touching with my wand
dry stems and stunted
butterflies....
http://allpoetry.com/oauthor/denise_levertov
http://en.wikipedia.org/wiki/Denise_Levertov
http://www.poets.org/poet.php/prmPID/41
http://www.english.illinois.edu/Maps/poets/g_l/levertov/levertov.htm
httpp://www.english.illinois.edu/maps/poets/g_l/levertov/life.htm
http://www.poemhunter.com/denise-levertov/
http://www.chriscorrigan.com/parkinglot/levertov.htm
http://www.poetryfoundation.org/archive/poet.html?id=4048
http://www9.georgetown.edu/faculty/bassr/heath/syllabuild/iguide/levertov.html
The ache of marriage:
by Denise Levertov
thigh and tongue, beloved,
are heavy with it,
it throbs in the teeth
We look for communion
and are turned away, beloved,
each and each
It is leviathan and we
in its belly
looking for joy, some joy
not to be known outside it
two by two in the ark of
the ache of it.
Wanting The Moon
by Denise Levertov
Not the moon. A flower
on the other side of the water.
The water sweeps past in flood,
dragging a whole tree by the hair,
a barn, a bridge. The flower
sings on the far bank.
Not a flower, a bird calling
hidden among the darkest trees, music
over the water, making a silence
out of the brown folds of the river's cloak.
The moon. No, a young man walking
under the trees. There are lanterns
among the leaves.
Tender, wise, merry,
his face is awake with its own light,
I see it across the water as if close up.
A jester. The music rings from his bells,
gravely, a tune of sorrow,
I dance to it on my riverbank.
Settling
by Denise Levertov
I was welcomed here—clear gold
of late summer, of opening autumn,
the dawn eagle sunning himself on the highest tree,
the mountain revealing herself unclouded, her snow
tinted apricot as she looked west,
Tolerant, in her steadfastness, of the restless sun
forever rising and setting.
Now I am given
a taste of the grey foretold by all and sundry,
a grey both heavy and chill.
I've boasted I would not care,
I'm London-born.
And I won't. I'll dig in,
into my days, having come here to live, not to visit.
Grey is the price
of neighboring with eagles, of knowing
a mountain's vast presence, seen or unseen.
From the Roof
by Denise Levertov
This wild night, gathering the washing as if it were flowers
animal vines twisting over the line and
slapping my face lightly, soundless merriment
in the gesticulations of shirtsleeves,
I recall out of my joy a night of misery
walking in the dark and the wind over broken earth,
halfmade foundations and unfinished
drainage trenches and the spaced-out
circles of glaring light
marking streets that were to be
walking with you but so far from you,
and now alone in October's
first decision towards winter, so close to you--
my arms full of playful rebellious linen, a freighter
going down-river two blocks away, outward bound,
the green wolf-eyes of the Harborside Terminal
glittering on the Jersey shore,
and a train somewhere under ground bringing you towards me
to our new living-place from which we can see
a river and its traffic (the Hudson and the
hidden river, who can say which it is we see, we see
something of both. Or who can say
the crippled broom-vendor yesterday, who passed
just as we needed a new broom, was not
one of the Hidden Ones?)
Crates of fruit are unloading
across the street on the cobbles,
and a brazier flaring
to warm the men and burn trash. He wished us
luck when we bought the broom. But not luck
brought us here. By design
clean air and cold wind polish
the river lights, by design
we are to live now in a new place.
Beginners
Dedicated to the memory of Karen Silkwood and Eliot Gralla
by Denise Levertov
“From too much love of living,
Hope and desire set free,
Even the weariest river
Winds somewhere to the sea—“
But we have only begun
To love the earth.
We have only begun
To imagine the fullness of life.
How could we tire of hope?
—so much is in bud.
How can desire fail?
—we have only begun
to imagine justice and mercy,
only begun to envision
how it might be
to live as siblings with beast and flower,
not as oppressors.
Surely our river
cannot already be hastening
into the sea of nonbeing?
Surely it cannot
drag, in the silt,
all that is innocent?
Not yet, not yet—
there is too much broken
that must be mended,
too much hurt we have done to each other
that cannot yet be forgiven.
We have only begun to know
the power that is in us if we would join
our solitudes in the communion of struggle.
So much is unfolding that must
complete its gesture,
so much is in bud.
The Mutes
by Denise Levertov
Those groans men use
passing a woman on the street
or on the steps of the subway
to tell her she is a female
and their flesh knows it,
are they a sort of tune,
an ugly enough song, sung
by a bird with a slit tongue
but meant for music?
Or are they the muffled roaring
of deafmutes trapped in a building that is
slowly filling with smoke?
Perhaps both.
Such men most often
look as if groan were all they could do,
yet a woman, in spite of herself,
knows it's a tribute:
if she were lacking all grace
they'd pass her in silence:
so it's not only to say she's
a warm hole. It's a word
in grief-language, nothing to do with
primitive, not an ur-language;
language stricken, sickened, cast down
in decrepitude. She wants to
throw the tribute away, dis-
gusted, and can't,
it goes on buzzing in her ear,
it changes the pace of her walk,
the torn posters in echoing corridors
spell it out, it
quakes and gnashes as the train comes in.
Her pulse sullenly
had picked up speed,
but the cars slow down and
jar to a stop while her understanding
keeps on translating:
'Life after life after life goes by
without poetry,
without seemliness,
without love.'
Pleasures
by Denise Levertov
I like to find
what's not found
at once, but lies
within something of another nature,
in repose, distinct.
Gull feathers of glass, hidden
in white pulp: the bones of squid
which I pull out and lay
blade by blade on the draining board—
tapered as if for swiftness, to pierce
the heart, but fragile, substance
belying design. Or a fruit, mamey,
cased in rough brown peel, the flesh
rose-amber, and the seed:
the seed a stone of wood, carved and
polished, walnut-colored, formed
like a brazilnut, but large,
large enough to fill
the hungry palm of a hand.
I like the juicy stem of grass that grows
within the coarser leaf folded round,
and the butteryellow glow
in the narrow flute from which the morning-glory
opens blue and cool on a hot morning.
Various poems inspired by famous people:
http://allpoetry.com/list/32270-Inspired-by-Famous-People
http://allpoetry.com/column/by/Night%20Hope
Adding your comment:
I added 'em both, just for you, my lovely lil' petal. 
Not even close. But thanks for the thought, Allyce. 
