between us, the cars
beached in the driveway,
the creeping slide of
light across shingles.
When the window shuts,
dusk becomes blush and
bruises, projected
on vinyl siding.
Housecoats breathe across
the sky like frail clouds.



American Life in Poetry is made possible by The Poetry Foundation (www.poetryfoundation.org), publisher of Poetry magazine. It is also supported by the Department of English at the University of Nebraska-Lincoln. Reprinted from Cream City Review, 2004, by permission of the author, a writer and journalist living in Boston. Poem copyright © 2004 by Georgiana Cohen. Introduction copyright © 2009 by The Poetry Foundation. The introduction's author, Ted Kooser, served as United States Poet Laureate Consultant in Poetry to the Library of Congress from 2004-2006. We do not accept unsolicited manuscripts.

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  • nekoxchik
    June 7
    Edit | Reply
    your words amaze me
    this poem is a truly beautiful work of art

  • wow, one day i hope to make paint something half as beautiful with my words.

  • Old Woman in a Housecoat

    "Old Woman in a Housecoat" offers a stimulating reading, but it
    is more prosaic than poetic. The depicting is outstanding, and the closing lines did light the imagery.

    Andre Emmanuel Bendavi ben-YEHU

  • Papagallo
    June 6
    Edit | Reply
    the poet here has indeed painted us a picture