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Meter as a Subjective Experience

from the discoveries made while creating "From Quasimodo, on a Dairy Farm"

or "Sleight-of-Hand Meter"

or "Meter Meter Pumpkin Eater"

or "Meter is in the Eye of the Beholder"

derived from "From Quasimodo, on a Dairy Farm"

 

 

let us splash about in the puddles of the sonnet...

 

 

 

Yim-yimm-miny Macbeth, this form doth bend

my thisle-thickethed tongue 'round my sweet head;

upon the earth these demon writs descend

to raise poetic nightmares from the dead!

 

We’ll sweep the land on steeds, whose failing knees

are grinding at the joints, much like this form,

in herky-jerky, stumbling, lurching pleas

abducting any beauty from the swarm.

 

Then with thy sawblade meter, go thee rhyme:

with Quasimodo-hunchbacked lure and charm-

pretending that such mish-mush is sublime

and was not fashioned on a dairy farm.

 

Oh darn, I missed the volta, oh so sad-

I could not argue with me- as if mad!

 

 

 

 

 

 

 

So there you have it, pure iambic tetrameter.

Oh dang diddly doodle, I did a pure iambic pentameter...

 

 

 

 

Oh, why so foul, pentameter?

Thy claw digs deep into my brain-

when I must seek tetrameter

your presence drives me there insane.

 

I pray the day that you may die

in syllabaic frothing foam,

until a new orb lights the sky

above my tetramaic home.

 

But wait! Am I so cruel, unjust?

Will not your charms enfold me tight

above my breast, with love, with lust

enshrined in soul and heart tonight?

 

Such misery you’ve caused me, though

I do allow, I love you so.

  

 

 

 

 

now that was pure iambic tetrameter.

Let me convert the first poem mixed tetrameter,

mixed feet making it dance more:

 

 

 

 

 

 

Ahh, yes, Macbeth! This form doth bend

my tongue dancing 'round my pleasured head;

upon the earth these angelic writs descend-

they sing like bells that ease the dead!

 

We’ll sweep the land upon our steeds

whose limbered knees, much like this form

send prancing, jumping, graceful pleas

to coax all beauty from the swarm.

 

Then with thy jaunting meter, rhyme!

With virgin maiden's lure and charm

producing that which is sublime

-not fashioned on a dairy farm.

 

Darn, now I missed the volta twice.

So sad, it's such a game device...!

 

 

 

 

 

 

.

Now I just noticed the first two line of the original sonnet ARE tetrameter,

but mixed tetrameter like this last version, thusly:

 

Yim-yimminy Macbeth, this form doth bend
my thisle-thickethed tongue 'round my sweet head; 

 

in which the four feet are

.

1 primus paeon - iamb - iamb - iamb

2 iamb - quartus paeon - iamb - iamb

 

soooo...

let me endeavor to chisel the rest of the original poem into mixed tetrameter

(and not just pure iambic tetrameter)...

 

 

 

 

 

Yim-yimminy Macbeth, this form doth bend

my thisle-thickethed tongue 'round my sweet head;

upon the earth these demon writs descend

to raise poetic nightmares from the dead!

 

We’ll sweep the lands on steeds whose failing knees

are grinding at the joints, much like this form,

in herky-jerky, stumbling, lurching pleas

abducting any beauty from the swarm.

 

Then with thy sawblade meter, go thee rhyme:

with Quasimodo-hunchbacked lure and charm-

pretending that such mish-mush is sublime

and was not fashioned on a dairy farm.

 

Oh darn, I missed the volta, oh so sad-

I could not argue with me- as if mad!

 

 

 

.
.
.
Well I'll be dang-doodly-dingled!
I didn't have to fix anything!
The rest DOES read like a mixed tetrameter, if you want it to!
.
The four feet per line can* be thus:
.
1 primus paeon - iamb - iamb - iamb

2 iamb - quartus paeon - iamb - iamb

3 iamb - iamb - iamb - quartus paeon
4 iamb - quartus paeon - iamb - iamb
.
5 primus paeon - primus paeon - iamb - iamb
6 primus paeon - iamb - iamb - iamb
7 primus paeon - iamb - iamb - iamb
8 dactyl - anapest - iamb - iamb
.
9 primus paeon - iamb - iamb - iamb
10 dactyl - anapest - iamb - iamb
11 primus paeon - iamb - iamb -iamb
12 primus paeon - iamb - iamb - iamb
.
13 iamb - primus paeon - iamb - iamb
14 primus paeon - iamb - iamb - iamb
..
.

*I say 'can' because each line can be read a variety of ways, for example:

.

and was not fash / ioned on / a dair / y farm

( primus paeon - iamb - iamb - iam )

could be

and was / not fashioned on / a diar / y farm 

( iamb - primus paeon - iamb - iam )

or

and was / not fash / ioned on / a dair / y farm

( iamb - iamb - iamb - iamb - iamb )

(the pentameter)

 ..

.
In layman notation, the four feet per line can be thus:
(with the second half of each foot taking the accent, in bold-italics)
. 
.
Yim-yimminy / Macbeth / this form / doth bend
my thi / sle-thickethed tongue / 'round my / sweet head
upon / the earth /these de / mon writs descend
to raise / poetic night / mares from / the dead!
. 
We'll sweep the lands / on steeds, / whose fail / ing knees
are grinding at  / the joints, / much like / this form,
in herky-jerk / y stumb / ling lurch / ing pleas
abducting / any beau / ty from / the swarm.
. 
Then with thy saw / blade me / ter go / thee rhyme
with Quasi / modo hunch / backed lure / and charm
pretending that / such mish / mush is / sublime
and was not fash / ioned on / a dair / y farm.
. 
Oh darn, / I missed the vol / ta, oh / so sad-
I could not ar / gue with / me- as / if mad!

 

 

sooo...

 

through the rolling foothills of all the syllables, there are four crests,

each crest the end of a foot...

.

.

.

so if you want to read the original like pure iambic pentameter, you CAN!

thusly:

.

Yim yim / miny / MacBeth, / this form / doth bend

my thi / sle-thick / ethed tongue / 'round my / sweet head;

upon / the earth / these de / mon writs / descend

to raise / poe / tic night /mares from / the dead!

.

We'll sweep / the lands / on steeds, / whose fail / ing knees

are grind / ing at / the joints / much like / this form,

in herk / y jerk / y, stumb / ling, lurch / ing pleas

abduct / ing an / y beau / ty from / the swarm.

 .

Then with / thy saw / blade me / ter, go / thee rhyme:

with Qua / simo / do-hunch / backed lure / and charm-

pretend / ing that / such mish- / mush is / sublime

and was / not fash / ioned on /a dair / y farm.

Oh darn, / I missed / the vol / ta, oh / so sad-

I could / not ar / gue with / me- as / if mad!

..

.

and, if you want to read it like the mixed tetrameter above, you CAN!

.

Wait! There is yet another way to perceive the original sonnet-

with all lines having the same mixed-foot construct:

primus paeon - iamb - iamb - iamb

as follows:

. 
Yim-yimminy / Macbeth / this form / doth bend
my thisle-thic / kethed tongue / 'round my / sweet head
upon the earth /these de / mon writs / descend
to raise poe / tic night / mares from / the dead!
. 
We'll sweep the lands / on steeds / whose fail / ing knees
are grinding at  / the joints, / much like / this form,
in herky-jerk / y stumb / ling lurch / ing pleas
abducting an / y beau / ty from / the swarm.
. 
Then with thy saw / blade me / ter, go / thee rhyme
with Quasimo / do hunch / backed lure / and charm
pretending that / such mish / mush is / sublime
and was not fash / ioned on / a dair / y farm.
. 
Oh darn, I missed / the vol / ta, oh / so sad-
I could not ar / gue with / me- as / if mad!

 

 

..

Yes, I think all lines having the same construct is superior, somehow...

even though it may dance less.

.

so primus paeon - iamb - iamb - iamb it is to make the tetrameter.

.

.

..

Whichever way you read it,

pure iambic pentameter, mixed dancing tetrameter, or repetitive mixed tetrameter,

I hope you got your 'feet' wet...!

 

 

 

 

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