Acoustical• Show poetry

[my] spoken word:
www.myspace.com/acousticalwords

"Rather, I think one should write, as nearly as possible, as if he were the first person on earth and was humbly and sincerly putting on paper that which he saw and experienced and loved and lost; what his passing thoughts were and his sorrows and desires."
-Neal Cassady to Jack Kerouac



"I’ve come to know the wish list of my father
I’ve come to know the shipwrecks where he wished
I’ve come to wish aloud among the over dressed crowd
Come to witness now the sinking of the ship
Throwing pennies from the sea top next to it
And I’ve come to roam the forest past the village
With a dozen lazy horses in my cart
I’ve come here to get high,
To do more than just get by.
I’ve come to test the timber of my heart
Oh, I’ve come to test the timber of my heart
And I’ve come to be untroubled in my seeking
And I’ve come to see that nothing is for naught
I’ve come to reach out blind
to reach forward and behind
For the more I seek the more I’m sought
Yea, the more I seek the more I’m sought.

And I’ve come to meet the sheriff and his posse
To offer him the broadside of my jaw
I’ve come here to get broke
Then maybe bum a smoke
We’ll go drinking two towns over after all
Oh, we’ll go drinking two towns over after all.

And I’ve come to meet the legendary takers
I’ve only come to ask them for a lot
Oh they say I come with less
than I should rightfully posses
I say the more I buy the more I’m bought
And the more I’m bought the less I cost
And I’ve come to take their servants and their surplus
And I’ve come to take their raincoats and their speed
I’ve come to get my fill
To ransack and spill
I’ve come to take the harvest for the seed
I’ve come to take the harvest for the seed

And I’ve come to know the manger that you sleep in
I’ve come to be the stranger that you keep
I’ve come from down the road
And my footsteps never slowed
Before we met, I knew we’d meet
Before we met, I knew we’d meet

And I’ve come here to ignore your cries and heartaches
I’ve come to closely listen to you sing
I’ve come here to insist
That I leave here with a kiss
I‘ve come to say exactly what I mean
and I mean so many things.

And you’ve come to know me stubborn as a butcher
and you’ve come to know me thankless as a guest
will you recognize my face when gods awful grace
strips me of my jacket and my vest
and reveals all the treasure in my chest"
-Joe Pug, "Hymn #101"



I want to write significant prose someday.

I want to write letters like this:

Dear Lorca,

These letters are to be as temporary as our poetry is to be permanent. They will establish the bulk, the wastage that my sour-stomached contemporaries demand to help them swallow and digest the pure word. We will use up our rhetoric here so that it will not appear in our poems. Let it be consumed paragraph by paragraph, day by day, until nothing of it is left in our poetry and nothing of our poetry is left in it. It is precisely because these letters are unnecessary that they must be written.
In my last letter I spoke of the tradition. The fools that read these letters will think by this we mean what tradition seems to have meant lately—an historical patchwork (whether made up of Elizabethan quotations, guide books of the poet’s home town, or obscure bits of magic published by Pantheon) which is used to cover up the nakedness of the bare word. Tradition means much more than that. It means generations of different poets in different countries patiently telling the same story, writing the same poem, gaining and losing something with each transformation—but, of course, never really losing anything. This has nothing to do with calmness, classicism, temperament, or anything else. Invention is merely the enemy of poetry.
See how weak prose is. I invent a word like invention. These paragraphs could be translated, transformed by a chain of fifty poets in fifty languages, and they still would be temporary, untrue, unable to yield the substance of a single image. Prose invents—poetry discloses.
A mad man is talking to himself in the room next to mine. He speaks in prose. Presently I shall go to a bar and there one or two poets will speak to me and I to them and we will try to destroy each other or attract each other or even listen to each other and nothing will happen because we will be speaking in prose. I will go home, drunken and dissatisfied, and sleep—and my dreams will be prose. Even the subconscious is not patient enough for poetry.
You are dead and the dead are very patient.

Love,
Jack











.............
Like the ocean
Like the skies
Like oblivion
Like your eyes
.............