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Learning New Styles of Writing pt8

*Who would've thought that I'd be back once again with another brand new style of writing that no one has either heard of or never tried to attempt it here on A
Who would've thought that I'd be back once again with another brand new style of writing that no one has either heard of or never tried to attempt it here on AP.

Once again, your girl has came back with a new form for those who are willing to give it a go and soak up new knowledge!! So with saying that, let's jump to it....

Sestina
 
  Definition & Explanation:
    A poem consisting of six six-line stanzas and a three-line envoy. It makes no use of the refrain. This form is usually unrhymed, the effect of rhyme being taken over by a fixed pattern of end-words which demands that these end-words in each stanza be the same, though arranged in a different sequence each time.
If we take 1-2-3-5-6 to represent the end-words of the first stanza, then the first line of the second stanza must end with 6 (the last end-word used in the preceding stanza), the second with 1, the third with 5, the fourth with 2, the fifth with 4, the sixth with 3--and so to the next stanza. The order of the first three stanzas, for instance, would be: 1-2-3-4-5-6; 6-1-5-2-4-3; 3-6-4-1-2-5. The conclusion, or envoy, of three lines must use as end-words 5-3-1, these being the final end-words, in the same sequence, of the sixth stanza. But the poet must exercise even greater ingenuity than all this, since buried in each line of the envoy must appear the other three end-words, 2-6.

Thus so highly artificial a pattern affords a form which, for most poets, can never prove anything more than a poetic exercise. Yet it has been practiced with success in English by Swinburne, Kipling, and Auden.



If what was written above is still very confusing, then here is a much simpler example for you:

In a traditional Sestina:

   
The lines are grouped into six sestets and a concluding tercet. Thus a Sestina has 39 lines.

    Lines may be of any length. Their length is usually consistent in a single poem.

   
The six words that end each of the lines of the first stanza are repeated in a different order at the end of lines in each of the subsequent five stanzas. The particular pattern is given below. (This kind of recurrent pattern is 'lexical repetition'.)

    The repeated words are unrhymed.

   
The first line of each sestet after the first ends with the same word as the one that ended the last line of the sestet before it.

    In the closing tercet, each of the six words are used, with one in the middle of each line and one at the end.

   
The pattern of word-repetition is as follows, where the words that end the lines of the first sestet are represented by the numbers '1 2 3 4 5 6':

 1 2 3 4 5 6         - End words of lines in first sestet.
 6 1 5 2 4 3         - End words of lines in second sestet.
 3 6 4 1 2 5         - End words of lines in third sestet.
 5 3 2 6 1 4         - End words of lines in fourth sestet.
 4 5 1 3 6 2         - End words of lines in fifth sestet.
 2 4 6 5 3 1         - End words of lines in sixth sestet.
 (6 2) (1 4) (5 3)   - Middle and end words of lines in tercet.


Now I figured that you're asking me, "What in the world is a sestet and/or a tercet?"

>Sestet
 Definition: A stanza of six lines, especially the last six lines of an Italian or Petrarchan sonnet.

>Tercet
  Definition: A unit or group of three lines of verse, which are rhymed together or have a rhyme scheme that interlaces with an adjoining tercet;group of three lines of verse, often rhyming together or with another triplet


...I honestly hope that this format is easier for you and a perfect example of a sestina poem:

The Concord Art Association Regrets
by Pam White

   Your entry was not accepted. We regret
   it wasn't (enough for us), a work of love.
   We liked many of the colors on the whole
   but the mass was just something unrelated
   to the rest of our show. We hope your work
   will have a bright future in another place.

   We remember last year you tried to place
   another photograph and it was also with regret
   we turned you down. Though for that particular work
   we found nothing about it (no one could) to love.
   It was obscure and a little upsetting in relation
   to the rest of our show which we look on as a whole.    

   Now you may think us ungenerous. On the whole
   you are probably right, but this is our place
   and we can do what we want whether you relate
   to it or not. However we don't want you to regret
   your association with us. We want you to love
   us, send us money, but please, no more work.
 
   You see right now we need money to work
   on the building we're in. There's a hole
   in the roof and one wall needs all the love
   and attention it can get. Really the place
   needs so much, which all costs. I regret
   to remind you we need more space for related

   works. We're trying to expand and relate
   to lots of different kinds of work
   so different people won't regret
   their visit with us but will see the whole
   beauty and tranquillity of the place
   and come with us, a journey of love

   where people of all races, colors, and creeds love
   to look and bask and of course bring relations,
   friends, and lovers. All are welcome to our place
   here where all the world's magnificent work
   can be shown in its entirety, the whole
   place filled - with your exception, we regret.

   We know you'll love the whole
   work we're doing for this place.
   We can't relate enough our regret.

Now let's live, learn, and write*
 
if you're going to read then please critique

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