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Creating Literature Portfolio

I got this idea from a text book. I got at the Good Will. It opened my eyes to assess the skills and taste as a reader and writer.

Developing critical reading skills takes time and devotion to the written word. I want to share what I learned with you. I want to encourage the community to be open up and share their talents and observations with each other. Rekindle the passion of reading and exploring the hidden treasures at our site.   They use a fancy word like portfolio. I call it my note book of love. We will start with these tips first.

1. Determine how your understanding of the poem relates to a particular part of your life or              experience.

2.  See what other poems it resembles.

3.   Analyze how the poem is put together,how does it affect you?

     (Then judge how well the writer has accomplished his or her goals.)

4.  The question to ask, are you reading to be a mentally filler?

     (When we get truly involved, the reader wants to read between the lines)

5.  For example, here a short poem to read.

 

6.  Write down you first impressions. 

 

Nothing Gold Can Stay


Nature's first green is gold,
her hardest hue to hold.
Her early leaf's a flower;
But only so an hour.
The leaf subsides to leaf.
So Eden sank to grief,
So Dawn goes down to day.
Northing gold can stay.

By Robert Frost


If your mind is blank,look down below and write some of the questions out.  Are you actively reading or passively reading?  What type of reader do you want to be?  Here are some examples of questions, you may want to ask your self 


What is the age and gender? Does the culture back ground or political agenda of the author affect the poem?  Read other poems by the same author to get a better feel of his or her work. Ask yourself what is the author really saying could there be a hidden agenda to this work?


1.   What was the author's purpose for writing the poem?


2.  When the poem was written and what was happening at that moment.

3.  What year was the poem wrote, does it reflect the time period?

.
4.   Dig into the meaning of these individual words such as hue and subsides.


5.  What does the personification of Mother Nature have to do with this poem.


6.  Your prior knowledge of things that are green, things that are gold, things that won't stay.      What is your impression as a reader?


7.   What are the typical associations in myth and literature?  

              (What does our cultures say about the colors green and gold.)


8.  The reference to the Garden of Eden how does this apply to the poem.


9.   Is it an Alliteration such as "her hardest hue to hold".


10.  Could there be a rhyme, rhythm, and meter going on in a poem?


11.  What is the cause and effect? 


12.  What is the structure of a poem?


13.  Are there any associations for words like sank, down and subsides.


14.  Is this a contradiction of "Nature's first green is gold"?


15.  How do you determine what is a good poem?

 

16.   Does it fit the Literature standards of good writing?


17.   What would and earlier draft of the poem might of resemble?


18.  Could you write a story from this poem?


19.  What pictures do you visualize, as you read the words?


20   Are you rereading as you go through the poem?

 

21.  Do you  comprehend what you are reading?

 

22.   Do you have any questions that are unanswered?

 

23.   How you would you explain the poem to someone?

 Our roles as a reader and writer sometimes get blurred.   Look at the poem pretend you do not know the author.  Would your approach be the same or different?  Would you dig deeper to find the story in a story?   Let the words enfold you. What are your gut reactions to the poem?

 

 Let your words be sweet for someday you may have to eat them. Tearing at one self esteem is not sharing it is self defeating behavior.   The goal is to get the reader actively involved in the poem.   Let say for example you have there shelves. The first shelf says “let think about what is said.” The second shelf says, “This might work.” The third shelf says, “I like it just the way it is.” Feedback done in a positive manner gives growth to our work.

 

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Comments

1 - 5 of 5

  • Love of a Bullet
    April 9, 2007
    Edit | Reply
    There are a lot of really excellent points made that will transition nicely into an article I am about to write for the contest. I would very much like to reference this column in the article, but before I do the langauge should be cleaned up. As a frist step, you could run this through MS Word spell check (or the like) and then, after that, go through sentence by sentence and make sure you are saying what you want to be saying. Let me know on the other name (Raven Contest) when it is completed and I will add it to my coming article.

    Thanks for the link here... should be required reading for all the judges.

    ~Das

  • pozo
    April 6, 2007
    Edit | Reply
    Good write and good advice- I think there's two problems with the site all coming from not knowing how to analyse poetry, one all the 'positive' feedback: This was amazing, good job type thing, two the rare bit of criticism different to this seems to be people going round saying 'Do you even know HOW to write'
    Both of these are comments don't require thought which is where your advice is different. I think people should take their time with a poem, either good or bad, and either analyse its good points, advise it how to improve or both.
    Pozo


    • earthstar
      April 10, 2007
      Edit | Reply

      Food for thought

      When people say even know How to write
      Point is much simpler to say Do you know how to write? remind the of the caps rules. Then be nice I agree to disagree with your comments. I notice your work has a value to our site. Thank them for there time.
      Then I say
      Have a great day


    • Lady-Pegasus
      April 8, 2007
      Edit | Reply
      While I agree with your point, I have developed a system of commenting that has worked well for me and others that use it:
      First and final line giving the good points, for even the least liked poem has SOMETHING good to be said for it. In the middle I give a middle of the road, neutral typs of suggestion. Such as suggesting a review for spelling that may not be caught by spellcheck (usually homonym errors). Or perhpas saying that a few lines could use some smoothing.
      The reason I choose this over a detailed suggestion is for several reasons. One, if the person fixes the problem they usually say as much and this way it is not pointing to something that is not there any more. The other is that some just do not want to hear this and if they do choose to, as often happens for me, they IM or ask for further detail in a reply. I may also choose to send spelling suggestions via IM if it is only a few, for similar reasons.

      This has generated much better reception of helpful commenting. the one or two exceptions are usually people that are argumentative and defensive to start with. There is no winning with them without resorting to lip service. One other suggestion that I often use, especially if I see the artist tends to react negatively to suggestions is to use a phrase like, 'this is just my opinion'; Or 'easily repaired if you should so choose'. THis lets them know that I acknowledge that this is THEIR work and I am not being critical, simply offering suggestions.

      There are several groups that follow similar concepts in here and that is very helpful.


      • earthstar
        April 10, 2007
        Edit | Reply
        I have appreciated all your honset comments. Truly appreciate them I have been working on it hope you reread it to see where I need to improve your assistence has help me grow in my work of love
        Thank you very much

1 - 5 of 5