Forgetfulness
by Billy Collins (author of Nine Horses)
The name of the author is the first to go
followed obediently by the title, the plot,
the heartbreaking conclusion, the entire novel
which suddenly becomes one you have never read, never even heard of,
as if, one by one, the memories you used to harbor
decided to retire to the southern hemishere of the brain,
to a little fishing village where there are no phones.
Long ago you kissed the names of the nine Muses good-bye
and watched the quadratic equation pack its bag,
and even now as you memorize the order of the planets,
something else is slipping away, a state flower perhaps,
the address of an uncle, the capital of Paraguay.
Whatever it is you are struggling to remember
it is not poised on the tip of your tongue,
not even lurking in some abscure corner of your spleen.
It has floated away down a dark mythological river
whose name begins with an L as far as you can recall,
well on your own way to oblivion where you will join those
who have even forgotten how to swim and how to ride a bicycle.
No wonder you rise in the middle of the night
to look up the date of a famous battle in a book on war.
No wonder the moon is the window seems to have drifted
out of a love poem that you used to know by heart.
My Heart
by Billy Collins (author of Nine Horses)
It has a bronze covering inlaid with silver,
Originally gilt;
The sides are decorated with openwork zoomorphic
Panels depicted events in the history
Of the unknown religion.
The convoluted top-piece shows a high
Level of relief articulation
As do the interworked spiral at the edges.
It was presumably carried in the house-shaped
Reliquary alongside it, an object of exceptional
Ornament one of the few such pieces extant.
The handle, worn smooth, indicates its use
In long-forgotten rituals, perhaps
Of a sacrificial nature.
It is engirded with an inventive example
Of gold interlacing, no doubt of Celtic influence.
Previously thought to be a pre-Carolinian work,
It is now considered to be of more recent provenance,
Probably the early 1940s.
The ball at the center, visibly
Through the interstices of the lead webbing
And the elaborate copper grillwork,
Is composed possibly of jelly
Or an early version of water,
Certainly a liquid, remarkably suspended
Within the intricate craftsmanship of its encasement.
by Billy Collins (author of Nine Horses)
The name of the author is the first to go
followed obediently by the title, the plot,
the heartbreaking conclusion, the entire novel
which suddenly becomes one you have never read, never even heard of,
as if, one by one, the memories you used to harbor
decided to retire to the southern hemishere of the brain,
to a little fishing village where there are no phones.
Long ago you kissed the names of the nine Muses good-bye
and watched the quadratic equation pack its bag,
and even now as you memorize the order of the planets,
something else is slipping away, a state flower perhaps,
the address of an uncle, the capital of Paraguay.
Whatever it is you are struggling to remember
it is not poised on the tip of your tongue,
not even lurking in some abscure corner of your spleen.
It has floated away down a dark mythological river
whose name begins with an L as far as you can recall,
well on your own way to oblivion where you will join those
who have even forgotten how to swim and how to ride a bicycle.
No wonder you rise in the middle of the night
to look up the date of a famous battle in a book on war.
No wonder the moon is the window seems to have drifted
out of a love poem that you used to know by heart.
My Heart
by Billy Collins (author of Nine Horses)
It has a bronze covering inlaid with silver,
Originally gilt;
The sides are decorated with openwork zoomorphic
Panels depicted events in the history
Of the unknown religion.
The convoluted top-piece shows a high
Level of relief articulation
As do the interworked spiral at the edges.
It was presumably carried in the house-shaped
Reliquary alongside it, an object of exceptional
Ornament one of the few such pieces extant.
The handle, worn smooth, indicates its use
In long-forgotten rituals, perhaps
Of a sacrificial nature.
It is engirded with an inventive example
Of gold interlacing, no doubt of Celtic influence.
Previously thought to be a pre-Carolinian work,
It is now considered to be of more recent provenance,
Probably the early 1940s.
The ball at the center, visibly
Through the interstices of the lead webbing
And the elaborate copper grillwork,
Is composed possibly of jelly
Or an early version of water,
Certainly a liquid, remarkably suspended
Within the intricate craftsmanship of its encasement.
- Last seen 2 days ago. Member since June 19, 2005.
- I'm a jade dragon poet for 288 comments.
- My mood is , and quote is "In principio erat verbum et verbum erat apud deum".
- I am a 20 year old girl (United States)
- When I'm not writing, I'm in sc hool.


- I have 288 comments, 4 contests, 2 addlines, 4 columns, 66 poems
My Poetry
-
Every time I think of you
salt pearls run down this porcine skin14 lines, October 15 -
"And our scars remind us that the past is real. I tear my heart open just to feel" -Scars by Papa Roach
18 lines, 1 comment, September 6
Guest Book
1 - 4 of 5
Show all
-
Death isnt the end : hey on April 23Bo hows it going
-
Sunday Rain on May 25, 2006Thank you,
-
AerinAlanna on October 11, 2005I really love the two poems in your biography! I am an ardent admirer of anything that has to do with Fantasy or medieval times, or Chivalry, so those really appealed to my sense of poetic justice. Thanks for the comment on my poem!
~Amanda -
crisstiena on August 10, 2005Hi
Thank you so much for your lovely comment on Threads.
yes, we have living DNA - it is what makes us what we are.
I see you are fairly new to the site. I hope you are liking
it. I will try [time permitting] to get back and read some
of your work. I like meeting new people
Anything you want, just shout.
blessed be ~ crisstiena
